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Cagliari Cathedral
Cagliari Cathedral ( it, Duomo di Cagliari, Cattedrale di Santa Maria e Santa Cecilia) is a Roman Catholic cathedral in Cagliari, Sardinia, Italy, dedicated to the Virgin Mary and to Saint Cecilia. It is the seat of the archbishop of Cagliari. The church was built in the 13th century in Pisan-Romanesque style, obtaining cathedral status in 1258. In the 17th and 18th centuries it was renovated along Baroque lines. In the 1930s it finally received the current façade, in Neo-Romanesque style, inspired by Pisa Cathedral. History The church was built by the Pisans in their stronghold overlooking the city, Castel di Castro. It has a square plan, with a nave and two aisles, the latter having cross vaults, while the nave had a wooden ceiling. In 1258, after the Pisans had destroyed the capital of the Giudicato of Cagliari, Santa Igia, and its cathedral, it became the seat of the diocese of Cagliari. In the 14th century the transept was built, giving the cathedral a Latin cross grou ...
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Cagliari Kathedrale Fassade01
Cagliari (, also , , ; sc, Casteddu ; lat, Caralis) is an Italian municipality and the capital of the island of Sardinia, an autonomous region of Italy. Cagliari's Sardinian name ''Casteddu'' means ''castle''. It has about 155,000 inhabitants, while its metropolitan city (including Cagliari and 16 other nearby municipalities) has more than 431,000 inhabitants. According to Eurostat, the population of the Functional urban area, the commuting zone of Cagliari, rises to 476,975. Cagliari is the 26th largest city in Italy and the largest city on the island of Sardinia. An ancient city with a long history, Cagliari has seen the rule of several civilisations. Under the buildings of the modern city there is a continuous stratification attesting to human settlement over the course of some five thousand years, from the Neolithic to today. Historical sites include the prehistoric Domus de Janas, very damaged by cave activity, a large Carthaginian era necropolis, a Roman era amphithea ...
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Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ...
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Bernardo De La Cabra
Bernardo is a given name and less frequently an Italian, Portuguese and Spanish surname. Possibly from the Germanic "Bernhard". Given name People * Bernardo the Japanese (died 1557), early Japanese Christian convert and disciple of Saint Francis Xavier * Bernardo Accolti (1465–1536), Italian poet * Bernardo Bellotto (c. 1721/2-1780), Venetian urban landscape painter and printmaker in etching * Bernardo Bertolucci (born 1940), Italian film director and screenwriter * Bernardo Buontalenti (c. 1531–1608), Italian stage designer, architect, theatrical designer, military engineer and artist * Bernardo Clesio (1484–1539), Italian cardinal, bishop, prince, diplomat, humanist and botanist * Bernardo Corradi (born 1976), Italian footballer * Bernardo Daddi (c. 1280–1348), Italian Renaissance painter * Bernardo Domínguez (born 1979), Spanish footballer known as Bernardo * Bernardo Dovizi (1470–1520), Italian cardinal and comedy writer * Bernardo Espinosa (born 1989), Colombian ...
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Rogier Van Der Weyden
Rogier van der Weyden () or Roger de la Pasture (1399 or 140018 June 1464) was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third (by birth date) of the three great Early Flemish artists (''Vlaamse Primitieven'' or "Flemish Primitives"), and widely as the most influential Northern painter of the 15th century. Very few details of ...
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Clement VII
Pope Clement VII ( la, Clemens VII; it, Clemente VII; born Giulio de' Medici; 26 May 1478 – 25 September 1534) was head of the Catholic Church and ruler of the Papal States from 19 November 1523 to his death on 25 September 1534. Deemed "the most unfortunate of the popes", Clement VII's reign was marked by a rapid succession of political, military, and religious struggles—many long in the making—which had far-reaching consequences for Christianity and world politics. Elected in 1523 at the end of the Italian Renaissance, Clement came to the papacy with a high reputation as a statesman. He had served with distinction as chief advisor to Pope Leo X (1513–1521), Pope Adrian VI (1522–1523), and commendably as gran maestro of Florence (1519–1523). Assuming leadership at a time of crisis, with the Protestant Reformation spreading; the Church nearing bankruptcy; and large, foreign armies invading Italy, Clement initially tried to unite Christendom by making peace among the ...
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New Testament
The New Testament grc, Ἡ Καινὴ Διαθήκη, transl. ; la, Novum Testamentum. (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus, as well as events in first-century Christianity. The New Testament's background, the first division of the Christian Bible, is called the Old Testament, which is based primarily upon the Hebrew Bible; together they are regarded as sacred scripture by Christians. The New Testament is a collection of Christian texts originally written in the Koine Greek language, at different times by various authors. While the Old Testament canon varies somewhat between different Christian denominations, the 27-book canon of the New Testament has been almost universally recognized within Christianity since at least Late Antiquity. Thus, in almost all Christian traditions today, the New Testament consists of 27 books: * 4 canonical gospels (Matthew, Mark, Luke, and John) * The Acts of the Apostl ...
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Ambon (liturgy)
The ambon or ambo ( gr, ἄμβων, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structu ...
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Baroque Architecture
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the early 17th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. It reached its peak in the High Baroque (1625–1675), when it was used in churches and palaces in Italy, Spain, Portugal, France, Bavaria and Austria. In the Late Baroque period (1675–1750), it reached as far as Russia and the Spanish and Portuguese colonies in Latin America. About 1730, an even more elaborately decorative variant called Rococo appeared and flourished in Central Europe. Baroque architects took the basic elements of Renaissance architecture, including domes and colonnades, and made them higher, grander, more decorated, and more dramatic. The interior effects were often achieved with the use of ''quadratura'', or ...
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Presbytery (architecture)
In church architecture, the chancel is the space around the altar, including the choir and the sanctuary (sometimes called the presbytery), at the liturgical east end of a traditional Christian church building. It may terminate in an apse. Overview The chancel is generally the area used by the clergy and choir during worship, while the congregation is in the nave. Direct access may be provided by a priest's door, usually on the south side of the church. This is one definition, sometimes called the "strict" one; in practice in churches where the eastern end contains other elements such as an ambulatory and side chapels, these are also often counted as part of the chancel, especially when discussing architecture. In smaller churches, where the altar is backed by the outside east wall and there is no distinct choir, the chancel and sanctuary may be the same area. In churches with a retroquire area behind the altar, this may only be included in the broader definition of chancel. I ...
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Crown Of Aragon
The Crown of Aragon ( , ) an, Corona d'Aragón ; ca, Corona d'Aragó, , , ; es, Corona de Aragón ; la, Corona Aragonum . was a composite monarchy ruled by one king, originated by the dynastic union of the Kingdom of Aragon and the County of Barcelona and ended as a consequence of the War of the Spanish Succession. At the height of its power in the 14th and 15th centuries, the Crown of Aragon was a thalassocracy controlling a large portion of present-day eastern Spain, parts of what is now southern France, and a Mediterranean empire which included the Balearic Islands, Sicily, Corsica, Sardinia, Malta, Southern Italy (from 1442) and parts of Greece (until 1388). The component realms of the Crown were not united politically except at the level of the king, who ruled over each autonomous polity according to its own laws, raising funds under each tax structure, dealing separately with each ''Corts'' or ''Cortes'', particularly the Kingdom of Aragon, the Principality of Catalonia, ...
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