Canadian Government Motion Picture Bureau
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Canadian Government Motion Picture Bureau
The Canadian Government Motion Picture Bureau (CGMPB; )—founded as the Exhibits and Publicity Bureau—was the film production agency of the Government of Canada administered by the Department of Trade and Commerce, and intended to promote trade and industry. Created in 1918, it was the first government film production organization in the world.McIntosh, Andrew, and Peter Morris. 2017 February 3.Canadian Government Motion Picture Bureau" ''The Canadian Encyclopedia''. Its purpose, according to the Minister of Trade and Commerce, was "advertising abroad Canada's scenic attractions, agricultural resources and industrial development," and much of its production was devoted to producing travelogues and industrial films. It also produced early Canadian documentaries such as '' Lest We Forget'' (1935), a compilation film (using newsreel footage with staged sequences) recounting Canada's role in the First World War, written, directed, and edited by Frank Badgley, the director of the B ...
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National Film Board Of Canada
The National Film Board of Canada (NFB; french: Office national du film du Canada (ONF)) is Canada's public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries. History Canadian Government Motion Picture Bureau The Exhibits and Publicity Bureau was founded on 19 September 1918, and was reorganized into the Canadian Government Motion Picture Bureau in 1923. The organization's budget stagnated and declined during the Great Depression. Frank Badgley, who served as the bureau's director from 1927 to 1941, stated that the bure ...
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Chile
Chile, officially the Republic of Chile, is a country in the western part of South America. It is the southernmost country in the world, and the closest to Antarctica, occupying a long and narrow strip of land between the Andes to the east and the Pacific Ocean to the west. Chile covers an area of , with a population of 17.5 million as of 2017. It shares land borders with Peru to the north, Bolivia to the north-east, Argentina to the east, and the Drake Passage in the far south. Chile also controls the Pacific islands of Juan Fernández, Isla Salas y Gómez, Desventuradas, and Easter Island in Oceania. It also claims about of Antarctica under the Chilean Antarctic Territory. The country's capital and largest city is Santiago, and its national language is Spanish. Spain conquered and colonized the region in the mid-16th century, replacing Inca rule, but failing to conquer the independent Mapuche who inhabited what is now south-central Chile. In 1818, after declaring in ...
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Cinema Of Canada
Cinema in Canada dates back to the earliest known display of film in Saint-Laurent, Quebec, in 1896. The film industry in Canada has been dominated by the United States, which has utilized Canada as a shooting location and to bypass British film quota laws, throughout its history. Canadian filmmakers, English and French, have been active in the development of cinema in the United States. Films by Thomas A. Edison, Inc. were some of the first to arrive in Canada and early films made in the country were produced by Edison Studios. Canadian Pacific Railway and other railways supported early filmmaking including James Freer, whose '' Ten Years in Manitoba'' was the first known film by a Canadian. ''Evangeline'' is the earliest recorded Canadian feature film. George Brownridge and Ernest Shipman were major figures in Canadian cinema in the 1920s and 1930s. Shipman oversaw the production the most expensive film up to that point. Brownridge's career led to '' Carry on, Sergeant!'' an ...
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William Lyon Mackenzie King
William Lyon Mackenzie King (December 17, 1874 – July 22, 1950) was a Canadian statesman and politician who served as the tenth prime minister of Canada for three non-consecutive terms from 1921 to 1926, 1926 to 1930, and 1935 to 1948. A Liberal, he was the dominant politician in Canada from the early 1920s to the late 1940s. King is best known for his leadership of Canada throughout the Great Depression and the Second World War. He played a major role in laying the foundations of the Canadian welfare state and established Canada's international reputation as a middle power fully committed to world order. With a total of 21 years and 154 days in office, he remains the longest-serving prime minister in Canadian history. Born in Berlin, Ontario (now Kitchener), King studied law and political economy in the 1890s and became concerned with issues of social welfare. He later obtained a PhD – the only Canadian prime minister to have done so. In 1900, he became deputy minister ...
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John Grierson
John Grierson (26 April 1898 – 19 February 1972) was a pioneering Scottish documentary maker, often considered the father of British and Canadian documentary film. In 1926, Grierson coined the term "documentary" in a review of Robert J. Flaherty's '' Moana''.Ann Curthoys, Marilyn Lakebr>Connected worlds: history in transnational perspective, Volume 2004p.151. Australian National University Press Early life Grierson was born in the old schoolhouse in Deanston, near Doune, Scotland, to schoolmaster Robert Morrison Grierson from Boddam, near Peterhead, and Jane Anthony, a teacher from Ayrshire. His mother, a suffragette and ardent Labour Party activist, often took the chair at Tom Johnston's election meetings. The family moved to Cambusbarron, Stirling, in 1900, when the children were still young, after Grierson's father was appointed headmaster of Cambusbarron school. When the family moved, John had three elder sisters, Agnes, Janet, and Margaret, and a younger brother, ...
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Canadian High Commissioner In London
The High Commission of Canada in the United Kingdom (french: Haut-commissariat du Canada au Royaume-Uni) is the diplomatic mission of Canada to the United Kingdom. It is housed at Canada House on Trafalgar Square in central London, with an additional Regional Service Centre at 3 Furzeground Way in Stockley Park, Uxbridge. History The Canadian high commission in London is Canada's oldest diplomatic posting, having been established in 1880. Canada House, in Trafalgar Square, became the site of the mission in 1923. In 1962, Canada also acquired the former American Embassy at 1, Grosvenor Square in London's Mayfair district, and it was renamed Macdonald House. Macdonald House was the official residence of the Canadian High Commissioner until the building was vacated in mid-December 2014, after having been sold for redevelopment. Canada's presence in London goes back to 1869, when Sir John Rose, 1st Baronet was appointed as Canada's informal representative in Britain. This was th ...
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Vincent Massey
Charles Vincent Massey (February 20, 1887December 30, 1967) was a Canadian lawyer and diplomat who served as Governor General of Canada, the 18th since Confederation. Massey was the first governor general of Canada who was born in Canada after Confederation. Massey was born into an influential Toronto family and was educated in Ontario and England, obtaining a degree in law and befriending future prime minister William Lyon Mackenzie King while studying at the University of Oxford. He was commissioned into the military in 1917 for the remainder of the First World War and, after a brief stint in the Canadian Cabinet, began his diplomatic career, serving in envoys to the United States and United Kingdom. Upon his return to Canada in 1946, Massey headed a royal commission on the arts between 1949 and 1951, which resulted in the Massey Report and subsequently the establishment of the National Library of Canada and the Canada Council of the Arts, among other grant-giving agencies. ...
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Ross McLean (civil Servant)
John Ross McLean (1905-1984), the 11th of 12 children of a Northern Manitoba minister and farmer, was born in the small prairie village of Ethelbert in 1905. He became a Canadian journalist and civil servant. In the latter role he served as the Commissioner of the National Film Board of Canada (NFB) in the 1940s, having previously been instrumental in the foundation of the Board the previous decade. Early years In the 1920s McLean studied at Brandon College, and then later at the University of Manitoba. After gaining his MA from Manitoba in 1927, he won a Rhodes Scholarship to Balliol College at the University of Oxford in the United Kingdom. After completing his academic career in 1931, he moved to work in the United States, for the Unemployment Relief Commission of Northern Illinois. In 1932 he returned to Canada, working for the Association of Canadian Clubs and also engaging in a journalistic career. He wrote for '' Saturday Night'' and ''Canadian Forum'' magazines, and in ...
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Cinema Of The United States
The cinema of the United States, consisting mainly of major film studios (also known as Hollywood) along with some independent film, has had a large effect on the global film industry since the early 20th century. The dominant style of American cinema is classical Hollywood cinema, which developed from 1913 to 1969 and is still typical of most films made there to this day. While Frenchmen Auguste and Louis Lumière are generally credited with the birth of modern cinema, American cinema soon came to be a dominant force in the emerging industry. , it produced the third-largest number of films of any national cinema, after India and China, with more than 600 English-language films released on average every year. While the national cinemas of the United Kingdom, Canada, Australia, and New Zealand also produce films in the same language, they are not part of the Hollywood system. That said, Hollywood has also been considered a transnational cinema, and has produced multiple lan ...
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Associated Screen News Of Canada
The Associated Screen News of Canada (ASN) was incorporated in 1920 by the Canadian Pacific Railway in Montreal. Ben Norrish, who formerly worked for the Canadian Government Motion Picture Bureau, was appointed its director. In the period from 1921 to 1958 ASN, the largest private film production company in Canada of the first half of the 20th century, produced the majority of newsreels, shorts and industrial films in Canada. In addition to commissioned films, ASN produced films for theatrical release, out of which came the celebrated ''Canadian Cameo'' series (from 1932 to 1954). This series of 85 theatrical short films was totally the creation of Gordon Sparling. It represented Canada's only creative film effort in the 1930s. Each film was approximately 10 minutes in length and covered a range of subject matter, ranging from sport, to historical compilations about Canada, and Canadians, to portraits and aspects of Canadian life and activities.{{cite book, last1=Wise, first1=Wyndham, ...
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Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
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Sound Film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed before sound motion pictures became commercially practical. Reliable synchronization was difficult to achieve with the early sound-on-disc systems, and amplification and recording quality were also inadequate. Innovations in sound-on-film led to the first commercial screening of short motion pictures using the technology, which took place in 1923. The primary steps in the commercialization of sound cinema were taken in the mid-to-late 1920s. At first, the sound films which included synchronized dialogue, known as "talking pictures", or "talkies", were exclusively shorts. The earliest feature-length movies with recorded sound included only music and effects. The first feature film originally presented as a talkie (although it had only limited so ...
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