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Tokusatsu Role-playing Games
is a Japanese term for live action film or television drama that makes heavy use of practical special effects. ''Tokusatsu'' entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. The most popular subgenres of include ''kaiju'' such as the '' Godzilla'' and '' Gamera'' series; superhero such as the ''Kamen Rider'' and '' Metal Hero'' series; and mecha like '' Giant Robo'' and '' Super Robot Red Baron''. Some television programs combine several of these subgenres, for example the '' Ultraman'' and '' Super Sentai'' series. is one of the most popular forms of Japanese entertainment, but only a small proportion of films and television programs are widely known outside of Japan. Nevertheless, certain properties have attained popularity outside of Japan; ''Godzilla'' is featured in popular American-made movies, and the ''Super Sentai Series'' was adapted into the '' Power Rangers'' se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternate Godzilla 1954 Poster
Alternative or alternate may refer to: Arts, entertainment and media * Alternative (Kamen Rider), Alternative (''Kamen Rider''), a character in the Japanese TV series ''Kamen Rider Ryuki'' * The Alternative (film), ''The Alternative'' (film), a 1978 Australian television film * ''The Alternative'', a radio show hosted by Tony Evans (radio), Tony Evans * 120 Minutes (2004 TV program), ''120 Minutes'' (2004 TV program), an alternative rock music video program formerly known as ''The Alternative'' *''The American Spectator'', an American magazine formerly known as ''The Alternative: An American Spectator'' * Alternative comedy, a range of styles used by comedians and writers in the 1980s * Alternative comics, a genre of comic strips and books * Alternative media, media practices falling outside the mainstreams of corporate communication * Alternative reality, in fiction * Alternative title, the use of a secondary title for a work when it is distributed or sold in other countries Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Super Robot Red Baron
is a Japanese tokusatsu series that aired from July 4, 1973, to March 27, 1974. It was produced by Nippon Gendai Kikaku and Senkosha Productions (Senko Planning). Its story was later retold in the anime ''Red Baron'' and it had a sequel titled ''Super Robot Mach Baron''. Plot The show is set in the early 21st century where the Iron Masked Party, led by Dr. Devilar, steals giant robots built all over the world from an exhibition and kidnap their creators to form a "Robot Empire". Scientist Kenichiro Kurenai, foreseeing his capture, turns over his own super robot, Red Baron, to his younger brother Ken Kureinai. Ken is a member of SSI (Secret Science Investigation), a highly skilled team of scientists that practice ninjitsu, and uses Red Baron to aid the team in their efforts to stop the Iron Masked Party from taking over the world. Later in the series, the Iron Masked Party is revealed to be an organization from Mars and led by the renegade super computer Garis Q and intends to des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suitmation
Creature suits are realistic costumes used to disguise a performer as an animal, monster, or other being. They are used in film, television, or as costumed characters in live events. Unlike mascots, they are often made with a high degree of realism. In contrast with prosthetic makeup, which is applied to an actor's skin, the wearer is not normally visible outside their movements controlling the costume, although in some cases, part of the wearer's body is still visible (such as in the case of mermaids or other half-human monsters). History Creature suits have been used since before movies were invented. As part of his circus sideshow in London in 1846, P. T. Barnum had an actor wearing a fur suit of an "ape-man", and continued to dress actors in similar costumes as attractions. They were used starting from the early days of film as practical effects, to represent animals that were too prohibitive to train or use, such as gorillas. Some films even tried to pass off costumes as rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King Kong (1933 Film)
''King Kong'' is a 1933 American pre-Code adventure fantasy horror monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack. The screenplay by James Ashmore Creelman and Ruth Rose was developed from an idea conceived by Cooper and Edgar Wallace. It stars Fay Wray, Robert Armstrong and Bruce Cabot, and tells the story of a giant ape dubbed Kong who attempts to possess a beautiful young woman. It features stop-motion animation by Willis O'Brien and a music score by Max Steiner. It is the first entry in the King Kong franchise. ''King Kong'' opened in New York City on March 2, 1933, to rave reviews, and has since been ranked by Rotten Tomatoes as the greatest horror film of all time and the fifty-sixth greatest film of all time. In 1991, it was deemed "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry. A sequel, titled ''Son of Kong'', was fast-tracked and rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla (1954 Film)
is a 1954 Japanese ''kaiju'' film directed by Ishirō Honda, with special effects by Eiji Tsuburaya. Produced and distributed by Toho Co., Ltd., it is the first film in the ''Godzilla'' franchise. The film stars Akira Takarada, Momoko Kōchi, Akihiko Hirata, and Takashi Shimura, with Haruo Nakajima and Katsumi Tezuka as Godzilla. In the film, Japan's authorities deal with the sudden appearance of a giant monster, whose attacks trigger fears of nuclear holocaust during post-war Japan. ''Godzilla'' entered production after a Japanese-Indonesian co-production collapsed. Tsuburaya originally proposed for a giant octopus before the filmmakers decided on a dinosaur-inspired creature. ''Godzilla'' pioneered a form of special effects called suitmation, in which a stunt performer wearing a suit interacts with miniature sets. Principal photography ran 51 days, and special effects photography ran 71 days. ''Godzilla'' was theatrically released in Japan on November 3, 1954, and ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ishirō Honda
was a Japanese filmmaker who directed 44 feature films in a career spanning 59 years. The most internationally successful Japanese filmmaker prior to Hayao Miyazaki, his films have had a significant influence on the film industry. Honda entered the Japanese film industry in 1934, working as the third assistant director on Sotoji Kimura's ''The Elderly Commoner's Life Study''. After 15 years of working on numerous films as an assistant director, he made his directorial debut with the short documentary film ''Ise-Shima'' (1949). Honda's first feature film, ''Aoi Shinju, The Blue Pearl'' (1952), was a critical success in Japan at the time and would lead him to direct three subsequent drama films. In 1954, Honda directed and co-wrote ''Godzilla (1954 film), Godzilla'', which became a box office success in Japan, and was nominated for two Japanese Movie Association awards. Because of the film's commercial success in Japan, it spawned a Godzilla (franchise), multimedia franchise, re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eiji Tsuburaya
was a Japanese special effects director and cinematographer. Known as the he worked on 250 feature films in a career spanning 50 years. He is regarded as one of the co-creators of the ''Godzilla'' series, as well as the main creator of the ''Ultra'' series. During his rise to post-war fame in the wake of ''Godzilla'' (1954), it was widely reported that Tsuburaya was born on July 7, which is the high day of Tanabata (star festival), a sign of good fortune. Biography 1901–1919: Early life Tsuburaya was born on July 7, 1901, in Sukagawa, Iwase, Fukushima Prefecture (present-day Sukagawa, Fukushima), to a merchant family that manufactured malted rice. He was the first son of Isamu and Sei Tsumuraya, with a large extended family. He described his childhood as filled with "mixed emotions." When he was three, his mother died, at the age of 19, after giving birth to her second son. His father, who had been adopted into the family through marriage, subsequently left the family, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godzilla
is a fictional monster, or '' kaiju'', originating from a series of Japanese films. The character first appeared in the 1954 film ''Godzilla'' and became a worldwide pop culture icon, appearing in various media, including 32 films produced by Toho, four American films and numerous video games, novels, comic books and television shows. Godzilla has been dubbed the "King of the Monsters", a phrase first used in ''Godzilla, King of the Monsters!'' (1956)'','' the Americanized version of the original film. Godzilla is an enormous, destructive, prehistoric sea monster awakened and empowered by nuclear radiation. With the nuclear bombings of Hiroshima and Nagasaki and the '' Lucky Dragon 5'' incident still fresh in the Japanese consciousness, Godzilla was conceived as a metaphor for nuclear weapons. Others have suggested that Godzilla is a metaphor for the United States, a giant beast woken from its slumber which then takes terrible vengeance on Japan. As the film series expan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puppetry
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. The script for a puppet production is called a puppet play. Puppeteers use movements from hands and arms to control devices such as rods or strings to move the body, head, limbs, and in some cases the mouth and eyes of the puppet. The puppeteer sometimes speaks in the voice of the character of the puppet, while at other times they perform to a recorded soundtrack. There are many different varieties of puppets, and they are made of a wide range of materials, depending on their form and intended use. They can be extremely complex or very simple in their construction. The simplest puppets are finger puppets, which are tiny puppets that fit onto a single finger, and sock puppets, which are formed from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bunraku
(also known as ) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. Three kinds of performers take part in a performance: the or ( puppeteers), the ( chanters), and musicians. Occasionally other instruments such as drums will be used. The combination of chanting and playing is called and the Japanese word for puppet (or dolls, generally) is . It is used in many plays. History 's history goes as far back as the 16th century, but the origins of its modern form can be traced to around the 1680s. It rose to popularity after the playwright Chikamatsu Monzaemon (1653–1724) began a collaboration with the chanter Takemoto Gidayu (1651–1714), who established the Takemoto puppet theater in Osaka in 1684. Originally, the term referred only to the particular theater established in 1805 in Osaka, which was named the after the puppeteering ensemble of , an early 18th-century p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Theater
This article is an overview of traditional and modern Japanese theatre. Traditional Japanese theatre is among the oldest theatre traditions in the world. Traditional theatre includes Noh, a spiritual drama, and its comic accompaniment ; kabuki, a dance and music theatrical tradition; , puppetry; and , a spoken drama. Modern Japanese theatre includes (experimental Western-style theatre), shinpa (new school theatre) and (little theatre). In addition, there are many classical western plays and musical adaptations of popular television shows and movies that are produced in Japan. Traditional forms of theatre Noh and Noh and theatre traditions are among the oldest continuous theatre traditions in the world. The earliest existing scripts date from the 15th century. Noh was a spiritual drama, combining symbolism from Buddhism and Shinto and focusing on tales with mythic significance. , its comic partner, served as a link between the theological themes of the Noh play with the ped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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