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Calandro
''Calandro'' is an ''opera buffa'' in three acts composed by Giovanni Alberto Ristori to a libretto by Stefano Benedetto Pallavicino. The libretto was based on the comedy '' Il Calandro'' by Bernardo Dovizi (Cardinal Bibbiena). In turn, Dovizi's play borrowed elements of the plot from Plautus's ''Menaechmi'' and the character Calandro from Boccaccio's ''Decameron'' It was first staged on 2 September 1726 in Dresden. Background and performance history ''Calandro'' premiered on 2 September 1726 in the court theatre at the Schloss Pillnitz (Pillnitz Castle) near Dresden at the request of Maria Josepha of Austria to celebrate the return of her husband, Crown Prince Frederick Augustus, from Warsaw. It was probably Germany's first opera buffa, and after hearing a performance during the 1728 Carnival season in Dresden, Frederick Augustus' father August II asked for a copy of the score. Three years later, in 1731, it became the first Italian opera presented in Russia. There it was given ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Dovizi
Bernardo Dovizi of Bibbiena (4 August 1470 – 9 November 1520) was an Italian cardinal and comedy writer, known best as Cardinal Bibbiena, for the town of Bibbiena, where he was born. Biography He received a substantial literary training, and became a preceptor and boon companion of Giovanni dei Medici, the future Pope Leo X (from 1513 to his death in 1521). In November 1494, when the Medici were banished, he supported them. Soon afterwards he was rewarded with the protection of Julius II and many honours at the Roman court. In 1513 his arduous efforts on behalf of his lifelong patron secured the election of Giovanni dei Medici to the pontifical throne. Leo X repaid such services by naming him a Cardinal in the Consistory of 23 September 1513, and appointing him Cardinal Deacon of S. Maria in Porticu. Leo continued to show his favor by appointing Bibbiena his treasurer and entrusting him with many important missions, among them the command of the Papal army in the War o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calandrino
Calandrino is a character from Giovanni Boccaccio's the ''Decameron'', in which he appears in four stories. In these tales he is the victim of the pranks of Bruno and Buffalmacco. He becomes a recurring character in Renaissance literature, especially in Italy. Appearances in The Decameron In each of the tales in which Calandrino is a character (VIII, 3; VIII, 6; IX, 3; IX, 5), he is portrayed as a simpleton who believes in the folk magic of the time period. In the first tale (VIII, 3), the three painters hunt for heliotropes, and Calandrino believes that by finding one he is rendered invisible. Bruno and Buffalmacco, his friends and fellow painters, pretend they don't see him and kick rocks at him all the way back to Florence, where he arrives bruised. In the second tale (VIII, 6) Bruno and Buffalmacco subject him to a medieval version of a polygraph test. According to common belief at the time, a person who is lying wouldn't be able to swallow the prepared bread and cheese wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Alberto Ristori
Giovanni Alberto Ristori (1692 - 7 February 1753) was an Italian opera composer and conductor. He was the son of Tommaso Ristori, the leader of an opera troupe belonging to the King of Poland and Elector of Saxony August II the Strong (based in Dresden). August II lent his opera troupe to the Russian Empress Anna for the celebration of her coronation in Moscow. Ristori died in Dresden. ''Calandro'', his opera in three acts to a libretto by Stefano Benedetto Pallavicino, was both the first ''opera buffa'' written in Germany and also the first Italian opera performed in Russia. It was given under his, and his father's direction, with thirteen actors and nine singers including Ludovica Seyfried, Margherita Ermini and Rosalia Fantasia, in 1731 in Moscow. In 1916 the German musicologist Curt Rudolf Mengelberg published the first study on Ristori and his music: Curt Rudolf Mengelberg, ''Giovanni Alberto Ristori: ein Beitrag zur Geschichte italienischer Kunstherrschaft in Deutschlan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefano Benedetto Pallavicino
Stefano Benedetto Pallavicino (21 March 1672 – 16 April 1742) was an Italian poet and opera librettist. He was the son of the composer Carlo Pallavicino (1630?-1688). (Their surname Pallavicino is sometimes spelt Pallavicini.) Biography Pallavicino was born in Padua. He worked at the courts of Dresden and Düsseldorf as a poet, secretary and librettist, and produced almost twenty opera librettos during his lengthy career. His opera librettos were set by the composers Agostino Steffani, Antonio Lotti, Giovanni Alberto Ristori and the German master of Italian opera seria, Johann Adolf Hasse among others. His first libretto was, ''Antiope'' (1689). He also wrote the text for the comic opera ''Calandro'' by Giovanni Alberto Ristori, which was first staged in 1726 at the castle of Pilnitz near Dresden, and then in Moscow in 1731 when it was the first opera ever performed in Russia. He later composed the libretto for the five-act opera seria ''Alfonso'' (1738) by Johann Adolf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Georg Schürer
Johann Georg Schürer (1720 – 16 February 1786) was a German baroque composer. He was born in Bohemia, and died in Dresden, aged about 65. Operas * ''Astrea placata ovvero La felicità della terra,'' (libretto Biaggio Campagnari), 7 October 1746 Warsaw; 29. Oct. 1746 Dresden, Mingottisches Theater * ''La Galathea'' (libretto Pietro Metastasio), dramma per musica 2 Acts 8. Nov. 1746 Dresden, Mingottisches Theater * ''Doris, ein musikalisches Schäferspiel'' in 2 parts 13. Feb. 1747 Dresden, Mingottisches Theater * ''L' Ercole sul Termodonte'' (libretto Giacomo Francesco Bussani), dramma per musica 3 acts 19. July 1747 Dresden, Mingottisches Theater * ''Calandro'' (libretto Stefano Benedetto Pallavicino Stefano Benedetto Pallavicino (21 March 1672 – 16 April 1742) was an Italian poet and opera librettist. He was the son of the composer Carlo Pallavicino (1630?-1688). (Their surname Pallavicino is sometimes spelt Pallavicini.) Biography Pa ...), comedia per musica 3 ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Giovanni Alberto Ristori
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Gazzaniga
Giuseppe Gazzaniga (5 October 1743 – 1 February 1818) was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers. Biography Born in Verona, Gazzaniga was initially intended for the priesthood at the urging of his devout parents. He eventually convinced his father to allow him to pursue a career in music and began studies first in Venice and then at the Conservatorio di Sant'Onofrio a Porta Capuana in Naples. While there, he was a pupil of Niccolò Piccinni and Nicola Porpora. Gazzaniga presented his first opera, '' Il barone di Trocchia'', at the Teatro di San Carlo in 1768. He would spend the next several decades writing mostly operas in Italy with the exception of a few trips to Dresden, Vienna, and Prague. His most successful opera was his ''Don Giovanni Tenorio'' written in 1787 to a libretto by Giovanni Bertati, possibly an inspiration for the libretto of Mozart's ''Don Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Kobow
Jan Kobow (born 1966) is a German classical tenor in concert, Lied, and Baroque opera. Professional career Jan Kobow was born and raised in Berlin. He was a singer and soloist of the ''Staats- und Domchor, Berlin'' with Christian Grube. He studied the organ at the Schola Cantorum in Paris and graduated in church music at the Hochschule für Musik und Theater Hannover in 1994. He continued to study singing at the Hochschule für Musik und Theater Hamburg with Sabine Kirchner, graduating in 1999. In the field of historically informed performance he has worked with Nikolaus Harnoncourt and took part in the ''Bach Cantata Pilgrimage'' of John Eliot Gardiner and the Monteverdi Choir. In 2002, he recorded several cantatas for Pentecost of Gottfried Heinrich Stölzel, conducted by Ludger Rémy, with one voice per part, the four soloists forming the choir. In 2003 he recorded Bach cantatas with Philippe Herreweghe and the Collegium Vocale Gent, Johannette Zomer, Ingeborg Danz and P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Sacchini
Antonio Maria Gasparo Gioacchino Sacchini (14 June 1730 – 6 October 1786) was an Italian composer, best known for his operas. Sacchini was born in Florence, but raised in Naples, where he received his musical education. He made a name for himself as a composer of serious and comic opera in Italy before moving to London, where he produced works for the King's Theatre. He spent his final years in Paris, becoming embroiled in the musical dispute between the followers of the composers Gluck and Niccolò Piccinni. His early death in 1786 was blamed on his disappointment over the apparent failure of his opera '' Œdipe à Colone''. However, when the work was revived the following year, it quickly became one of the most popular in the 18th-century French repertoire. Life Childhood and education Sacchini was the son of a humble Florentine cook (or coachman), Gaetano Sacchini. At the age of four, he moved with his family to Naples as part of the entourage of the infante Charles of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
