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Cambodian Music
The music of Cambodia is derived from a mesh of cultural traditions dating back to the ancient Khmer Empire, India, China and the original indigenous tribes living in the area before the arrival of Indian and Chinese travelers. With the rapid Westernization of popular music, Cambodian music has incorporated elements from music around the world through globalization. Folk and classical music Cambodian Art music is highly influenced by ancient forms as well as Hindu forms. Religious dancing, many of which depict stories and ancient myths, are common in Cambodian culture. Classical Khmer music usually is divided into three parts: ''pin peat, phleng kar,'' and ''mahori,'' all of which are associated with their religious dances. Some dances are accompanied by a pinpeat orchestra, which includes a ching (cymbal), roneat (bamboo xylophone), pai au (flute), sralai (oboe), chapey (bass moon lute or banjo), gong (bronze gong), tro (fiddle), and various kinds of drums. Each movement ...
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Sralai
The ''sralai'' ( km, ស្រឡៃ) is a Cambodian wind instrument that uses a quadruple reed to produce sound. The instrument is used in the '' pinpeat'' orchestra, where it is the only wind instrument. The set of quadruple reeds are made of palm leaf. The bore of the instrument is not evenly bored, but "slightly conical."André de Quadros; ed. (2000). Many seeds, different flowers: the music education legacy of Carl Orff', p.43. "Four little tongues (reeds) of dried palm leaf are fastened to a brass tube with thread, and the reeds are placed completely in the mouth, with the tongue place under the reeds to control the opening." CIRCME. . Its cousin, the Western oboe, has a double reed and a conical bore. The pinpeat instruments tune to the sralai's pitch, and the player must learn circular breathing to play continuously without stopping for breath. The ''sralai'' is very similar in construction and playing technique to the Thai '' pi''. See also *Shehnai The ''shehnai' ...
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Ayai
''Ayai'' ( km, អាយ៉ៃខ្មែរ) is one of the four main musical styles of Khmer traditional culture, along with '' pinpeat, mahori,'' and ''phleng khmer''. It can be more specifically defined as "repartee singing, usually the theatrical alternation of a man and a woman, accompanied by an ensemble of the same name." Along with '' smot'', while in a very different style, ''ayai'' singing has been described as "one of the most fascinating folk music traditions in Cambodia." History The ''Ayai'' art form originated from popular routines, like many other Khmer traditions. In the past, Cambodian people would perform traditional games - which often included singing and dancing - in their villages, most often during the Khmer New Year festival and other celebrations. Because of the ribaldry of the language used, ''ayai'' singing was considered lewd and this type popular leisure was not recommended for well-bred women in the traditional code of the ''Chbab Srey.'' Before ...
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Sam-Ang Sam
Sam-Ang Sam ( km, សំ សំអាង, ) is a Cambodian-American ethnomusicologist and 1994 recipient of a MacArthur Fellowship and a National Endowment for the Arts Fellowship (as part of the Apsara Ensemble) in 1998. Sam-Ang Sam and his wife Chan Moly Sam spent "more than two decades" (as of 1993) "performing, teaching, researching, and documenting" their native country's music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspe ... and dances. Having studied in Cambodia, they were in the Philippines when the Khmer Rouge took over Cambodia in 1975, and escaped the genocide that killed an estimated 90 percent of the country's musicians. He and his wife moved to the United States, and Sam-Ang got his doctorate in ethnomusicology in 1998 from Wesleyan University. He and his wife per ...
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Khmer Rouge
The Khmer Rouge (; ; km, ខ្មែរក្រហម, ; ) is the name that was popularly given to members of the Communist Party of Kampuchea (CPK) and by extension to the regime through which the CPK ruled Cambodia between 1975 and 1979. The name was coined in the 1960s by then Chief of State Norodom Sihanouk to describe his country's heterogeneous, communist Communism (from Latin la, communis, lit=common, universal, label=none) is a far-left sociopolitical, philosophical, and economic ideology and current within the socialist movement whose goal is the establishment of a communist society, ...-led dissidents, with whom he allied after his 1970 overthrow. The Khmer Rouge army was slowly built up in the jungles of eastern Cambodia during the late 1960s, supported by the People's Army of Vietnam, North Vietnamese army, the Viet Cong, the Pathet Lao, and the Chinese Communist Party (CCP). Although it originally fought against Sihanouk, the Khmer Rouge chang ...
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Sisowath Kossamak Nearyrath
Sisowath Kossamak ( km, ស៊ីសុវត្ថិ កុសមៈ; 9 April 1904 – 27 April 1975) was the queen consort of King Norodom Suramarit of Cambodia, who reigned from 1955 to 1960. After her husband's death in 1960, her son Norodom Sihanouk became chief of state, while Kossamak played an important public representational rule during her son's reign in 1960-1970. Sisowath Kossamak was born a Cambodian princess as the daughter of King Sisowath Monivong and his wife Norodom Kanviman Norleak Tevi. Her official title was Preah Mohaksatreiyani Sisowath Monivong Kossamak Nearirath Serey Vathana ( km, ព្រះមហាក្សត្រិយានី ស៊ីសុវត្ថិមុនីវង្ស កុសុមៈនារីរ័ត្នសេរីវឌ្ឍនា). Upon the death of Monivong in 1941, Sihanouk took the throne. In 1955, he abdicated in favor of his father Suramarit, who then reigned for five years. After her husband's death, Kossamak ...
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Fiddle
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional ( folk) styles, which are typically aural traditions—taught " by ear" rather than via written music. Fiddling is the act of playing the fiddle, and fiddlers are musicians that play it. Among musical styles, fiddling tends to p ...
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Tro (instrument)
The ''tro'' ( km, ទ្រ) is Cambodia's traditional spike fiddles, bowed string instruments that are held and played vertically. Spike fiddles have a handle that passes through the resonator, often forming a spike, on the bottom side where it emerges. The family is similar or distantly related to the Chinese erhu or  huqin. The instruments have a soundbox at the bottom of the stick, covered with leather or snake skin. Strings run from pegs at the top of the stick and secured at the bottom, running across the soundbox. The larger the soundbox, the lower the pitch range. Instruments in this family include the two-stringed ''tro ou'', ''tro sau thom'', ''tro sau toch'' and ''tro che'',  as well as the three-stringed ''tro Khmer'' spike fiddle. The two-stringed tros are tuned in a fifth, while the three-stringed tro Khmer is tuned in fourths. The tros, with the exception of the tro Khmer, are strung so that the bowstring is permanently placed between the two stings ...
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Bronze
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks w ...
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Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a restin ...
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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. ...
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