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Pure Lands
A pure land is the celestial realm of a buddha or bodhisattva in Mahayana Buddhism. The term "pure land" is particular to East Asian Buddhism () and related traditions; in Sanskrit the equivalent concept is called a buddha-field (Sanskrit ). The various traditions that focus on pure lands have been given the nomenclature Pure Land Buddhism. Pure lands are also evident in the literature and traditions of Taoism and Bon. Discussion In the Mahayana sutras, there are many pure lands. Bodhisattvas such as Avalokiteśvara and Manjushri would obtain pure lands after they attained buddhahood. In the ''Lotus Sutra'', Buddha's close followers such as Śāriputra, Mahākāśyapa, Subhuti, Maudgalyāyana and Buddha's son Rāhula would also have pure lands. The relative time-flow in the pure lands may be different, with a day in one pure land being equivalent to years in another. Pure lands have been documented as arising due to the intention and aspiration of a bodhisattva such as the cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhahood
In Buddhism, Buddha (; Pali, Sanskrit: 𑀩𑀼𑀤𑁆𑀥, बुद्ध), "awakened one", is a title for those who are awake, and have attained nirvana and Buddhahood through their own efforts and insight, without a teacher to point out the dharma (Sanskrit 𑀥𑀭𑁆𑀫; Pali ''dhamma''; "right way of living"). The title is most commonly used for Gautama Buddha, the founder of Buddhism, who is often simply known as "the Buddha". Buddhahood ( sa, 𑀩𑀼𑀤𑁆𑀥𑀢𑁆𑀯, buddhatva; pi, buddhatta or ; ) is the condition and rank of a buddha "awakened one". This highest spiritual state of being is also termed ''sammā-sambodhi'' (skt. samyaksaṃbodhi 'full complete awakening'). The title is also used for other beings who have achieved ''bodhi'' (awakening) and ''moksha'' (release from craving), such as the other human Buddhas who achieved enlightenment before Gautama, the five celestial Buddhas worshiped primarily in Mahayana, and the bodhisattva named M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amitābha
Amitābha ( sa, अमिताभ, IPA: ), also known as Amitāyus, is the primary Buddha of Pure Land Buddhism. In Vajrayana Buddhism, he is known for his longevity, discernment, pure perception, purification of aggregates, and deep awareness of emptiness for each phenomenon. According to a Pure Land Buddhist scripture, he possesses infinite merit that results from good deeds over countless past lives as Dharmākara. Doctrine Attainment of Buddhahood According to the '' Larger Sūtra of Immeasurable Life'', Amitābha was, in very ancient times and possibly in another system of worlds, a monk named Dharmākara. In some versions of the sūtra, Dharmākara is described as a former king who, having come into contact with Buddhist teachings through the buddha Lokeśvararāja, renounced his throne. He then resolved to become a Buddha and to create a ' (literally "buddha-field", often called a "Pureland" or "Buddha Land": a realm existing in the primordial universe outside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geodesy
Geodesy ( ) is the Earth science of accurately measuring and understanding Earth's figure (geometric shape and size), orientation in space, and gravity. The field also incorporates studies of how these properties change over time and equivalent measurements for other planets (known as '' planetary geodesy''). Geodynamical phenomena, including crustal motion, tides and polar motion, can be studied by designing global and national control networks, applying space geodesy and terrestrial geodetic techniques and relying on datums and coordinate systems. The job title is geodesist or geodetic surveyor. History Definition The word geodesy comes from the Ancient Greek word ''geodaisia'' (literally, "division of Earth"). It is primarily concerned with positioning within the temporally varying gravitational field. Geodesy in the German-speaking world is divided into "higher geodesy" ( or ), which is concerned with measuring Earth on the global scale, and "practical geodes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacred Geometry
Sacred geometry ascribes symbolic and Sacred, sacred meanings to certain geometry, geometric shapes and certain geometric Proportion (architecture), proportions. It is associated with the belief that a god or goddess is the creator of the universal geometer. The geometry used in the design and construction of sacred architecture, religious structures such as Church (building), churches, temples, mosques, religious monuments, altars, and church tabernacle, tabernacles has sometimes been considered sacred. The concept applies also to sacred spaces such as temenos, temenoi, sacred groves, village greens, Pagoda, pagodas and holy wells, Mandala Gardens and the creation of sacred art, religious and spiritual art. As worldview and cosmology The belief that a god or goddess created the universe according to a geometric plan has ancient origins. Plutarch attributed the belief to Plato, writing that "Plato said god geometrizes continually" (''Convivialium disputationum'', liber 8,2). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spirit Of Place
Spirit of place (or soul) refers to the unique, distinctive and cherished aspects of a place; often those celebrated by artists and writers, but also those cherished in folk tales, festivals and celebrations. It is thus as much in the invisible weave of culture ( stories, art, memories, beliefs, histories, etc.) as it is the tangible physical aspects of a place (monuments, boundaries, rivers, woods, architectural style, rural crafts styles, pathways, views, and so on) or its interpersonal aspects (the presence of relatives, friends and kindred spirits, and the like). Often the term is applied to a rural or a relatively unspoiled or regenerated place — whereas the very similar term sense of place would tend to be more domestic, urban, or suburban in tone. For instance, one could logically apply 'sense of place' to an urban high street; noting the architecture, the width of the roads and pavements, the plantings, the style of the shop-fronts, the street furniture, and s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murti
In the Hindu tradition, a ''murti'' ( sa, मूर्ति, mūrti, ) is a devotional image such as a statue, or "idol" (a common and non-pejorative term in Indian English), of a deity or saint. In Hindu temples, it is a symbolic icon. Thus, not all Hindu images of gods and saints are ''murti'', for example, purely decorative sculptures in temples and on the streets. A ''murti'' is itself not a god in Hinduism, but it is a shape, embodiment, or manifestation of a deity. ''Murti'' are also found in some nontheistic Jain traditions, where they serve as symbols of revered mortals inside Jain temples, and are worshiped in ''murtipujaka'' rituals. A ''murti'' is typically made by carving stone, wood working, metal casting or through pottery. Ancient era texts describing their proper proportions, positions and gestures include the Puranas, Agamas, and Samhitas.Klaus Klostermaier (2010), ''A Survey of Hinduism'', State University of New York Press, , pages 264–267 The expressio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thangka
A ''thangka'', variously spelled as ''thangka'', ''tangka'', ''thanka'', or ''tanka'' (; Tibetan: ཐང་ཀ་; Nepal Bhasa: पौभा), is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbha Gṛha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' (''pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower arising o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brahmin
Brahmin (; sa, ब्राह्मण, brāhmaṇa) is a varna as well as a caste within Hindu society. The Brahmins are designated as the priestly class as they serve as priests (purohit, pandit, or pujari) and religious teachers (guru or acharya). The other three varnas are the Kshatriya, Vaishya and Shudra. The traditional occupation of Brahmins is that of priesthood at the Hindu temples or at socio-religious ceremonies, and rite of passage rituals such as solemnising a wedding with hymns and prayers.James Lochtefeld (2002), Brahmin, The Illustrated Encyclopedia of Hinduism, Vol. 1: A–M, Rosen Publishing, , page 125 Traditionally, the Brahmins are accorded the highest ritual status of the four social classes. Their livelihood is prescribed to be one of strict austerity and voluntary poverty ("A Brahmin should acquire what just suffices for the time, what he earns he should spend all that the same day"). In practice, Indian texts suggest that some Brahmins historicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Padma (attribute)
The lotus, ''Nelumbo nucifera'', is an aquatic plant that plays a central role in the art of Indian religions such as Hinduism, Buddhism, Jainism and Sikhism. In Asian art a lotus throne is a stylized lotus flower used as the seat or base for a figure. It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular. Hinduism Hindus revere it with the divinities Vishnu and Lakshmi often portrayed on a pink lotus in iconography; historically, many deities, namely Brahma, Saraswati, Lakshmi, Kubera, usually sit on a stylized lotus throne. In the representation of Vishnu as Padmanabha (Lotus navel), a lotus issues from his navel with Brahma on it. The goddess Saraswati is portrayed on a pale pink lotus. The lotus is the symbol of what is divine or immortal in humanity, and also symbolizes divine perfection. The lotus is the attribute of sun and fire gods. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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