The Shadows
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The Shadows
The Shadows (originally known as the Drifters) were an English instrumental rock group, who dominated the British popular music charts in the late 1950s and early 1960s, in the pre- Beatles era. They served as the backing band for Cliff Richard from 1958 to 1968, and have joined him for several reunion tours. The Shadows have had 69 UK chart singles from the 1950s to the 2000s, 35 credited to the Shadows and 34 to Cliff Richard and the Shadows. The group, who were in the forefront of the UK beat-group boom, were the first backing band to emerge as stars. As pioneers of the four-member instrumental format, the band consisted of lead guitar, rhythm guitar, bass guitar and drums. Their range covers pop, rock, surf rock and ballads with a jazz influence. The core members from 1958 to present are guitarists Hank Marvin and Bruce Welch and drummer Brian Bennett (who has been with the group since 1961) with various bassists and occasionally keyboardists through the years. Along wi ...
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Cliff Richard
Sir Cliff Richard (born Harry Rodger Webb; 14 October 1940) is an Indian-born British musican, singer, producer, entrepreneur and philanthropist who holds both British and Barbadian citizenship. He has total sales of over 21.5 million singles in the United Kingdom and is the third-top-selling artist in UK Singles Chart history, behind the Beatles and Elvis Presley. Richard was originally marketed as a rebellious rock and roll singer in the style of Presley and Little Richard. With his backing group, the Shadows, he dominated the British popular music scene in the pre-Beatles period of the late 1950s to early 1960s. His 1958 hit single "Move It" is often described as Britain's first authentic rock and roll song. In the early 1960s, he had a prosperous screen career with films including '' The Young Ones'', '' Summer Holiday'' and '' Wonderful Life'' and his own television show at the BBC. Increased focus on his Christian faith and subsequent softening of his music led t ...
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Tony Meehan
Daniel Joseph Anthony Meehan (2 March 1943 – 28 November 2005), professionally known as Tony Meehan, was a founder member of the British group the Drifters, with Jet Harris, Hank Marvin and Bruce Welch, which would evolve into the Shadows. He played drums on early Cliff Richard and the Shadows hits and on early Shadows instrumentals. Meehan was professionally nicknamed "The Baron" by his many admirers and friends within the British pop-rock music industry. He is reckoned to have influenced many thousands of teenage boys and adolescents to take up music as a career, including Mick Fleetwood of Fleetwood Mac, as a result of his iconic film performance in Cliff Richard's film ''The Young Ones''. His drumming style (cf. "Bongo Blues", "Apache") is noticeably different from that of other drummers that the Shadows employed during 1958–2010 such as Brian Bennett, Clem Cattini and Trevor Spencer. In his contribution to the 1961 book ''The Shadows by Themselves'', Meehan gives ad ...
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Ballad
A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and song of Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. Ballads are often 13 lines with an ABABBCBC form, consisting of couplets (two lines) of rhymed verse, each of 14 syllables. Another common form is ABAB or ABCB repeated, in alternating eight and six syllable lines. Many ballads were written and sold as single sheet broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song, particularly the sentimental ballad of pop or roc ...
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Surf Rock
Surf music (or surf rock, surf pop, or surf guitar) is a Music genre, genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern music, Middle Eastern and Mexican music, Mexican influences, a spring reverb, and rapid alternate guitar picking, picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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Beat-group
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later shorten ...
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Backing Band
A backup band or backing band is a musical ensemble that typically accompanies a single artist who is the featured performer. The situation may be a live performance or in a recording session, and the group may or may not have its own name, such as "The Heartbreakers" (the band of Tom Petty), or " Bob Wills and his Texas Playboys" in the 1930s. Often, backup bands contain sidemen who are skilled but not known to the public; these musicians may be replaced or substituted at any time without noticeable impact on the performance. A number of cohesive stand-alone groups of musicians have emerged from the shadow of the starring celebrity (whom they are backing) to achieve a stature of their own. An example is the Eagles in 1971, emerging from being the backing band for Linda Rondstadt. Another example is The Band, a group who backed Bob Dylan on his world tour in 1966, his first tour with electric instruments. A backing band may also be a cadre of elite studio musicians who serve ...
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Beatles
The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all time and were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initia ...
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Ian Samwell
Ian Ralph Samwell (19 January 1937 – 13 March 2003) was an English musician, singer-songwriter and record producer. He is best known as the writer of Cliff Richard's debut single "Move It", and his association with the rock band America, with whom he had his biggest commercial success with their hit single, "A Horse with No Name". He also worked with rock bands, such as the Small Faces, The Grateful Dead, Frank Zappa, Joni Mitchell, John Mayall and Hummingbird. Samwell wrote for many other British artists, including Joe Brown, Elkie Brooks, Kenny Lynch and Dusty Springfield. Several of his songs were recorded in Spanish by the Mexican group, Los Teen Tops and were released in Latin America and the Spanish-speaking territories of the world. He also worked as a record producer with Sounds Incorporated, Georgie Fame, John Mayall and the mod band The Small Faces, co-writing their 1965 hit single "Whatcha Gonna Do About It". Career In 1958, Samwell heard Harry Webb performing a ...
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Alan Tarney
Alan Tarney (born 19 November 1945) is an English record producer and musician. He was born in Northside, Workington, Cumberland, but spent his teenage years in Adelaide, Australia, where he met his songwriting and musical partner Trevor Spencer. He is best known for his association with Cliff Richard and producing "Take On Me" by a-ha. Career Musician Tarney was part of the influx of British migrants who settled in Adelaide during the height of the 1960s pop music boom. His first major group in Australia was James Taylor Move, a four-piece outfit regarded as one of Australia's first psychedelic rock bands; the original line-up in 1967 comprised Tarney on bass, his longtime collaborator Trevor Spencer on drums, Kevin Peek on lead guitar and Robert (R.J.) Taylor on vocals. Both the James Taylor Move and their rising-star contemporaries the Twilights were formed by various members of two earlier Adelaide bands, Johnny Broome and the Handels, and the Hurricanes. James Taylor Move ...
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John Farrar
John Clifford Farrar ( ; born 8 November 1946) is an Australian music producer, songwriter, arranger, singer, and guitarist. As a musician, Farrar is a former member of several rock and roll groups including The Mustangs (1963–64), The Strangers (1964–70), Marvin, Welch & Farrar (1970–73), and The Shadows (1973–76); in 1980 he released a solo eponymous album. As a songwriter and producer, he worked with Olivia Newton-John from 1971 through 1989. He wrote her U.S. number-one hit singles: "Have You Never Been Mellow" (1975), "You're the One That I Want" (1978 duet with John Travolta), " Hopelessly Devoted to You" (1978), and "Magic" (1980). He also produced the majority of her recorded material during that time including her number-one albums, ''If You Love Me, Let Me Know'' (1974), ''Have You Never Been Mellow'' (1975), and '' Olivia's Greatest Hits Vol. 2'' (1982). He was a co-producer of the soundtrack for the film '' Grease'' (1978). Farrar also produced Newton-John ...
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