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Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the ''raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them has their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature and music. Thumari being a popular form o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ''Hindustani classical music, Hindustani'' and the South Indian expression known as ''Carnatic classical music, Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal Empire, Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is ''Odissi music'', which has evolved over the last two thousand years. The roots of the classical music of India are found ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathak
''Kathak'' is one of the eight major forms of Classical Indian dance, Indian classical dance. Its origin is attributed to the traveling bards in ancient northern India known as ''Kathakar'' ("storyteller"), who communicated stories from the Hindu epics through dance, songs, and music. Its name derives from the Sanskrit word ''katha'' which means "story", and ''kathakar'' which means "the one who tells a story" or "to do with stories". 'Katha kahe so kathak kahave' - Kathak is the dance of story tellers. Stories are narrated through the medium of the body, face, hands, and feet in sync with the tabla and lehra. ''Kathak'' dancers tell various stories utilizing hand movements and extensive footwork, their body movements, and flexibility, as well as their Facial expression, facial expressions. ''Kathak'' often has a strong beat and can be danced in many taals. While proto-Kathak elements can be seen long before, ''Kathak'' evolved during the Bhakti movement, particularly by inco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hori (music)
Hori refers to a genre of folk songs in Braj Bhasa and Awadhi traditionally sung during the Holi festival, particularly in the Braj region of Uttar Pradesh in India. These songs are an integral part of the Holi festivities and contribute significantly to the celebratory atmosphere. Themes and Significance Hori songs often depict the playful and romantic interactions between Krishna and Radha, key deities in Hindu mythology, whose stories are deeply embedded in the cultural fabric of the Braj region. The lyrics frequently allude to the throwing of colors and the joyous spirit of the festival. These compositions are mainly based on the love pranks of ‘ Radha-Krishna’ known for its connection with Vrindavan, the native place of Lord Krishna. Musical Characteristics Characterized by lively rhythms and melodies, Hori songs are often accompanied by traditional Indian instruments like the dholak, manjira, and harmonium. The call-and-response structure is common. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tawaif
A ''tawaif'' () was a highly successful courtesan singer‚ dancer‚ and poet who catered to the nobility of the Indian subcontinent, particularly during the Mughal era. Many tawaifs (" nautch girls" to the British) were forced to go into prostitution due to a lack of opportunities by the time of the British Raj. Known variously as ''tawaifs'' in North India, ''Baijis'' in Bengal and ''naikins'' in Goa, these professional singers and dancers were dubbed as “ nautch girl” during the British rule. Tawaifs were largely a North Indian institution central to Mughal court culture from the 16th century onwards and became even more prominent with the weakening of Mughal rule in the mid-18th century. They contributed significantly to the continuation of traditional dance and music forms. The tawaifs excelled in and contributed to music, dance ( mujra), theatre, and the Urdu literary tradition, and were considered an authority on etiquette. Indian writer and scholar Pran Nevi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of India
Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk, rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent. Music in India began as an integral part of socio-religious life. History Pre-history Paleolithic The 30,000-year-old paleolithic and neolithic cave paintings at the UNESCO world heritage site at Bhimbetka rock shelters in Madhya Pradesh show a type of dance. Mesolithic and chalcolithic cave art of Bhimbetka illustrates musical instruments such as Gongs, Bowed Lyre, daf etc. Neolithic Chalcolithic era (4000 BCE onward) narrow bar shaped polished stone celts like music instruments, one of the earlier musical instrument in India, were excavated at Sankarjang in the Angul district of Odisha. There is historical evidence in the form of sculptural evidence, i.e. musical instruments, singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wajid Ali Shah
Mirza Wajid Ali Shah () (30 July 1822 – 1 September 1887) was the eleventh and last King of Awadh, holding the position for 9 years, from 13 February 1847 to 11 February 1856. Wajid Ali Shah's first wife was Alam Ara who was better known as Khas Mahal () because of her exquisite beauty. She was one of two Nikahi wives. His second wife, Muhammadi Khanum, better known as the Begum Hazrat Mahal, rose against the British East India Company during the Indian Rebellion of 1857 as the regent of Awadh. His kingdom, long protected by the East India Company (EIC) under a treaty, was annexed by the EIC on 11 February 1856, two days before the ninth anniversary of his coronation. The Nawab was exiled to Garden Reach in Metiabruz, then a suburb of Kolkata, where he lived out the rest of his life on a generous pension. He was a poet, playwright, dancer and great patron of the arts. He introduced Kathak, a major form of classical Indian dance as a court dance after the decline of Mughal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaiti
Chaiti or Chaita are semi-classical songs, originating from Bhojpuri region calendar month of Chait. These songs are rendered during the Holy month of Sri Rama Navami in March/April. It falls under light classical form of Hindustani classical music. It is a part of rich Bhojpuri Folk Music. The songs typically have the name of Lord Rama. It comes in the series of season songs, like Kajari, Hori, and Sawani, and is traditionally sung in the states of Uttar Pradesh and Bihar Bihar ( ) is a states and union territories of India, state in Eastern India. It is the list of states and union territories of India by population, second largest state by population, the List of states and union territories of India by are .... Girija Devi is among the popular singers of Chaiti. References Indian styles of music Hindustani music genres Uttar Pradesh folklore Culture of Bihar Hindustani music terminology {{music-genre-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uttar Pradesh
Uttar Pradesh ( ; UP) is a States and union territories of India, state in North India, northern India. With over 241 million inhabitants, it is the List of states and union territories of India by population, most populated state in India as well as the List of first-level administrative divisions by population, most populous country subdivision in the world – more populous than List of countries and dependencies by population, all but four other countries outside of India (China, United States, Indonesia, and Pakistan) – and accounting for 16.5 percent of the population of India or around 3 percent of the total world population. The state is bordered by Rajasthan to the west, Haryana, Himachal Pradesh and Delhi to the northwest, Uttarakhand and Nepal to the north, Bihar to the east, Madhya Pradesh, Chhattisgarh and Jharkhand to the south. It is the List of states of India by area, fourth-largest Indian state by area covering , accounting for 7.3 percent of the total ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khayal
Khyal or Khayal (ख़याल / خیال) is a major form of Hindustani classical music in the Indian subcontinent. Its name comes from a Persian language, Persian/Arabic language, Arabic word meaning "imagination". Khyal is associated with romantic poetry, and allows the performer greater freedom of expression than dhrupad and is sung with the tabla instead of the pakhavaj. In khyal, ragas are extensively ornamented, and the style calls for more technical virtuosity. Etymology () is an Urdu word of Arabic origin which means "imagination, thought, ideation, meditation, reflection". Hence khyal connotes the idea of a song that is imaginative and creative in either its nature or execution. The word entered India through the medium of the Persian language, Persian language. Just as the word reflects ideas of imagination and imaginative composition, the musical form is imaginative in conception, artistic and decorative in execution and romantic in appeal.Francis Joseph Steingass� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramanuja
Ramanuja ('; Middle Tamil: Rāmāṉujam; Classical Sanskrit: Rāmānuja; 1077 – 1157), also known as Ramanujacharya, was an Indian Hindu philosopher, guru and social reformer. He is one of the most important exponents of the Sri Vaishnavism tradition in Hinduism. His philosophical foundations for devotional practice were influential in the Bhakti movement. Ramanuja's guru was Yādava Prakāśa, a scholar who, traditionally, is said to have belonged to the Advaita Vedānta tradition, but probably was a Bhedabheda scholar. Sri Vaishnava tradition holds that Ramanuja disagreed with his guru and the non-dualistic Advaita Vedānta, and instead followed in the footsteps of Tamil Alvārs tradition, the scholars Nāthamuni and Yamunāchārya. Ramanuja is famous as the chief proponent of Vishishtadvaita school of Vedānta, and his disciples were likely authors of texts such as the Shatyayaniya Upanishad. Ramanuja himself wrote influential texts, such as Sanskrit bhāsyas on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jayadeva
Jayadeva (; born ), also spelt Jaideva, was a Sanskrit poet during the 12th century. He is most known for his epic poem ''Gita Govinda'' which concentrates on Krishna's love with the ''gopi'', Radha, in a rite of spring. This poem, which presents the view that Radha is greater than Krishna, is considered an important text in the Bhakti movement of Hinduism. Little is known of his life, except that he was a loner poet and a Hindu mendicant celebrated for his poetic genius in eastern India. Jayadeva is the earliest dated author of hymns that are included in the Guru Granth Sahib, the primary scripture of Sikhism – a religion founded in the Indian subcontinent centuries after his death. Biography He was born in a Brahmin family but the date and place of Jayadeva's birth is uncertain. The ''Gitagovinda'' suggests that he was born in the "Kindubilva" village. Scholars have variously identified this place with a present-day village in their own region, including Kenduli Sasan nea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhyalaya
Madhya laya or Madhyalaya is a medium tempo of a rhythm in Indian classical music. Medium tempo, a speed between 80 and 160 mātrās per minute. While Madhya laya is sometimes confused with Vilambit and vice versa, it is about two beats per second. According to some scholars like Subhajit Mandal, Madhya laya is visible in three phase: Madhya + Vilambit, Madhya + Madhya, Madhya + Drut. It could be said that what is characterized as Chhanda in first felt in Madhya tempo. Chhanda can be defined as generations of a definite, repetitive line of recognizable duration that bestows a definite length on the concerned tonal phase. Madhya + Vilamvit = Known as ‘Dagur ki badhat’ consists of embellishments and chikari works. Madhaya + Madhya = Also known as ‘Madhya Jod’ or ‘Barabar ki jod’ abundantly consists of musical embellishment known as ‘Gamaka’. In ‘tata’ instruments, fretwork is on the increase in the phase. Madhya + Drut= The phase is also known as ‘Ladi ki jod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
