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CD-i Bridge
The White Book refers to a standard of compact disc that stores not only sound but also still pictures and motion video. It was released in 1993 by Sony, Philips, Matsushita, and JVC. These discs, most commonly found in Asia, are usually called "Video CDs" (VCD). In some ways, VCD can be thought of as the successor to the Laserdisc and the predecessor to DVD. Note that Video CD should not be confused with CD Video which was an earlier and entirely different format. Several extensions to the White Book were published in later years: VCD 2.0 in 1995, VCD-Internet in 1997, and Super Video CD (SVCD) in 1998. The standard is not freely available and must be licensed from Philips. The White Book also defines the more general CD-i Bridge format (also called CD-Bridge or simply "bridge discs"), which are CD-ROM XA discs with an additional Green Book CD-i specific application program. The CD-ROM XA information in bridge discs can be obtained through CD-ROM drives, while CD-i players can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CD-ROM XA
A CD-ROM (, compact disc read-only memory) is a type of read-only memory consisting of a pre-pressed optical compact disc that contains data. Computers can read—but not write or erase—CD-ROMs. Some CDs, called enhanced CDs, hold both computer data and audio with the latter capable of being played on a CD player, while data (such as software or digital video) is only usable on a computer (such as ISO 9660 format PC CD-ROMs). During the 1990s and early 2000s, CD-ROMs were popularly used to distribute software and data for computers and fifth generation video game consoles. DVD started to replace it in these roles starting in the early 2000s. History The earliest theoretical work on optical disc storage was done by independent researchers in the United States including David Paul Gregg (1958) and James Russel (1965–1975). In particular, Gregg's patents were used as the basis of the LaserDisc specification that was co-developed between MCA and Philips after MCA purchased ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
NTSC
The first American standard for analog television broadcast was developed by National Television System Committee (NTSC)National Television System Committee (1951–1953), Report and Reports of Panel No. 11, 11-A, 12–19, with Some supplementary references cited in the Reports, and the Petition for adoption of transmission standards for color television before the Federal Communications Commission, n.p., 1953], 17 v. illus., diagrs., tables. 28 cm. LC Control No.:5402138Library of Congress Online Catalog/ref> in 1941. In 1961, it was assigned the designation CCIR System M, System M. In 1953, a second NTSC standard was adopted, which allowed for color television broadcast compatible with the existing stock of black-and-white receivers. It is one of three major color formats for analog television, the others being PAL and SECAM. NTSC color is usually associated with the System M. The only other broadcast television system to use NTSC color was the System J. Since the introdu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-1 Part 2
MPEG-1 is a standard for lossy compression of video and audio. It is designed to compress VHS-quality raw digital video and CD audio down to about 1.5 Mbit/s (26:1 and 6:1 compression ratios respectively) without excessive quality loss, making video CDs, digital cable/satellite TV and digital audio broadcasting (DAB) practical. Today, MPEG-1 has become the most widely compatible lossy audio/video format in the world, and is used in a large number of products and technologies. Perhaps the best-known part of the MPEG-1 standard is the first version of the MP3 audio format it introduced. The MPEG-1 standard is published as ISO/IEC 11172 – Information technology—Coding of moving pictures and associated audio for digital storage media at up to about 1.5 Mbit/s. The standard consists of the following five ''Parts'': #Systems (storage and synchronization of video, audio, and other data together) #Video (compressed video content) #Audio (compressed audio content) #Conformance tes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stereophonic Sound
Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration of two loudspeakers (or stereo headphones) in such a way as to create the impression of sound heard from various directions, as in natural hearing. Because the multi-dimensional perspective is the crucial aspect, the term ''stereophonic'' also applies to systems with more than two channels or speakers such as quadraphonic and surround sound. Binaural recording, Binaural sound systems are also ''stereophonic''. Stereo sound has been in common use since the 1970s in entertainment media such as broadcast radio, recorded music, television, video cameras, cinema, computer audio, and internet. Etymology The word ''stereophonic'' derives from the Greek language, Greek (''stereós'', "firm, solid") + (''phōnḗ'', "sound, tone, voice") and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hertz
The hertz (symbol: Hz) is the unit of frequency in the International System of Units (SI), equivalent to one event (or cycle) per second. The hertz is an SI derived unit whose expression in terms of SI base units is s−1, meaning that one hertz is the reciprocal of one second. It is named after Heinrich Rudolf Hertz (1857–1894), the first person to provide conclusive proof of the existence of electromagnetic waves. Hertz are commonly expressed in multiples: kilohertz (kHz), megahertz (MHz), gigahertz (GHz), terahertz (THz). Some of the unit's most common uses are in the description of periodic waveforms and musical tones, particularly those used in radio- and audio-related applications. It is also used to describe the clock speeds at which computers and other electronics are driven. The units are sometimes also used as a representation of the energy of a photon, via the Planck relation ''E'' = ''hν'', where ''E'' is the photon's energy, ''ν'' is its freq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sample Rate
In signal processing, sampling is the reduction of a continuous-time signal to a discrete-time signal. A common example is the conversion of a sound wave to a sequence of "samples". A sample is a value of the signal at a point in time and/or space; this definition differs from the usage in statistics, which refers to a set of such values. A sampler is a subsystem or operation that extracts samples from a continuous signal. A theoretical ideal sampler produces samples equivalent to the instantaneous value of the continuous signal at the desired points. The original signal can be reconstructed from a sequence of samples, up to the Nyquist limit, by passing the sequence of samples through a type of low-pass filter called a reconstruction filter. Theory Functions of space, time, or any other dimension can be sampled, and similarly in two or more dimensions. For functions that vary with time, let ''S''(''t'') be a continuous function (or "signal") to be sampled, and let samp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kilobit
The kilobit is a multiple of the unit bit for digital information or computer storage. The prefix ''kilo-'' (symbol k) is defined in the International System of Units (SI) as a multiplier of 103 (1 thousand), and therefore, :1 kilobit = = 1000 bits. The kilobit has the unit symbol kbit or kb. Using the common byte size of 8 bits, 1 kbit is equal to 125 bytes. The kilobit is commonly used in the expression of data rates of digital communication circuits as kilobits per second (kbit/s or kb/s), or abbreviated as ''kbps'', as in, for example, ''a 56 kbps PSTN circuit'', or ''a 512 kbit/s broadband Internet connection''. The unit symbol kb (lowercase 'b') is typographically similar to the international standard unit symbol for the kilobyte, i.e. kB (upper case 'B'). The International Electrotechnical Commission (IEC) recommends the symbol bit instead of b. The prefix ''kilo-'' is often used in fields of computer science and information technology wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bit Rate
In telecommunications and computing, bit rate (bitrate or as a variable ''R'') is the number of bits that are conveyed or processed per unit of time. The bit rate is expressed in the unit bit per second (symbol: bit/s), often in conjunction with an SI prefix such as kilo (1 kbit/s = 1,000 bit/s), mega (1 Mbit/s = 1,000 kbit/s), giga (1 Gbit/s = 1,000 Mbit/s) or tera (1 Tbit/s = 1,000 Gbit/s). The non-standard abbreviation bps is often used to replace the standard symbol bit/s, so that, for example, 1 Mbps is used to mean one million bits per second. In most computing and digital communication environments, one byte per second (symbol: B/s) corresponds to 8 bit/s. Prefixes When quantifying large or small bit rates, SI prefixes (also known as metric prefixes or decimal prefixes) are used, thus: Binary prefixes are sometimes used for bit rates. The International Standard ( IEC 80000-13) specifies different a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MPEG-1 Audio Layer II
MPEG-1 Audio Layer II or MPEG-2 Audio Layer II (MP2, sometimes incorrectly called Musicam or MUSICAM) is a lossy audio compression format defined by ISO/IEC 11172-3 alongside MPEG-1 Audio Layer I and MPEG-1 Audio Layer III (MP3). While MP3 is much more popular for PC and Internet applications, MP2 remains a dominant standard for audio broadcasting. History of development from MP2 to MP3 MUSICAM MPEG-1 Audio Layer 2 encoding was derived from the MUSICAM (''Masking pattern adapted Universal Subband Integrated Coding And Multiplexing'') audio codec, developed by Centre commun d'études de télévision et télécommunications (CCETT), Philips, and the Institut für Rundfunktechnik (IRT) in 1989 as part of the EUREKA 147 pan-European inter-governmental research and development initiative for the development of a system for the broadcasting of audio and data to fixed, portable or mobile receivers (established in 1987). It began as the Digital Audio Broadcast (DAB) project manage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ISO 9660
ISO 9660 (also known as ECMA-119) is a file system for optical disc media. Being sold by the International Organization for Standardization (ISO) the file system is considered an international technical standard. Since the specification is available for anybody to purchase, implementations have been written for many operating systems. ISO 9660 traces its roots to the ''High Sierra Format'', which arranged file information in a dense, sequential layout to minimize nonsequential access by using a hierarchical (eight levels of directories deep) tree file system arrangement, similar to UNIX and FAT. To facilitate cross platform compatibility, it defined a minimal set of common file attributes (directory or ordinary file and time of recording) and name attributes (name, extension, and version), and used a separate system use area where future optional extensions for each file may be specified. High Sierra was adopted in December 1986 (with changes) as an international standard by E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karaoke CD
CD+G (also known as CD-G, CD+Graphics and TV-Graphics) is an extension of the compact disc standard that can present low-resolution graphics alongside the audio data on the disc when played on a compatible device. CD+G discs are often used for karaoke machines, which use this functionality to present on-screen lyrics for the song contained on the disc. The CD+G specifications were published by Philips and Sony as an extension of the Red Book (CD standard) specifications. The first CD to be released with CD+G graphics was '' Eat or Be Eaten'' by Firesign Theatre in 1985. The CD+EG is a similar format that allows for better graphics, but has very rarely been implemented in releases. Design The CD+G format takes advantage of the six Compact Disc subcode channels R through W (which are unused in standard Compact Disc Digital Audio), to provide 6 extra bits in CD+G for graphics information per 24 bytes of audio data. When a disc is read at normal speed, these six channels provide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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