|
Candid Records
Candid Records was a jazz record label first established in New York City. Early Candid Records The CANDID jazz label was founded in New York City in 1960 as a subsidiary of Cadence Records, owned by Archie Bleyer. The jazz writer and civil rights activist Nat Hentoff was the label's (A&R) director and, consequently, he attempted to create a catalog that represented the prevalent jazz music of the day. Hentoff also worked with the graphic designer and photographer Frank Gauna to create Candid's distinctive album covers. Candid's catalog included Don Ellis, Abbey Lincoln, Booker Little, Charles Mingus, and Cecil Taylor. Later, the label was acquired by pop singer Andy Williams, who either reissued the catalog on his own Barnaby label or licensed them to foreign record companies into the 1970s and late 1980s. The Cadence-era Discography The 34 Cadence-era LPs In 1964, due to its financial difficulties, Archie Bleyer opted to shut down Cadence Records, parent company of Can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadence Records
Cadence Records was an American record company based in New York City whose labels had a picture of a metronome. It was founded by Archie Bleyer, who had been the musical director and orchestra leader for Arthur Godfrey in 1952. Cadence also launched a short-lived jazz subsidiary, Candid Records. The first recording star for Cadence was a Godfrey alumnus, Julius La Rosa. Other Godfrey alumni signed to the label included the Chordettes. Bleyer had written a few hit songs in 1932–34 (Fletcher Henderson's "Business in F" is a good example) and had a band that recorded for ARC Records, ARC in 1934 and 1935 (his records were issued on Vocalion Records, Vocalion, Melotone Records (US), Melotone, Perfect Records, Perfect and Romeo Records, Romeo). According to legend, Bleyer was fired from the Godfrey show when he signed someone Godfrey regarded as a rival to a record deal (Godfrey later fired singer Julius La Rosa in October 1954, causing a storm of controversy at the time). The lab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Record
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nancy Harrow
Nancy Harrow (born October 3, 1930, New York City) is an American jazz singer and songwriter. Career Harrow studied classical piano beginning at age seven, then decided to pursue careers in dancing and singing. She released an album for Candid Records in 1961 (featuring Kenny Burrell, Buck Clayton, Dickie Wells, and Milt Hinton) and one for Atlantic Records in 1963 (featuring John Lewis, Dick Katz, Phil Woods, Jim Hall, Richard Davis, and Connie Kay), then left music to raise a family. She returned to music in 1975. Since then she has worked with Katz and Woods, Clark Terry, Roland Hanna, and Bob Brookmeyer. She recorded albums based on ''The Lost Lady'' by Willa Cather and ''The Marble Faun'' by Nathaniel Hawthorne. Her album ''Winter Dreams'', based on the life of F. Scott Fitzgerald, was used for the musical ''This Side of Paradise'', which ran for six weeks in New York City in 2010 at the Theatre at St. Clements and in 2013 at the History Theatre in St. Paul, Minnesota. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Straight Horn Of Steve Lacy
''The Straight Horn of Steve Lacy'' is the third album by Steve Lacy and the first to be released on the Candid label in 1961. It features performances of tunes written by Thelonious Monk, Cecil Taylor, Miles Davis, by Lacy, Charles Davis, John Ore and Roy Haynes. Reception The Allmusic review by Scott Yanow awarded the album 5 stars stating "Some of soprano saxophonist Steve Lacy's most interesting recordings are his earliest ones. After spending periods of time playing with Dixieland groups and then with Cecil Taylor (which was quite a jump), Lacy made several recordings that displayed his love of Thelonious Monk's music plus his varied experiences. On this particular set, Lacy's soprano contrasts well with Charles Davis' baritone (they are backed by bassist John Ore and drummer Roy Haynes) on three of the most difficult Monk tunes ("Introspection," "Played Twice," and "Criss Cross") plus two Cecil Taylor compositions and Charlie Parker's "Donna Lee."".Yanow, S.Allmusic Review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve Lacy (saxophonist)
Steve Lacy (born Steven Norman Lackritz; July 23, 1934 – June 4, 2004) was an American jazz saxophonist and composer recognized as one of the important players of soprano saxophone. Coming to prominence in the 1950s as a progressive dixieland musician, Lacy went on to a long and prolific career. He worked extensively in experimental jazz and to a lesser extent in free improvisation, but Lacy's music was typically melodic and tightly-structured. Lacy also became a highly distinctive composer, with compositions often built out of little more than a single questioning phrase, repeated several times. The music of Thelonious Monk became a permanent part of Lacy's repertoire after a stint in the pianist's band, with Monk's works appearing on virtually every Lacy album and concert program; Lacy often partnered with trombonist Roswell Rudd in exploring Monk's work. Beyond Monk, Lacy performed the work of jazz composers such as Charles Mingus, Duke Ellington and Herbie Nichols; unlik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The World Of Cecil Taylor
''The World of Cecil Taylor'' is an album by Cecil Taylor recorded for the Candid label in October 1960. The album features performances by Taylor with Archie Shepp, Buell Neidlinger and Denis Charles. Alternate takes from these sessions were released on ''Air'' in 1987. A 1971 reissue of the original album on the Barnaby label was also titled ''Air''. Some of the tracks the pianist chose to release on this album were improvised, single-take pieces, while others were the result of multiple takes. The track titled "Air" required 29 takes before being approved by Taylor. Reception In a review for AllMusic, Brian Olewnick wrote: "One can only imagine what the reaction of the average jazz fan was in 1960 when this session was recorded. This is a wonderful document from early in Taylor's career, when he was midway between modernist approaches to standard material and his own radical experiments that would come to full fruition a few years hence... What's extra amazing is how deeply e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Mingus Presents Charles Mingus
''Charles Mingus Presents Charles Mingus'' is an album by the jazz double bassist and composer Charles Mingus, recorded in October 1960 and released in December of the same year. The quartet of Mingus, multi-instrumentalist Eric Dolphy, trumpeter Ted Curson, and drummer Dannie Richmond constituted Mingus' core working band at the time, and had been performing the material on this album for weeks at The Showplace in New York. To recreate this atmosphere, Mingus introduces the songs as if he were speaking to the audience, even admonishing them to not applaud or rattle their glasses. This explains why the recordings on ''Presents'' would seemingly give off the illusion of a live album, when in fact it is a studio album. The album was recorded in New York for the Candid label, founded by Nat Hentoff. Mingus usually recorded on major labels like Columbia and Atlantic, but he was given more freedom on Hentoff's independent label. ''Presents'' has received positive reviews from jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
How Time Passes
''How Time Passes'' is the debut album by trumpeter Don Ellis recorded in 1960 and released on the Candid label. accessed May 24, 2013 Reception Scott Yanow of states, "Trumpeter Don Ellis' initial recording as a leader (and first of four small group dates from the 1960-1962 period) found him stretching the boundaries of bop-based jazz and experimenting a bit with time and tempo... Although these musical experiments failed to be influential (Ellis himself went in a different direction a few years later), the unpredictable music is still quite interesting to hear".Yanow, S[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Horn In Town
''New Horn in Town'' is the sole album led by trumpeter Richard Williams featuring performances recorded in late 1960 and originally released on the Candid label.Edwards, D., & Callahan, M.Candid Records discographyaccessed October 19, 2015 accessed October 19, 2015 Reception Scott Yanow of wrote: "Considering how well trumpeter Richard Williams plays on this session, it is hard to believe that this was the only record he ever led. ...a set of strong hard bop".Track listing ''All compositions by Richard Williams except as indicated'' # " I Can Dream, Can't I?" ([...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Williams (musician)
Richard Gene Williams (May 4, 1931 – November 4, 1985) was an American jazz trumpeter. Biography Williams was born in Galveston, Texas, and played tenor saxophone early in his life before picking up trumpet as a teenager. He played in local Texas bands and attended Wiley College, where he majored in music. After serving in the Air Force from 1952–56, he toured Europe with Lionel Hampton, and upon his return took a master's degree at the Manhattan School of Music. Williams played with Charles Mingus at the Newport Jazz Festival in 1959, and recorded with Mingus starting in that year. He recorded his only session as a leader, ''New Horn in Town'' (1960) for Candid Records, and featuring Reggie Workman, Leo Wright, Richard Wyands, and Bobby Thomas. Williams was a sideman on many releases for Blue Note, Impulse!, New Jazz, Riverside, and Atlantic in the 1960s. Among the musicians he worked with, apart from Mingus, are Oliver Nelson, Grant Green, Lou Donaldson, Yusef Lateef, Gig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
We Insist!
''We Insist!'' (subtitled ''Max Roach's Freedom Now Suite'') is a jazz album released on Candid Records in 1961. It contains a suite which composer and drummer Max Roach and lyricist Oscar Brown had begun to develop in 1959 with a view to its performance in 1963 on the centennial of the Emancipation Proclamation.LP liner notes by Nat Hentoff. C.H. Garrigues, "A New Jazz Label Voices a Shocking Call for Freedom," ''San Francisco Examiner,'' March 12, 1961, page 23 The cover references the sit-in movement of the Civil Rights Movement. ''The Penguin Guide to Jazz'' awarded the album one of its rare crown accolades, in addition to featuring it as part of its Core Collection. The music consists of five selections concerning the Emancipation Proclamation and the growing African independence movements of the 1950s. Only Roach and vocalist Abbey Lincoln perform on all five tracks, and one track features a guest appearance by saxophonist Coleman Hawkins. In 2022, the album was selected by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
