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Trains In Art
Criteria A locomotive or train can play many roles in art, for example: * As the main subject of a painting, sculpture, or photograph * As a work of art in itself in addition to most functional considerations, especially in streamlined steam locomotives and luxury passenger accommodations of the early 20th century, known also as the Machine Age * As a subject for a novel or film * As a metaphor in song or poetry, particularly for physical power or directed movement (physical, ''romantic'' (phallic) or other), as in '' Fisherman's Blues'': ::"I wish I was the brakeman ::on a hurtling, fevered train ::crashing headlong into the heartland ::like a cannon in the rain" In 1978, the Centre Georges Pompidou in Paris held the exhibition "Les Temps des Gares" with the Palais des Beaux-Arts in Brussels, the National Railway Museum in York, and the Leonardo da Vinci Museum of Science and Technology in Milan. In 2008, Liverpool's Walker Art Gallery held an exhibition entitled: "Art in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
York
York is a cathedral city with Roman origins, sited at the confluence of the rivers Ouse and Foss in North Yorkshire, England. It is the historic county town of Yorkshire. The city has many historic buildings and other structures, such as a minster, castle, and city walls. It is the largest settlement and the administrative centre of the wider City of York district. The city was founded under the name of Eboracum in 71 AD. It then became the capital of the Roman province of Britannia Inferior, and later of the kingdoms of Deira, Northumbria, and Scandinavian York. In the Middle Ages, it became the northern England ecclesiastical province's centre, and grew as a wool-trading centre. In the 19th century, it became a major railway network hub and confectionery manufacturing centre. During the Second World War, part of the Baedeker Blitz bombed the city; it was less affected by the war than other northern cities, with several historic buildings being gutted and restore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Augustus Egg
Augustus Leopold Egg RA (2 May 1816, in London – 26 March 1863, in Algiers) was a British Victorian artist, and member of The Clique best known for his modern triptych '' Past and Present'' (1858), which depicts the breakup of a middle-class Victorian family. Biography Egg was born to Joseph and Ann Egg, and baptised in St James's Church, Piccadilly, on 30 May 1816. He had an elder brother, George Hine Egg. His father Joseph Egg was a wealthy gunsmith from the distinguished gun making family, who immigrated to London from Huningue, Alsace.Hilarie Faberman, 'Egg, Augustus Leopold (1816–1863)’, Oxford Dictionary of National Biography, Oxford University Press, Sept 2004 Egg was educated in the schools of the Royal Academy, beginning in 1836. Egg was a member of The Clique, a group of artists founded by Richard Dadd and others in the late 1830s (c. 1837). Egg sought to combine popularity with moral and social activism, in line with the literary work of his friend Charles Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Travelling Companions
''The Travelling Companions'' is an 1862 oil-on-canvas painting by British artist Augustus Leopold Egg. It is held by Birmingham Museum and Art Gallery, presented by the John Feeney Charitable Trust in 1956. Content The painting measures . It depicts two well-dressed women who are sitting facing each other in a cramped first-class railway carriage, like mirror images. The women may be sisters, or may represent two elements of the character of one woman. The women are dressed identically, in the same voluminous grey silk travelling clothes, with their hats identically placed on their laps. They are arranged symmetrically on seats to either side of the carriage window. The window has three parts, framing the view like a triptych. The coastline of Menton, on the French Riviera, is visible through the window, but neither woman seems to be paying any attention to this. The train is in motion, witnessed by the swinging tassel on the window blind. The carriage itself is symmetri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Powell Frith
William Powell Frith (9 January 1819 – 2 November 1909) was an English painter specialising in genre subjects and panoramic narrative works of life in the Victorian era. He was elected to the Royal Academy in 1853, presenting ''The Sleeping Model'' as his Diploma work. He has been described as the "greatest British painter of the social scene since Hogarth". Early life William Powell Frith was born in Aldfield, near Ripon in the then West Riding of Yorkshire on 9 January 1819. He had originally intended to be an auctioneer. Frith was encouraged to take up art by his father, a hotelier in Harrogate. Frith was great uncle and an advisor to the English school portrait painter Henry Keyworth Raine (1872–1932). He moved to London in 1835 where he began his formal art studies at Sass's Academy in Charlotte Street, before attending the Royal Academy Schools. Frith started his career as a portrait painter and first exhibited at the British Institution in 1838. In the 1840s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Spitzweg
Carl Spitzweg (February 5, 1808 – September 23, 1885) was a German romanticist painter, especially of genre subjects. He is considered to be one of the most important artists of the Biedermeier era. Life and career Spitzweg was born in Unterpfaffenhofen, near Munich, Bavaria, the second of three sons of Franziska (née Schmutzer) and Simon Spitzweg. His father, a wealthy merchant, had Carl trained as a pharmacist. He attained his qualification from the University of Munich but, while recovering from an illness, he took up painting. Spitzweg was self-taught as an artist, starting out by copying the works of Flemish masters. He contributed his first work to satiric magazines. Upon receiving an inheritance in 1833, he was able to dedicate himself to painting. Later, Spitzweg visited European art centers in Prague, Venice, Paris, London, and Belgium studying the works of various artists and refining his technique and style. His later paintings and drawings are often humorous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gnome Watching Railway Train
''Gnome Watching Railway Train'' (german: Gnom, Eisenbahn betrachtend) is an 1848 oil-on-wood painting by the German painter Carl Spitzweg. Description A small gnome with a grey beard and a pointed hat stands at the entrance of a cave at a high altitude. He looks out over a landscape with hills and trees and a town in the distant background. At the foot of a hill, the silhouette of a railway train passes by and pours out grey smoke from the locomotive. Analysis In 2008, the art historian Florian Illies made a comparison to J. M. W. Turner's ''Rain, Steam and Speed – The Great Western Railway'' (1844), "modernity's break-in into art history", and interpreted ''Gnome Watching Railway Train'' as Spitzweg's self-ironic comment to his reputation as someone who wanted to stop time. According to Illies, Spitzweg's gnome is a caricature of someone who thinks he can watch the modern world come and go from his cave. Analysing the painting in 2018, the German studies scholar Theodore Z ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolph Von Menzel
Adolph Friedrich Erdmann von Menzel (8 December 18159 February 1905) was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century,Fried, 11 and was the most successful artist of his era in Germany.Eisler, 559–565 First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel. His popularity in his native country, owing especially to his history paintings, was such that few of his major paintings left Germany, as many were quickly acquired by museums in Berlin.Eisler, 559 Menzel's graphic work (and especially his drawings) were more widely disseminated; these, along with informal paintings not initially intended for display, have largely accounted for his posthumous reputation.Eisler, 559–565 Although he traveled in order to find subjects for his art, to visit exhibitions, and to meet with other artists, Menzel spen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Berlin-Potsdam Railway
''The Berlin-Potsdam Railway'' is an oil-on-canvas painting by German artist Adolph Menzel, created in 1847. It belongs to the early creative phase of the artist and depicts a section of the Berlin-Potsdam Railway, opened in 1838, at the southwest of the city center of Berlin, in a style that seems to anticipate impressionism. This is the first painting to depict a railway train in the landscape in German painting. The work belongs to the collection of the Alte Nationalgalerie, in Berlin, since 1899. Description and analysis Topographically, the painting does not exactly depict the curve to the southwest of the then single-track Berlin-Potsdam railway, the first line in Prussia Prussia, , Old Prussian: ''Prūsa'' or ''Prūsija'' was a German state on the southeast coast of the Baltic Sea. It formed the German Empire under Prussian rule when it united the German states in 1871. It was ''de facto'' dissolved by an em ..., near today's Gleisdreieck. The painter's point of vie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rain, Steam And Speed – The Great Western Railway
''Rain, Steam, and Speed – The Great Western Railway'' is an oil painting by the 19th-century British painter J. M. W. Turner. The painting was first exhibited at the Royal Academy in 1844, though it may have been painted earlier. It is now in the collection of the National Gallery, London. The painting gives an impression of great speed in a static painting, an attribute that distinguished Turner from other artists. The work combines the power of nature and technology to create an emotional tension associated with the concept of the sublime. Background The painting was painted close to the end of the Industrial Revolution, which brought a massive shift from an agrarian economy to one dominated by machine manufacturing in the Victorian Era. The railway was among the most potent symbols of industrialization, since this new way of transportation heavily affected industrial and social life. Turner seemed to be a generation ahead of other artists, as he was among the few pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Monet 003 , a form of brainstem stroke syndrome
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Claude may refer to: __NOTOC__ People and fictional characters * Claude (given name), a list of people and fictional characters * Claude (surname), a list of people * Claude Lorrain (c. 1600–1682), French landscape painter, draughtsman and etcher traditionally called just "Claude" in English * Madame Claude, French brothel keeper Fernande Grudet (1923–2015) Places * Claude, Texas, a city * Claude, West Virginia, an unincorporated community Other uses * Allied reporting name of the Mitsubishi A5M Japanese carrier-based fighter aircraft * Claude (alligator), an albino alligator at the California Academy of Sciences See also * Claude's syndrome Claude's syndrome is a form of brainstem stroke syndrome characterized by the presence of an ipsilateral oculomotor nerve palsy, contralateral hemiparesis, contralateral ataxia, and contralateral hemiplegia of the lower face, tongue, and shoulder. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walker Art Gallery
The Walker Art Gallery is an art gallery in Liverpool, which houses one of the largest art collections in England outside London. It is part of the National Museums Liverpool group. History of the Gallery The Walker Art Gallery's collection dates from 1819 when the Liverpool Royal Institution acquired 37 paintings from the collection of William Roscoe, who had to sell his collection following the failure of his banking business, though it was saved from being broken up by his friends and associates. In 1843, the Royal Institution's collection was displayed in a purpose-built gallery next to the Institution's main premises. In 1850 negotiations by an association of citizens to take over the Institution's collection, for display in a proposed art gallery, library and museum, came to nothing. The collection grew over the following decades: in 1851 Liverpool Town Council bought Liverpool Academy's diploma collection and further works were acquired from the Liverpool Society fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
