Neo-primitivism
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Neo-primitivism
In the arts of the Western world, Primitivism is a mode of Idealization and devaluation, aesthetic idealization that means to recreate the experience of ''the primitive'' time, place, and person, either by emulation or by re-creation. In Western philosophy, Primitivism proposes that the people of a Urgesellschaft, primitive society possess a morality and an ethics that are superior to the urban value system of civilized people. In European art, the aesthetics of primitivism included techniques, motifs, and styles copied from the arts of Asian, African, and Australasia, Australasian peoples perceived as primitive in relation to the urban civilization of Western Europe. In that light, the painter Paul Gauguin's inclusion of Tahiti, Tahitian imagery to his oil paintings was a characteristic borrowing of technique, motif, and style that was important for the development of Modern art (1860s–1970s) in the late 19th century. As a genre of Western art, Primitivism reproduced and perpet ...
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Naïve Art
Naïve art is usually defined as visual art that is created by a person who lacks the formal education and training that a professional artist undergoes (in anatomy, art history, technique, perspective, ways of seeing). When this aesthetic is emulated by a trained artist, the result is sometimes called '' primitivism'', ''pseudo-naïve art'', or ''faux naïve art''. Unlike folk art, naïve art does not necessarily derive from a distinct popular cultural context or tradition; indeed, at least in the advanced economies and since the Printing Revolution, awareness of the local fine art tradition has been inescapable, as it diffused through popular prints and other media. Naïve artists are aware of "fine art" conventions such as graphical perspective and compositional conventions, but are unable to fully use them, or choose not to. By contrast, outsider art (''art brut'') denotes works from a similar context but which have only minimal contact with the mainstream art world. ...
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Henri Rousseau - Combat Of A Tiger And A Buffalo
Henri is the French form of the masculine given name Henry, also in Estonian, Finnish, German and Luxembourgish. Bearers of the given name include: People French nobles * Henri I de Montmorency (1534–1614), Marshal and Constable of France * Henri I, Duke of Nemours (1572–1632), the son of Jacques of Savoy and Anna d'Este * Henri II, Duke of Nemours (1625–1659), the seventh Duc de Nemours * Henri, Count of Harcourt (1601–1666), French nobleman * Henri, Dauphin of Viennois (1296–1349), bishop of Metz * Henri de Gondi (other) * Henri de La Tour d'Auvergne, Duke of Bouillon (1555–1623), member of the powerful House of La Tour d'Auvergne * Henri Emmanuel Boileau, baron de Castelnau (1857–1923), French mountain climber * Henri, Grand Duke of Luxembourg (born 1955), the head of state of Luxembourg * Henri de Massue, Earl of Galway (1648–1720), French Huguenot soldier and diplomat, one of the principal commanders of Battle of Almansa * François-Henri de Mont ...
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Colonialism
Colonialism is the control of another territory, natural resources and people by a foreign group. Colonizers control the political and tribal power of the colonised territory. While frequently an Imperialism, imperialist project, colonialism can also take the form of settler colonialism, whereby settlers from one or multiple colonizing metropoles occupy a territory with the intention of partially or completely supplanting the existing population. Colonialism developed as a concept describing European colonial empires of the modern era, which spread globally from the 15th century to the mid-20th century, spanning 35% of Earth's land by 1800 and peaking at 84% by the beginning of World War I. European colonialism employed mercantilism and Chartered company, chartered companies, and established Coloniality of power, coloniality, which keeps the colonized socio-economically Other (philosophy), othered and Subaltern (postcolonialism), subaltern through modern biopolitics of Heterono ...
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Igor Stravinsky
Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential 20th-century classical music, composers of the 20th century and a pivotal figure in modernism (music), modernist music. Born to a musical family in Saint Petersburg, Russia, Stravinsky grew up taking piano and music theory lessons. While studying law at the Saint Petersburg State University, University of Saint Petersburg, he met Nikolai Rimsky-Korsakov and studied music under him until the latter's death in 1908. Stravinsky met the impresario Sergei Diaghilev soon after, who commissioned the composer to write three ballets for the Ballets Russes's Paris seasons: ''The Firebird'' (1910), ''Petrushka (ballet), Petrushka'' (1911), and ''The Rite of Spring'' (1913), the last of which caused a List of classical music concerts with an unruly audience respons ...
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Pastoral
The pastoral genre of literature, art, or music depicts an idealised form of the shepherd's lifestyle – herding livestock around open areas of land according to the seasons and the changing availability of water and pasture. The target audience is typically an urban one. A ''pastoral'' is a work of this genre. A piece of music in the genre is usually referred to as a pastorale. The genre is also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy) ...
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Golden Age
The term Golden Age comes from Greek mythology, particularly the ''Works and Days'' of Hesiod, and is part of the description of temporal decline of the state of peoples through five Ages of Man, Ages, Gold being the first and the one during which the Golden Race of humanity ( ''chrýseon génos'') lived. After the end of the first age was the Silver age, Silver, then the Bronze Age (mythology), Bronze, after this the Greek Heroic Age, Heroic age, with the fifth and current age being Iron Age (mythology), Iron. By extension, "Golden Age" denotes a period of primordial peace, harmony, ecological stability, stability, and prosperity. During this age, peace and harmony prevailed in that people did not have to work to feed themselves for the earth provided food in abundance. They lived to a very old age with a youthful appearance, eventually dying peacefully, with spirits living on as "guardians". Plato in ''Cratylus (dialogue), Cratylus'' (397 e) recounts the golden race of humans ...
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State Of Nature
In ethics, political philosophy, social contract theory, religion, and international law, the term state of nature describes the hypothetical way of life that existed before humans organised themselves into societies or civilisations. Philosophers of the state of nature theory propose that there was a historical period before societies existed, and seek answers to the questions: "What was life like before civil society?", "How did government emerge from such a primitive start?", and "What are the hypothetical reasons for entering a state of society by establishing a nation-state?". In some versions of social contract theory, there are freedoms, but no rights in the state of nature; and, by way of the social contract, people create societal rights and obligations. In other versions of social contract theory, society imposes restrictions (law, custom, tradition, etc.) that limit the natural rights of a person. Societies existing before the political state are investigated and st ...
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Utopian
A utopia ( ) typically describes an imagined community or society that possesses highly desirable or near-perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book ''Utopia'', which describes a fictional island society in the New World. Hypothetical utopias focus on, among other things, equality in categories such as economics, government and justice, with the method and structure of proposed implementation varying according to ideology. Lyman Tower Sargent argues that the nature of a utopia is inherently contradictory because societies are not homogeneous and have desires which conflict and therefore cannot simultaneously be satisfied. To quote: The opposite of a utopia is a dystopia. Utopian and dystopian fiction has become a popular literary category. Despite being common parlance for something imaginary, utopianism inspired and was inspired by some reality-based fields and concepts such as architecture, file sharing, social networks, universal ...
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Henri Rousseau
Henri Julien Félix Rousseau (; 21 May 1844 – 2 September 1910)
at the Solomon R. Guggenheim Foundation, Guggenheim
was a French Post-Impressionism, post-impressionist painter in the Naïve art, Naïve or Primitivism, Primitive manner. He was also known as Le Douanier (the customs officer), a humorous description of his occupation as a Tariff, toll and tax collector. He started painting seriously in his early forties; by age 49, he retired from his job to work on his art full-time. Ridiculed during his lifetime by critics, he came to be recognized as a self-taught genius whose works are of high artistic quality. Rousseau's work exerted an extensive influence on several generations of avant-garde artists.Roberta Smith (14 July 2006

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Folk Art
Folk art covers all forms of visual art made in the context of folk culture. Definitions vary, but generally the objects have practical utility of some kind, rather than being exclusively decorative art, decorative. The makers of folk art are typically trained within a popular tradition, rather than in the fine art tradition of the culture. There is often overlap, or contested ground with 'naive art'. "Folk art" is not used in regard to traditional societies where ethnographic art continue to be made. The types of objects covered by the term "folk art" vary. The art form is categorised as "divergent... of cultural production ... comprehended by its usage in Europe, where the term originated, and in the United States, where it developed for the most part along very different lines." From a European perspective, Edward Lucie-Smith described it as "Unsophisticated art, both fine and applied, which is supposedly rooted in the collective awareness of simple people. The concep ...
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Avant-garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "ser ...
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Representation (arts)
Representation is the use of signs that stand in for and take the place of something else.Mitchell, W. 1995, "Representation", in F Lentricchia & T McLaughlin (eds), ''Critical Terms for Literary Study'', 2nd edn, University of Chicago Press, Chicago It is through representation that people organize the world and reality through the act of naming its elements. Signs are arranged in order to form semantics, semantic constructions and express relations. For many philosophers, both ancient and modern, man is regarded as the "representational animal" or ''animal symbolicum'', the creature whose distinct character is the creation and the manipulation of signs – things that "stand for" or "take the place of" something else. Representation has been associated with aesthetics (art) and semiotics (signs). Mitchell says "representation is an extremely elastic notion, which extends all the way from a stone representing a man to Ulysses (novel), a novel representing the day in the life of s ...
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