Cabildo (opera)
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Cabildo (opera)
''Cabildo'' is the only opera by the American composer Amy Beach, her opus 149. This chamber opera is in one act and has a libretto by Nan Bagby Stephens. Beach composed the music in 1932 and made use of folksong and Creole tunes. However, the work was not performed in her lifetime and received its first performance in 1947. Subsequent performances were in 1981, at the University of Missouri-Kansas City, and in 1982, at the American Musicological Society meeting and the Sonneck Society. The first fully professional production was on May 13, 1995, as part of the "Great Performers at Lincoln Center" series, led by Ransom Wilson and directed by Hans Nieuwenhuis. The Texas premiere of ''Cabildo'' was performed by Houston's Opera Vista on September 22, 2007 at the Museum of Fine Arts' Bayou Bend, conducted by Opera Vista's Artistic Director, Viswa Subbaraman and stage directed by Chuck Winkler. This performance led to Opera Vista being invited to perform ''Cabildo'' at the actual C ...
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Amy Beach
Amy Marcy Cheney Beach (September 5, 1867December 27, 1944) was an American composer and pianist. She was the first successful American female composer of large-scale art music. Her Gaelic Symphony, "Gaelic" Symphony, premiered by the Boston Symphony Orchestra in 1896, was the first symphony composed and published by an American woman. She was one of the first American composers to succeed without the benefit of European training, and one of the most respected and acclaimed American composers of her era. As a pianist, she was acclaimed for concerts she gave featuring her own music in the United States and in Germany. Biography Early years and musical education Amy Marcy Cheney was born in Henniker, New Hampshire on September 5, 1867 to Charles Abbott Cheney (nephew of Oren B. Cheney, who co-founded Bates College) and Clara Imogene (Marcy) Cheney. Artistic ability appears to have run in the family: Clara was reputedly an "excellent pianist and singer," while Amy showed every sign o ...
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The Cabildo
The Cabildo was the seat of Spanish colonial city hall of New Orleans, Louisiana, and is now the Louisiana State Museum Cabildo. It is located along Jackson Square, adjacent to St. Louis Cathedral. History The original Cabildo was destroyed in the Great New Orleans Fire (1788). The Cabildo was rebuilt between 1795–99 as the home of the Spanish municipal government in New Orleans, in 1821 Spanish coat of arms removed from the façade pediment and replaced with the extant American eagle with cannonballs by the Italian sculptor Pietro Cardelli and the third floor with mansard roof was later added in 1847, in French style. The building took its name from the governing body who met there—the "Illustrious Cabildo," or city council. The Cabildo was the site of the Louisiana Purchase transfer ceremonies late in 1803, and continued to be used by the New Orleans city council until the mid-1850s. The building's main hall, the Sala Capitular ("Meeting Room"), was originally utilized ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas Set In The United States
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles o ...
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English-language Operas
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ...
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Charlotte Hellekant
Anna Charlotte Hellekant (born 15 January 1962 in Stockholm) is a Swedish operatic mezzo-soprano. Hellekant studied at the Philadelphia and New York conservatories. She began her career in 1989 and played among others Dido, ''Ariadne auf Naxos (''Ariadne on Naxos''), Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's ...'', Cherubino in '' The Marriage of Figaro'' and Dorabella in '' Così fan tutte'' on American stages.''Operalexikonet''
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Charlotte Hell ...
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Andrew Jackson
Andrew Jackson (March 15, 1767 – June 8, 1845) was an American lawyer, planter, general, and statesman who served as the seventh president of the United States from 1829 to 1837. Before being elected to the presidency, he gained fame as a general in the United States Army and served in both houses of the U.S. Congress. Although often praised as an advocate for ordinary Americans and for his work in preserving the union of states, Jackson has also been criticized for his racial policies, particularly his treatment of Native Americans. Jackson was born in the colonial Carolinas before the American Revolutionary War. He became a frontier lawyer and married Rachel Donelson Robards. He served briefly in the United States House of Representatives and the United States Senate, representing Tennessee. After resigning, he served as a justice on the Tennessee Supreme Court from 1798 until 1804. Jackson purchased a property later known as the Hermitage, becoming a wealthy plan ...
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War Of 1812
The War of 1812 (18 June 1812 – 17 February 1815) was fought by the United States of America and its indigenous allies against the United Kingdom and its allies in British North America, with limited participation by Spain in Florida. It began when the United States declared war on 18 June 1812 and, although peace terms were agreed upon in the December 1814 Treaty of Ghent, did not officially end until the peace treaty was ratified by Congress on 17 February 1815. Tensions originated in long-standing differences over territorial expansion in North America and British support for Native American tribes who opposed US colonial settlement in the Northwest Territory. These escalated in 1807 after the Royal Navy began enforcing tighter restrictions on American trade with France and press-ganged men they claimed as British subjects, even those with American citizenship certificates. Opinion in the US was split on how to respond, and although majorities in both the House and ...
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Pierre Lafitte
Pierre Lafitte (1770–1821) was a pirate in the Gulf of Mexico and smuggler in the early 19th century. He also ran a blacksmith shop in New Orleans, his legitimate business. Pierre was historically less well known than his younger brother, Jean Lafitte. While not as much of a sailor as Jean, Pierre was the public face of the Lafitte operation, and was known for his wit and charm, in addition to his handling of the sale of smuggled goods. Pierre Lafitte also spied for Spain and commanded artillery units. He died in 1821 near Dzilam de Bravo in the Yucatán Peninsula. Early life Details of Pierre Lafitte's early life are scarce and often disputed. His older brother Jean gave contradictory information about his birthplace, including the French cities of Saint-Malo and Brest. However, as Jean Lafitte's biographer, Jack C. Ramsay, stated, "this was a convenient time to be a native of France, a claim that provided protection from the enforcement of American law."Ramsay (1996), p. 10 ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Nan Bagby Stephens
Nan or NAN may refer to: Places China * Nan County, Yiyang, Hunan, China * Nan Commandery, historical commandery in Hubei, China Thailand * Nan Province ** Nan, Thailand, the administrative capital of Nan Province * Nan River People Given name *Nan Cross (1928–2007), South African anti-apartheid and anti-conscription activist *Nan Hayworth (born 1959), former U.S. Representative from New York's 19th Congressional District *Nan Wood Honeyman, (1881–1970), first woman elected to the U.S. Congress from Oregon *Nan Hu, Chinese physician-scientist, molecular geneticist, and cancer epidemiologist *Nan Kempner (1930–2005), New York socialite *Nan Martin (1927–2010), American actress *Nan Grogan Orrock (born 1943), member of the Georgia House of Representatives and State Senator *Nan Phelps (1904–1990), American folk artist *Nan Rich (born 1942), member of the Florida Senate and former member of the House of Representatives *Nan C. Robertson (1926–2009), Pulitzer Prize-winn ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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