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Post-disco Record Labels
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980. Reynolds, Simon (2009) Grunge's Long Shadow' - In praise of "in-between" periods in pop history (Slate, MUSIC BOX). Retrieved on 2-2-2009" During its dying stage, disco displayed an increasingly electronic character that soon served as a stepping stone to new wave, old-school hip-hop, Euro disco, and was succeeded by an underground club music called hi-NRG, which was its direct continuation. An underground movement of disco music, which was simultaneously "stripped-down" and featured "radically different sounds," took place on the East Coast that "was neither disco and neither R&B."Kellman, Andy"Unlimited Touch"artist biogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of music that emerged in late 1977 in the wake of punk rock. Post-punk musicians departed from punk's fundamental elements and raw simplicity, instead adopting a broader, more experimental approach that encompassed a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and do it yourself ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the music production, production techniques of dub music, dub and disco; and ideas from art and politics, including critical theory, modernist art, Film, cinema and modernist literature, literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire (band), Wire, Public Image Ltd, the Pop Group, Magazine (band), Magazine, Joy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Train (music Group)
D Train was an American duo that had hits on the ''Billboard'' magazine Dance and R&B charts during the first half of the 1980s. Three of their singles also reached the top 30 in the UK Singles Chart. Career The project was a collaborative effort between the band's namesake, James D-Train Williams, who was featured as the lead vocalist and songwriter, and Hubert Eaves III, a keyboardist, who performed the instrumentation on the recordings. Hailing from Brooklyn, New York City, Williams himself was a R&B-dance producer as well. He and Eaves met during high school and began performing together. Eaves would spend most of the 1970s as a member of the R&B band Mtume. However, by the 1980s, he and Williams had teamed up again. The group named itself D-Train after a nickname Williams had acquired in high school. D Train released its first single " You're the One for Me" in late 1981. The track became an instant success, hitting number 1 on the US Hot Dance Club Play chart that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is a musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p. 2. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), the application of studio effects such as Delay (audio effect), echo and reverb effect, reverb, and the occasional dubbing (music), dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26–44, "Electronic Music in Jamaica" Wesleyan University Press. Dub was pioneered by Audio engineer, recording engineers and producers such as King Tubby, Osbourne "King Tubby" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a music genre, genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightclub, nightlife, particularly in African Americans, African-American, Italian-Americans, Italian-American, LGBTQ community, Gay and Hispanic and Latino Americans, Latino communities. Its sound features four-on-the-floor (music), four-on-the-floor beats, syncopation, syncopated basslines, string sections, brass instrument, brass and horn (musical instrument), horns, electric pianos, synthesizers, and electric rhythm guitars. Discothèques, mostly a French invention, were imported to the United States with the opening of Le Club, a members-only restaurant and nightclub at 416 East 55th Street in Manhattan, by French expatriate Olivier Coquelin, on New Year's Eve 1960. Disco music originated from music popular with African-American culture, African Americans, Hispanic and Latino Americans#Cultural matters, Latino Americans, and Italian Americans#Influe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parliament-Funkadelic
Parliament-Funkadelic (abbreviated as P-Funk) is an American musical collective, music collective of rotating musicians headed by George Clinton (funk musician), George Clinton, primarily consisting of the funk bands Parliament (band), Parliament and Funkadelic, both active since the 1960s. With an eclectic style drawing on psychedelia, outlandish fashion, and surreal humor, they have released albums such as ''Maggot Brain'' (1971), ''Mothership Connection'' (1975), and ''One Nation Under a Groove'' (1978) to critical praise, and scored charting hits with singles such as "Give Up The Funk (Tear The Roof Off The Sucker), Tear the Roof Off the Sucker" (1975) and "Flash Light (song), Flash Light" (1978). Overall, the collective achieved thirteen top ten hits in the American R&B music charts between 1967 and 1983, including six number one hits. Their work has had an influential effect on subsequent funk, post-punk, hip hop music, hip-hop, and techno artists of the 1980s and 1990s, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Contemporary Music
Urban contemporary music, also known as urban music, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop rap, quiet storm, urban adult contemporary and hip hop; Latin music such as Latin pop, Chicano R&B and Chicano rap; and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely U.S. phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City; Washington, D.C.; Detroit; Atlanta; Miami; Chicago; Cleveland; Philadelphia; Montgomery; Memphis; St. Louis; Newark; Charleston; New Orleans; Milwaukee; Cincinnati; Dallas; ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York Metropolitan Area
The New York metropolitan area, also called the Tri-State area and sometimes referred to as Greater New York, is the List of cities by GDP, largest metropolitan economy in the world, with a List of U.S. metropolitan areas by GDP, gross metropolitan product of over US$2.6 trillion. It is also the List of largest cities by area, largest metropolitan area in the world by urban area, urban landmass, encompassing . Among the List of largest cities#Metropolitan area, most populous metro areas in the world, New York is the largest metropolitan statistical area in the United States and the only one with more than 20 million residents according to the 2020 United States census, 2020 U.S. Census. The core of this vast area, the New York metropolitan statistical area, includes New York City and much of Downstate New York (Long Island as well as the mid- and lower Hudson Valley) and the suburbs of North Jersey, northern and Central Jersey, central New Jersey (including that state's el ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
East Coast Of The United States
The East Coast of the United States, also known as the Eastern Seaboard, the Atlantic Coast, and the Atlantic Seaboard, is the region encompassing the coast, coastline where the Eastern United States meets the Atlantic Ocean; it has always played a major socioeconomic role in the development of the United States. The region is generally understood to include the U.S. states that border the Atlantic Ocean: Connecticut, Delaware, Florida, Georgia (U.S. state), Georgia, Maine, Maryland, Massachusetts, New Hampshire, New Jersey, New York (state), New York, North Carolina, Rhode Island, South Carolina, and Virginia, as well as some landlocked territories (Pennsylvania, Vermont, West Virginia and Washington, D.C.). Toponymy and composition The Toponymy, toponym derives from the concept that the contiguous 48 states are defined by two major coastlines, one at the West Coast of the United States, western edge and one on the eastern edge. Other terms for referring to this area include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euro Disco
Eurodisco (also spelled as Euro disco) is a genre of electronic dance music that evolved from disco in the middle 1970s, incorporating elements of pop and rock into a disco-like continuous dance atmosphere. Many Eurodisco compositions feature lyrics sung in English, although the singers often share a different mother tongue. Eurodisco derivatives generally include Europop and Eurodance, with the most prominent sub-genres being space disco of the late 1970s and Italo disco of the early 1980s. The genre declined in popularity after 1990 in preference to house and eurodance. History Eurodisco is largely an offshoot of contemporary American music trends going far back to the early times of disco, pop and rock. During the 1960s, Europop hits spread around France, Italy and Germany, because of the French Scopitone (jukebox) and the Italian Cinebox/Coilorama Video-jukebox machines. Another root is the Eurovision Song Contest, especially in the 1970s. The song " Waterloo" by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old-school Hip-hop
Old-school hip hop (also spelled old skool) (also known as disco-rap) is the earliest commercially recorded hip hop music and the original style of the genre. It typically refers to the music created around 1979 to 1983, as well as any hip hop that does not adhere to contemporary styles. The image, styles and sounds of old-school hip hop were exemplified by figures like Disco King Mario, DJ Hollywood, Grandmaster Flowers, Grand Wizzard Theodore, Grandmaster Flash, Afrika Bambaataa, DJ Kool Herc, Treacherous Three, Funky Four Plus One, Kurtis Blow, The Sugarhill Gang, Melle Mel, Super-Wolf, West Street Mob, Spoonie Gee, Kool Moe Dee, Busy Bee Starski, Lovebug Starski, The Cold Crush Brothers, Warp 9, T-Ski Valley, Grandmaster Caz, Doug E. Fresh, The Sequence, Jazzy Jay, Crash Crew, Rock Steady Crew, and Fab Five Freddy. It is characterized by the more straightforward rapping techniques of the time and the general focus on party-related subject matter. The l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
