Punjabi Music

	Punjabi Music Music of Punjab ( Punjabi: پنجاب دی موسیقی ; ਪੰਜਾਬ ਦਾ ਸੰਗੀਤ ) reflects the traditions of the Punjab region of the Subcontinent, with East Punjab in India, and West Punjab in Pakistan. The Punjab has diverse styles of music, ranging from folk and Sufi to classical, notably the Patiala gharana. Contemporary Punjabi music has tended to include more modern hip-hop and R&B sounds. While this style of music is obviously most popular in Punjab, it has seen popularity across the subcontinent and areas with large Punjabi diaspora populations, such as Canada, the United Kingdom, and the United States. Classical music Patiala Gharana Sham Chaurasia gharana * Punjab Gharana Instruments During the past century, Punjabi folk musicians used 87 instruments, 55 of which are still used today. It is notable that the instruments used today serve a function that exceeds musical necessity in that they are closely tied to Punjabi culture and heritage. The dho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Punjabi Language Punjabi (; ; , ), sometimes spelled Panjabi, is an Indo-Aryan language of the Punjab region of Pakistan and India. It has approximately 113 million native speakers. Punjabi is the most widely-spoken first language in Pakistan, with 80.5 million native speakers as per the 2017 census, and the 11th most widely-spoken in India, with 31.1 million native speakers, as per the 2011 census. The language is spoken among a significant overseas diaspora, particularly in Canada, the United States, and the United Kingdom. In Pakistan, Punjabi is written using the Shahmukhi alphabet, based on the Perso-Arabic script; in India, it is written using the Gurmukhi alphabet, based on the Indic scripts. Punjabi is unusual among the Indo-Aryan languages and the broader Indo-European language family in its usage of lexical tone. History Etymology The word ''Punjabi'' (sometimes spelled ''Panjabi'') has been derived from the word ''Panj-āb'', Persian for 'Five Waters', referring to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Patiala Gharana The Patiala ''gharana'' (, ) is one of the vocal (tradition, school, or style of music) of Hindustani classical music, named after the city of Patiala in Punjab, India where it was established. The ''gharana'' was founded in the mid to late 19th century by Mian Kallu (also known as Kalu-miya Khan), a sārangi player of the Jaipur durbar. He received his musical training from the last Mughal king Bahadur Shah Zafar’s court musician Qutub Bakhsh ‘Tanras’ Khan ( Delhi ''gharana'') and went on to become the court musician to the Maharaja of Patiala. Eventually, the mantle was passed on to his son, ‘General’ Ali Baksh Khan and his close friend ‘Colonel’ Fateh Ali Khan, both of whom became court musicians in the court of Maharaja Rajinder Singh. The titles of 'general' and 'colonel' of music were bestowed upon them by the Victor Alexander Bruce, the 9th Earl of Elgin, after the duo had enthralled him with their performance. Their pairing was popularly referred to as 'A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Dilruba The dilruba (also spelt dilrupa) is a bowed musical instrument originating in India. It is slightly larger than an esraj and has a larger, square resonance box. The dilruba holds particular importance in Sikh history. It became more widely known outside India in the 1960s through use in songs by Western artists, such as the Beatles during their psychedelic phase (most notably in the song "Within You Without You"). Etymology The name of the instrument derives from the Persianized Hindustani word دلربا/दिलरुबा (''dilrubā''), literally meaning "that which ravishes or steals the heart." History The traditional story is that the dilruba was invented around 300 years ago by the 10th Sikh Guru, Guru Gobind Singh, who based it on the much older and much heavier taus. His innovations made it more convenient for the Sikh army (the ''khalsa'') to carry the instrument on horseback. There is some doubt in the research community about the truth of the traditional or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Taus (instrument) The taus, originally known as the mayuri veena, is a bowed string instrument from North India. It is a form of veena used in North India with a peacock-shaped resonator called a ''mayuri'', and is played with the neck of the instrument on bow. References to the mayuri veena have been found in ''Malavikagnimitra'', written by the Sanskrit poet Kalidasa between the 4th to 5th centuries CE. The name ''taus'' is a Persian translation of the word 'peacock', or ''mayura'' in Sanskrit. It is believed that the taus was being played and adopted by for the Sikhs by Guru Hargobind, the sixth Guru of the Sikhs. Origin story Bhai Avtar Singh, a well-known taus player and ragi who practiced the historic style of kirtan, tells the story of the invention of the Taus in the following quote: "The ''taus'' was conceived by and designed by the 6th Guru, Guru Hargobind Ji. ..The Guru and his Sikhs were singing outdoors under a tree enjoying God and nature. As was the old tradition, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Pakhavaj The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, the oldest version of double sided drums and its descendants are mridangam of Southern India and kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay. It is the percussion instrument most commonly used in the dhrupad style of Indian classical music and less often used as a rhythm accompaniment for various other sub-forms of music and dance performances (e.g. kathak, odissi, marathi). It has a low, mellow tone that is quite rich in harmonics. The sides of the pakhawaj are made with animal skin (often goat, cow skin). The pakhavaj players place the instrument horizontally in front of themselves as they sit on the floor with legs crossed. The players may sometimes place a cushion under the narrower treble face to lift it slightly. A right-handed person places the larger bass-skin on the left side and the treble skin on the right. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]