Rodan (band) Albums
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Rodan (band) Albums
is a fictional monster, or ''kaiju'', which first appeared as the title character in Ishirō Honda's 1956 film '' Rodan'', produced and distributed by Toho. Following its debut standalone appearance, Rodan went on to be featured in numerous entries in the ''Godzilla'' franchise, including ''Ghidorah, the Three-Headed Monster'' (1964), '' Invasion of Astro-Monster'' (1965), '' Destroy All Monsters'' (1968), ''Godzilla vs. Mechagodzilla II'' (1993), and '' Godzilla: Final Wars'' (2004), as well as in the Legendary Pictures-produced film '' Godzilla: King of the Monsters'' (2019). Rodan is depicted as a colossal, prehistoric, irradiated species of ''Pteranodon''. In 2014, '' IGN'' ranked Rodan as #6 on its "Top 10 Japanese Movie Monsters" list, while '' Complex'' listed the character as #15 on its "The 15 Most Badass Kaiju Monsters of All Time" list. Overview Name The Japanese name ''Radon'' is a contraction of '' Pteranodon''. The spelling of Radon in Japanese also correspond ...
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Godzilla (franchise)
franchise is a Japanese media franchise created and owned by Toho, Toho Co., Ltd., centered on the fictional ''kaiju'' character Godzilla. It is the longest-running film franchise, having been in ongoing production from 1954, with several hiatuses of varying lengths. The film franchise consists of 38 films; 33 produced by Toho, one produced by TriStar Pictures, and four produced by Legendary Entertainment, Legendary Pictures. The first film, ''Godzilla (1954 film), Godzilla'', was directed by Ishirō Honda and released by Toho in 1954. It became an influential classic of the genre. It featured political and social undertones relevant to Japan at the time. The original introduced an acclaimed music score by Akira Ifukube, reused in many later films. The 1954 film and its special effects director Eiji Tsuburaya are largely credited for establishing the template for ''tokusatsu'', a technique of practical special effects filmmaking that would become essential in Japan's film indust ...
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