Romance Comics
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Romance Comics
Romance comics is a comics genre depicting strong and close romantic love and its attendant complications such as jealousy, marriage, divorce, betrayal, and heartache. The term is generally associated with an American comic books genre published through the first three decades of the Cold War (1947–1977). Romance comics of the period typically featured dramatic scripts about the love lives of older high school teens and young adults, with accompanying artwork depicting an urban or rural America contemporaneous with publication. The origins of romance comics lie in the years immediately following World War II when adult comics readership increased and superheroes were dismissed as ''passé''. Influenced by the pulp magazine, pulps, radio soap operas, newspaper comic strips such as ''Mary Worth'', and adult confession magazines, Joe Simon and Jack Kirby created the flagship romance comic book ''Young Romance'' and launched it in 1947 to resounding success. By the early 1950 ...
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Young Romance
''Young Romance'' is a romantic comic book series created by Joe Simon and Jack Kirby for the Crestwood Publications imprint Prize Comics in 1947. Generally considered the first romance comic,Ro, Ronin. ''Tales to Astonish: Jack Kirby, Stan Lee and the American Comic Book Revolution'' (Bloomsbury, 2004)''Young Romance''
at Don Markstein's Toonopedia. Accessed May 27, 2008
the series ran for 124 consecutive issues under Prize imprint, and a further 84 (issues #125-208) published by after Crestwood stopped producing comics.


Background

In his introduction to

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Comics
a medium used to express ideas with images, often combined with text or other visual information. It typically the form of a sequence of panels of images. Textual devices such as speech balloons, captions, and onomatopoeia can indicate dialogue, narration, sound effects, or other information. There is no consensus amongst theorists and historians on a definition of comics; some emphasize the combination of images and text, some sequentiality or other image relations, and others historical aspects such as mass reproduction or the use of recurring characters. Cartooning and other forms of illustration are the most common image-making means in comics; '' fumetti'' is a form that uses photographic images. Common forms include comic strips, editorial and gag cartoons, and comic books. Since the late 20th century, bound volumes such as graphic novels, comic albums, and ' have become increasingly common, while online webcomics have proliferated in the 21st century. The histo ...
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Sexual Revolution
The sexual revolution, also known as the sexual liberation, was a social movement that challenged traditional codes of behavior related to sexuality and interpersonal relationships throughout the United States and the developed world from the 1960s to the 1970s. Sexual liberation included increased acceptance of sex outside of traditional heterosexual, monogamous relationships (primarily marriage). The normalization of contraception and the pill, public nudity, pornography, premarital sex, homosexuality, masturbation, alternative forms of sexuality, and the legalization of abortion all followed. Origins First sexual revolution Several other periods in Western culture have been called the "first sexual revolution", to which the 1960s revolution would be the second (or later). The term "sexual revolution" itself has been used since at least the late 1920s. The term appeared as early as 1929; the book ''Is Sex Necessary? Or, Why You Feel the Way You Do'' by James Thurber and E. B ...
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Comics Code
The Comics Code Authority (CCA) was formed in 1954 by the Comics Magazine Association of America as an alternative to government regulation. The CCA allowed the comic publishers to self-regulate the content of comic books in the United States. The code was voluntary; there was no law requiring its use, although some advertisers and retailers looked to it for reassurance. Some publishers including Dell, Western, and Classics Illustrated never used it. Its code, commonly called "the Comics Code", lasted until the early 21st century. The CC formation followed a moral panic centered around a series of Senate hearings and the publication of psychiatrist Fredric Wertham's book ''Seduction of the Innocent''. Members submitted comics to the CCA, which screened them for adherence to its code, then authorized the use of their seal on the cover if the book was found to be in compliance. At the height of its influence, it was a ''de facto'' censor for the entire U.S. comic book industry. B ...
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First-person Narration
A first-person narrative is a mode of storytelling in which a storyteller recounts events from their own point of view using the first person It may be narrated by a first-person protagonist (or other focal character), first-person re-teller, first-person witness, or first-person peripheral. A classic example of a first-person protagonist narrator is Charlotte Brontë's ''Jane Eyre'' (1847), in which the title character is also the narrator telling her own story, "I could not unlove him now, merely because I found that he had ceased to notice me". This device allows the audience to see the narrator's mind's eye view of the fictional universe, but it is limited to the narrator's experiences and awareness of the true state of affairs. In some stories, first-person narrators may relay dialogue with other characters or refer to information they heard from the other characters, in order to try to deliver a larger point of view. Other stories may switch the narrator to different cha ...
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Teen Humor Comics
Teen humor comics are a genre of comics that humorously depict contemporary American teenagers. When teen culture and buying power emerged in the early 1940s, comics publishers were quick to glut the newsstands with light-hearted, innocuous comic books about funny teens, cars, dating, high school, and parents. Teen humor comics appealed especially to young teen girls and tweens of both sexes because the books gave them a glimpse of what awaited them in high school. The genre's formulaic plots anticipated the radio and television suburban family sitcoms such as ''The Adventures of Ozzie and Harriet'', and though many titles ceased publication as adult audiences turned to comics tinged with extreme violence and sex in the late 1940s and early 1950s, ''Archie'', ''Buzzy'', ''Patsy Walker'' and other titles had relatively long publication lives. Background It was in the 1920s that American teens were first viewed as a distinct social group, aided and abetted by the black-and-white i ...
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Confession Magazine
Confessional Writing is a literary style and genre that developed in American writing schools following the Second World War. A prominent mode of confessional writing is confessional poetry, which emerged in the 1950s and 1960s. Confessional writing is often historically associated with Postmodernism due to the features which the modes share: including self-performativity and self-reflexivity; discussions of culturally taboo subjects; and the literary influences of personal conflict and historical trauma. Confessional writing also has historical origins in Catholic confessional practices. As such, confessional writing is congruent with psychoanalytic literary criticism. Confessional writing is also a form of life writing, especially through the autobiography form. Confessional writing usually involves the disclosure of personal revelations and secrets, often in first-person, non-fiction forms such as diaries and memoirs. Confessional writing often employs colloquial speech and dire ...
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Mary Worth
''Mary Worth'' is an American newspaper comic strip that has had an eight-decade run from 1938. Distributed by King Features Syndicate, this soap opera-style strip influenced several that followed. It was created by writer Allen Saunders and artist Dale Connor, initially appeared under the pseudonym "Dale Allen". Ken Ernst succeeded Connor as artist in 1942. ''Mary Worth'' is associated with an older comic strip, ''Apple Mary'', sometimes subtitled ''Mary Worth's Family'', which dates from 1934 and features the character "Apple Mary" Worth, as well as several supporting characters who would continue into the new strip. Publication history Origins Many reference sources state that ''Mary Worth'' was a continuation of Publishers Syndicate's Depression-era strip ''Apple Mary'', created by Martha Orr in 1934, centering on an old woman who sold apples on the street and offered humble common sense.
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Comic Strip
A comic strip is a sequence of drawings, often cartoons, arranged in interrelated panels to display brief humor or form a narrative, often serialized, with text in balloons and captions. Traditionally, throughout the 20th and into the 21st century, these have been published in newspapers and magazines, with daily horizontal strips printed in black-and-white in newspapers, while Sunday papers offered longer sequences in special color comics sections. With the advent of the internet, online comic strips began to appear as webcomics. Strips are written and drawn by a comics artist, known as a cartoonist. As the word "comic" implies, strips are frequently humorous. Examples of these gag-a-day strips are '' Blondie'', ''Bringing Up Father'', ''Marmaduke'', and ''Pearls Before Swine''. In the late 1920s, comic strips expanded from their mirthful origins to feature adventure stories, as seen in ''Popeye'', ''Captain Easy'', ''Buck Rogers'', ''Tarzan'', and ''Terry and the Pira ...
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Soap Opera
A soap opera, or ''soap'' for short, is a typically long-running radio or television serial, frequently characterized by melodrama, ensemble casts, and sentimentality. The term "soap opera" originated from radio dramas originally being sponsored by soap manufacturers.Bowles, p. 118. The term was preceded by "horse opera", a derogatory term for low-budget Westerns. BBC Radio's ''The Archers'', first broadcast in 1950, is the world's longest-running radio soap opera. The longest-running current television soap is '' Coronation Street'', which was first broadcast on ITV in 1960, with the record for the longest running soap opera in history being held by '' Guiding Light'', which began on radio in 1937, transitioned to television in 1952, and ended in 2009. A crucial element that defines the soap opera is the open-ended serial nature of the narrative, with stories spanning several episodes. One of the defining features that makes a television program a soap opera, according to Alber ...
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Pulp Magazine
Pulp magazines (also referred to as "the pulps") were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was wide by high, and thick, with ragged, untrimmed edges. The pulps gave rise to the term pulp fiction in reference to run-of-the-mill, low-quality literature. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative, and sensational subject matter, even though this was but a small part of what existed in the pulps. Successors of pulps include paperback books, digest magazines, and men's adventure magazines. Modern superhero comic books are sometimes considere ...
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Superheroes
A superhero or superheroine is a stock character that typically possesses ''superpowers'', abilities beyond those of ordinary people, and fits the role of the hero, typically using his or her powers to help the world become a better place, or dedicating themselves to protecting the public and fighting crime. Superhero fiction is the genre of fiction that is centered on such characters, especially, since the 1930s, in American comic books (and later in Hollywood films, film serials, television and video games), as well as in Japanese media (including kamishibai, tokusatsu, manga, anime and video games). Superheroes come from a wide array of different backgrounds and origins. Some superheroes (for example, Batman and Iron Man) derive their status from advanced technology they create and use, while others (such as Superman and Spider-Man) possess non-human or superhuman biology or study and practice magic to achieve their abilities (such as Zatanna and Doctor Strange). While t ...
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