Canadian Exhibition At The Louisiana Purchase Exposition
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Canadian Exhibition At The Louisiana Purchase Exposition
The Canadian exhibition at the Louisiana Purchase Exposition was the country's contribution to what was commonly called the St. Louis World's Fair, held in St. Louis, Missouri, United States, in 1904. The exhibition included a showcase of Canadian natural resources and fine art. Background The 1904 Louisiana Purchase Exposition in Missouri, United States was the largest exhibition held in the Western hemisphere to date. Canada was one of 62 nations invited to participate. The Canadian government erected a Canadian pavilion, spending more than $30,000 on the building and on beautifying the grounds. The official guide to the exhibition said the pavilion where Canada's forest, game and fruit wealth was exhibited was a spacious structure, said to be a clubhouse. The building was designed by Lawrence Fennings Taylor in a Gothic style. Fine art from Canada was shown in another building, the Palace of Fine Arts (today the central part is the St. Louis Art Museum), in galleries 49 to ...
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Louisiana Purchase Exposition
The Louisiana Purchase Exposition, informally known as the St. Louis World's Fair, was an World's fair, international exposition held in St. Louis, Missouri, United States, from April 30 to December 1, 1904. Local, state, and federal funds totaling $15 million were used to finance the event. More than 60 countries and 43 of the then-45 American states maintained exhibition spaces at the fair, which was attended by nearly 19.7 million people. Historians generally emphasize the prominence of the themes of Race (human categorization), race and imperialism, and the fair's long-lasting impact on intellectuals in the fields of history, art history, architecture and anthropology. From the point of view of the memory of the average person who attended the fair, it primarily promoted entertainment, consumer goods and popular culture. The monumental Greco-Roman architecture of this and other fairs of the era did much to influence permanent new buildings and master plans of major cities. ...
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Royal Canadian Academy
The Royal Canadian Academy of Arts (RCA) is a Canadian arts-related organization that was founded in 1880. History 1880 to 1890 The title of Royal Canadian Academy of Arts was received from Queen Victoria on 16 July 1880. The Governor General of Canada, the Marquess of Lorne, was its first patron. The painter Lucius O’Brien was its first President. The objects of the Academy as stated in the 1881 publication of the organization's constitution were three-fold: *First - the institution of a National Gallery at the seat of Government; *Second - the holding of Exhibitions in the principal cities of the Dominion; *Third - the establishment of Schools of Art and Design. In the same publication, two levels of membership were described: Academicians and Associates. No more than forty individuals could be Academicians at one time, while the number of Associates was not limited. All Academicians were required to give an example of their work to the collection of the National Gallery ...
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George Agnew Reid
George Agnew Reid (also known as G. A. Reid) (July 25, 1860 – August 23, 1947) was a Canadian artist, painter, influential educator and administrator. He is best known as a genre painter, but his work encompassed the mural, and genre, figure, historical, portrait and landscape subjects. Early life G. A. Reid was born on his family's farm in Wingham, Ontario. After briefly apprenticing with an architect, he was trained at the Ontario School of Art, Toronto in 1879, where he studied with Robert Harris. Afterwards, he studied at the Pennsylvania Academy of the Fine Arts from 1882 to 1885 where he was a protégé of Thomas Eakins. He met his first wife artist Mary Hiester Reid at the Pennsylvania Academy, married her in 1885 and remained with her until her death in 1921. He also studied at the Académie Julian, with Jean-Joseph Benjamin-Constant, and at the Académie Colarossi in Paris, and the Prado in Madrid (1888–1889). He and his wife also made a number of study tri ...
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William Hope (artist)
William R. Hope (May 18, 1863- February 5, 1931), was a prominent Canadian painter, draftsman and war artist, noted for his landscapes. Early life and education Born into a wealthy family at Montreal, Canada East, he travelled to Paris in the 1880s to study art, frequently practicing in the Forest of Fontainebleau. Afterwards he continued his studies in the Netherlands and Italy. Returning to Montreal, he quickly became an influential member of the Montreal art community and of the Royal Canadian Academy of Arts, to which he was elected a member of the council in 1906. Career Hope painted in oils, watercolours and ink; travelling widely throughout rural Quebec drawing landscapes, harbours, boats, marine views, mountains, interiors and historic buildings; several of which can be seen at the McCord Museum. Hope was awarded a bronze medal for his work at the Canadian exhibition at the Louisiana Purchase Exposition in St. Louis, Missouri in 1904 and in 1924, his painting ''The Sand ...
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John A
Sir John Alexander Macdonald (January 10 or 11, 1815 – June 6, 1891) was the first prime minister of Canada, serving from 1867 to 1873 and from 1878 to 1891. The dominant figure of Canadian Confederation, he had a political career that spanned almost half a century. Macdonald was born in Scotland; when he was a boy his family immigrated to Kingston in the Province of Upper Canada (today in eastern Ontario). As a lawyer, he was involved in several high-profile cases and quickly became prominent in Kingston, which elected him in 1844 to the legislature of the Province of Canada. By 1857, he had become premier under the colony's unstable political system. In 1864, when no party proved capable of governing for long, Macdonald agreed to a proposal from his political rival, George Brown, that the parties unite in a Great Coalition to seek federation and political reform. Macdonald was the leading figure in the subsequent discussions and conferences, which resulted in the Brit ...
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Clarence Gagnon
Clarence Alphonse Gagnon, LL. D. (November 8, 1881 – January 5, 1942) was a French Canadian painter, draughtsman, engraver and illustrator. He is known for his landscape paintings of the Laurentians and the Charlevoix region of eastern Quebec. Early years and training Clarence Alphonse Gagnon was born in Montreal, Quebec on November 8, 1881. He was the son of Alphonse E. Gagnon, a milling manager, and a cultured English mother, who was interested in literature. Part of his childhood was spent in Sainte Rose, a village north of Montreal. Early in life, his mother had encouraged him to learn drawing and painting, but his father wanted him to become a businessman. He studied with William Brymner at the Art Association of Montreal in 1897, the same year that Brymner delivered a lecture on Impressionism at the school. Brymner, as he did with many of his students, encouraged Gagnon to study in Paris, and with the financial support of a wealthy patron, James Morgan, Gagnon enrol ...
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Maurice Cullen (artist)
Maurice Cullen (June 6, 1866 – March 28, 1934) is considered to be one of the first Impressionist artists in Canada. He is best known for his paintings of snow and for his ice harvest scenes where horse-drawn sleighs travel across the frozen waters of Quebec in the winter. Life and work Cullen was born in St. John's, Newfoundland.Cybermuse Maurice Cullen, bio notes In 1870 his family moved to Montreal, Quebec where he began his art training studying sculpture at the Conseil des Arts et Manufactures and with the sculptor Louis-Philippe Hébert at the Monument National. In 1888, he travelled to Paris and took courses at the École des Beaux-Arts with Jean-Léon Gérôme and at the Académie Colarossi with Gustave Courtois and L.A. Rixens. He later studied at the Académie Julian and was admitted to the École des Beaux-Arts in 1890 and studied with Élie Delaunay and Alfred Philippe Roll. Although he received academic training, he was influenced in his painting by the Impress ...
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Frederick Challener
Frederick Sproston Challener (1869–1959), also known as F.S. Challener, was a Canadian painter of murals as well as an easel painter of oils and watercolours and a draftsman in black-and-white and pastel. He also did illustrations for books and commercial art. He "easily ranks with the first few mural decorators in Canada", wrote Newton MacTavish, author of ''The Fine Arts in Canada'' (MacMillan, 1925) Biography Early years Challener was born in Whetstone, Middlesex, England. His father was the cabinetmaker, Edwin Challener. His family moved to Canada in 1870, but returned to England in 1876 where Frederick attended school, then came back to Canada permanently in 1883. He worked as an office boy for a business firm and drew individuals he saw from a window. Artist and photographer, John Arthur Fraser, of the Notman and Fraser firm, recognized his talent and paid for him to attend the Ontario School of Art at night (from 1884 to 1886). Afterwards, Challener studied at the ...
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William Brymner
William Brymner, (December 14, 1855 – June 18, 1925) was a Canadian figure and landscape painter and educator. In addition to playing a key role in the development of Impressionism in Canada, Brymner taught numerous artists who became leading figures in Canadian modern art. Early years Born in Greenock, Scotland, the son of Douglas Brymner the first Dominion Archivist and Jean Thomson, Brymner moved with his family to Melbourne, Canada East in 1857. In 1864, his family moved to Montreal, Canada East. They later lived in the area of Ottawa, Canada West where Brymner attended the Ottawa Grammar School. Following architectural studies, Brymner enrolled at the Académie Julian in Paris, France, in 1878, where his instructors were William-Adolphe Bouguereau and Tony Robert-Fleury. Both of his teachers were famous exponents of 'Grand manner' naturalism. During this period at the Salon Brymner became interested in the work of Jean-Louis Ernest Meissonier, who was already pop ...
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Homer Watson
Homer Ransford Watson (January 14, 1855 – May 30, 1936) was a Canadian landscape painter. He has been characterized as the painter who first painted Canada as Canada, rather than as a pastiche of European painting. He was a member and president (1918–1922) of the Royal Canadian Academy of Arts, as well as a founding member and first president (1907–1911) of the Canadian Art Club. Although Watson had almost no formal training, by the mid-1920s he was well known and admired by Canadian collectors and critics, his rural landscape paintings making him one of the central figures in Canadian art from the 1880s until the First World War. Life and career Homer Ransford Watson was born on 14 January 1855, in Doon, Ontario, the second of Ransford and Susan Mohr Watson's five children. A small village founded in the 1830s at the junction of Schneider's Creek and the Grand River, Doon's earliest documented population was 150 in the 1871 census. Watson descended from German Menn ...
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Frederic Marlett Bell-Smith
Frederic Marlett Bell-Smith (also known as F. M. Bell-Smith) (September 26, 1846 – June 23, 1923) was a Canadians, Canadian landscape painter known for his works of the Rocky Mountains and the Selkirk Range, Quebec and Maine. Early life Bell-Smith emigrated to Canada from England in 1866. He had studied painting in England at the South Kensington School of Art and worked as an artist and photographer in Montreal until 1871, when he moved to Toronto. Throughout the 1870s and 1880s he sketched, painted, and taught art classes in Toronto, Hamilton, Ontario, Hamilton, and London, Ontario.Roger Boulet, ''Frederic Marlett Bell-Smith (1846-1923)'' (Victoria: Art Gallery of Greater Victoria, 1977). He returned to study in Paris at the Académie Colarossi in 1896. Painting the Rocky Mountains In 1886 Bell-Smith seized the opportunity to paint the Canadian Rockies when the Vice-President of the Canadian Pacific Railway (CPR), William Cornelius Van Horne, offered free travel passes to ...
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Edmund Wyly Grier
Sir Edmund Wyly Grier DCL (also known as E. Wyly Grier) (November 26, 1862 – December 7, 1957) was an Australian born Canadian portrait painter. Career Grier first came to Canada with his parents in 1876 and attended Upper Canada College but when he graduated, he and his parents went back to England so that he could study at the Slade School of Art in London.A Dictionary of Canadian Artists, volumes 1-8 by Colin S. MacDonald, and volume 9 (online only), by Anne Newlands and Judith Parker National Gallery of Canada / Musée des beaux-arts du Canada He studied at the Slade with Alphonse Legros, in Rome at the Scuola Libera del Nudo, and in Paris at the Académie Julian with Adolphe Bouguereau and Tony Robert-Fleury. He exhibited from 1886 to 1895 at the Royal Society of British Artists and at the Royal Academy. In 1890, he won a gold medal at the Paris Salon. In 1891, he returned to Canada to stay, opening a portrait studio in Toronto. He painted numerous portraits of politicia ...
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