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Parsifal
''Parsifal'' ( WWV 111) is an opera or a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is loosely based on the 13th-century Middle High German epic poem ''Parzival'' of the ''Minnesänger'' Wolfram von Eschenbach, recounting the story of the Arthurian knight Parzival (Percival) and his quest for the Holy Grail. Wagner conceived the work in April 1857, but did not finish it until 25 years later. In composing it he took advantage of the particular acoustics of his Bayreuth Festspielhaus. ''Parsifal'' was first produced at the second Bayreuth Festival in 1882. The Bayreuth Festival maintained a monopoly on ''Parsifal'' productions until 1903, when the opera was performed at the Metropolitan Opera in New York. Wagner described ''Parsifal'' not as an opera, but as (a festival play for the consecration of the stage). At Bayreuth a tradition has arisen that audiences do not applaud at the end of the first ...
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Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ...
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Bayreuth Festival
The Bayreuth Festival (german: link=no, Bayreuther Festspiele) is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th-century German composer Richard Wagner are presented. Wagner himself conceived and promoted the idea of a special festival to showcase his own works, in particular his monumental cycle and ''Parsifal''. Performances take place in a specially designed theatre, the Bayreuth Festspielhaus. Wagner personally supervised the design and construction of the theatre, which contained many architectural innovations to accommodate the huge orchestras for which Wagner wrote as well as the composer's particular vision about the staging of his works. The Festival has become a pilgrimage destination for Wagnerians and classical-music enthusiasts. Origins The origins of the Festival itself lie rooted in Richard Wagner's interest in establishing his financial independence. A souring of the relationship with his patron, Ludwig II o ...
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Percival
Percival (, also spelled Perceval, Parzival), alternatively called Peredur (), was one of King Arthur's legendary Knights of the Round Table. First mentioned by the French author Chrétien de Troyes in the tale ''Perceval, the Story of the Grail'', he is best known for being the original hero in the quest for the Grail, before being replaced in later English and French literature by Galahad. Etymology and origin The earliest reference to Perceval is in Chrétien de Troyes's first Arthurian romance ''Erec et Enide'', where, as "Percevaus Welsh person, li Galois" (Percevaus of Wales), he appears in a list of Arthur's knights; in another of Chrétien's romances, ''Cligés'', he is a "renowned vassal" who is defeated by the knight Cligés in a tournament. He then becomes the protagonist in Chrétien's final romance, ''Perceval, the Story of the Grail''. In the Welsh romance ''Peredur son of Efrawg'', the figure goes by the name Peredur. The name "Peredur" may derive from Wels ...
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Parzival
''Parzival'' is a medieval romance (heroic literature), romance by the knight-poet Wolfram von Eschenbach in Middle High German. The poem, commonly dated to the first quarter of the 13th century, centers on the Arthurian hero Percival, Parzival (Percival in English language, English) and his long quest for the Holy Grail following his initial failure to achieve it. ''Parzival'' begins with the knightly adventures of Parzival's father, Gahmuret, his marriage to Herzeloyde ( gmh, herzeleide, "heart's sorrow"), and the birth of Parzival. The story continues as Parzival meets three elegant knights, decides to seek King Arthur, and continues a spiritual and physical search for the Holy Grail, Grail. A long section is devoted to Parzival's friend Gawain, Gawan and his adventures defending himself from a false murder charge and winning the hand of the maiden Orgeluse. Among the most striking elements of the work are its emphasis on the importance of humility, compassion, sympathy and ...
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Die Sieger
''Die Sieger'' (''The Victors''; WWV 89), is a draft sketch for an opera text by Richard Wagner. ''Die Sieger'' was drafted between 1856 and 1858, at a period when Wagner had become greatly interested in Buddhism. The fragmentary prose sketch which survives shows that it was based on legends which Wagner discovered in Eugène Burnouf's 1844 ''Introduction to the History of Buddhism''. The story tells of the love of the outcast chandala Prakriti for the monk Ānanda. Although both are ostracised by the other monks, Buddha permits their chaste union, and allows Prakriti to join the monastic community. Writing to Marie Sayn-Wittgenstein in 1857, Wagner refers to the girl as 'Savitri' and suggests a three-act structure. He further wrote about the project to Mathilde Wesendonck from Venice in 1858, comparing himself and Mathilde to Ananda and Savitri. No musical sketches for this work are known to have been undertaken. Although Wagner planned a production of ''Die Sieger'' for 1870 ...
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Hermann Winkelmann
Hermann Winkelmann (or Winckelmann) (8 March 1849 – 18 January 1912) was a German Heldentenor, notable for creating the title role in Richard Wagner's ''Parsifal'' in 1882. Biography Hermann Winkelmann was born in Braunschweig in 1849. His father, Christian Ludewig Theodor Winkelmann, was the founder of , piano manufacturers, and he himself planned to continue his father's trade. He went to Paris to study piano construction, but while there he decided to become a singer. He had his initial training in Paris, and later with Koch in Hanover. Winkelmann made his debut as Manrico in Verdi's ''Il trovatore'' in the Court Theatre of Sondershausen in 1875. He then sang in such places as Altenburg, Darmstadt, and Leipzig. He joined the Hamburg State Opera in 1878. The first role he created was that of Anton Rubinstein's '' Néron'', in a German translation at the Theater am Dammtor in Hamburg on 1 October 1879 (it did not have its Russian premiere until 1884). Winkelmann became a ...
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Holy Grail
The Holy Grail (french: Saint Graal, br, Graal Santel, cy, Greal Sanctaidd, kw, Gral) is a treasure that serves as an important motif in Arthurian literature. Various traditions describe the Holy Grail as a cup, dish, or stone with miraculous healing powers, sometimes providing eternal youth or sustenance in infinite abundance, often guarded in the custody of the Fisher King and located in the hidden Grail castle. By analogy, any elusive object or goal of great significance may be perceived as a "holy grail" by those seeking such. A "grail" (Old French: ''graal'' or ''greal''), wondrous but not unequivocally holy, first appears in ''Perceval, the Story of the Grail'', an unfinished chivalric romance written by Chrétien de Troyes around 1190. Chrétien's story inspired many continuations, translators and interpreters in the later-12th and early-13th centuries, including Wolfram von Eschenbach, who perceived the Grail as a stone. The Christian, Celtic or possibly other orig ...
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Emil Scaria
Emil Scaria (18 September 1838 – 23 July 1886) was an Austrian bass-baritone. Born in Graz, he studied at the conservatory in Vienna before making his debut in Pest in 1860; he sang the role of St. Bris in ''Les Huguenots''. He was a failure, and abandoned the stage entirely in favor of further study; he selected Manuel García as his new teacher. Though he returned to the stage in Dessau, he did not see success until he sang at the Crystal Palace in London in 1862. In 1863, he appeared with the Leipzig Opera; in 1864, he was working in Dresden. He was engaged by the Vienna State Opera in 1872. In 1882, he created the role of Gurnemanz in ''Parsifal'' for Richard Wagner at Bayreuth. Scaria died in Blasewitz, in Germany, in 1886. Roles World premieres * 1868 Franz von Holstein: ''Der Haideschacht'' – Königliches Hoftheater Dresden * 1882 Richard Wagner: ''Parsifal'' – Bayreuther Festspiele (Gurnemanz) Repertoire References * David Ewen, ''Encyclopedia of the ...
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Arthurian
King Arthur ( cy, Brenin Arthur, kw, Arthur Gernow, br, Roue Arzhur) is a Legend, legendary king of Great Britain, Britain, and a central figure in the medieval literary tradition known as the Matter of Britain. In the earliest traditions, Arthur appears as a leader of the post-Roman Celtic Britons, Britons in battles against Saxons, Saxon invaders of Britain in the late 5th and early 6th centuries. He appears in two early medieval historical sources, the ''Annales Cambriae'' and the ''Historia Brittonum'', but these date to 300 years after he is supposed to have lived, and most historians who study the period do not consider him a Historicity of King Arthur, historical figure.Tom Shippey, "So Much Smoke", ''review'' of , ''London Review of Books'', 40:24:23 (20 December 2018) His name also occurs in early Welsh language, Welsh poetic sources such as ''Y Gododdin''. The character developed through Welsh mythology, appearing either as a great warrior defending Britain from ...
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Amalie Materna
Amalie Materna (born Amalia, later Amalie Friedrich-Materna) (10 July 1844 St. Georgen in der Steiermark – 18 January 1918 Vienna) was an Austrian operatic soprano. While possessing a famously powerful voice, Materna also maintained a youthful bright vocal timbre throughout her career which spanned three decades. She is best remembered today for originating several roles in operas by Richard Wagner. Career Materna made her professional opera début at the Thalia Theatre in Graz in 1865. She then married Karl Friedrich, an actor, and was engaged with him singing operettas in suburban theatres near Vienna, and at the Carltheater in Vienna. She made her debut at the Vienna State Opera in 1869, singing Selika in ''L'Africaine''. Popularly received, Materna became a regular performer at the Vienna court for the next 25 years. Her notable performances include Amneris in the first Vienna performance of ''Aida'' in 1874 and the title role at the première of Goldmark's ''Die Köni ...
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Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances are ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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