Musicals By Lin-Manuel Miranda
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Musicals By Lin-Manuel Miranda
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre work ...
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Hair (musical)
''Hair: The American Tribal Love-Rock Musical'' is a rock musical with a book and lyrics by Gerome Ragni and James Rado and music by Galt MacDermot. The work reflects the creators' observations of the hippie counterculture and sexual revolution of the late 1960s, and several of its songs became anthems of the anti-Vietnam War peace movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The work broke new ground in musical theatre by defining the genre of "rock musical", using a racially integrated cast, and inviting the audience onstage for a " Be-In" finale.Pacheco, Patrick (June 17, 2001)."Peace, Love and Freedom Party" ''Los Angeles Times'', p. 1. Retrieved on June 10, 2008 ''Hair'' tells the story of the "tribe", a group of politically active, long-haired hippies of the " Age of Aquarius" living a bohemian life in New York C ...
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Regional Theater In The United States
A regional theater or resident theater in the United States is a professional or semi-professional theater company that produces its own seasons. The term ''regional theater'' most often refers to a professional theater outside New York City. A regional theater may be a for-profit or not-for-profit entity and may be unionized or non-union. Overview Regional theaters often produce new plays and challenging works that do not necessarily have the commercial appeal required of a Broadway production. Companies often round out their seasons with selections from classic dramas, popular comedies, and musicals. Some regional theaters have a loyal and predictable base of audience members, which can give the company latitude to experiment with a range of unknown or "non-commercial" works. In 2003, '' Time'' magazine praised regional theaters in general, and some top theaters in particular, for their enrichment of the theater culture in the United States. Some regional theaters serve as th ...
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Off-off-Broadway
Off-off-Broadway theaters are smaller New York City theaters than Broadway and off-Broadway theaters, and usually have fewer than 100 seats. The off-off-Broadway movement began in 1958 as part of a response to perceived commercialism of the professional theatre scene and as an experimental or avant-garde movement of drama and theatre. Over time, some off-off-Broadway productions have moved away from the movement's early experimental spirit. History The off-off-Broadway movement began in 1958 as a "complete rejection of commercial theatre". Michael Smith gives credit for the term's coinage to Jerry Tallmer in 1960. Among the first venues for what would soon be called "off-off-Broadway" theatre were coffeehouses in Greenwich Village, particularly the Caffe Cino at 31 Cornelia Street, operated by the eccentric Joe Cino, who early on took a liking to actors and playwrights and agreed to let them stage plays there without bothering to read the plays first, or to even find out much ...
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Off-Broadway
An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer than 100. An "off-Broadway production" is a production of a play, musical, or revue that appears in such a venue and adheres to related trade union and other contracts. Some shows that premiere off-Broadway are subsequently produced on Broadway. History The term originally referred to any venue, and its productions, on a street intersecting Broadway in Midtown Manhattan's Theater District, the hub of the American theatre industry. It later became defined by the League of Off-Broadway Theatres and Producers as a professional venue in Manhattan with a seating capacity of at least 100, but not more than 499, or a production that appears in such a venue and adheres to related trade union and other contracts. Previously, regardless of the size ...
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Fringe Theatre
Fringe theatre is theatre that is produced outside of the main theatre institutions, and that is often small-scale and non-traditional in style or subject matter. The term comes from the Edinburgh Festival Fringe.Kemp, Robert, ''More that is Fresh in Drama'', Edinburgh Evening News, 14 August 1948 In London, the fringe are small-scale theatres, many of them located above pubs, and the equivalent to New York's Off-Off-Broadway theatres and Europe's "free theatre" groups. In unjuried theatre festivals, also known as fringe festivals or open-access festivals, all submissions are accepted, and sometimes the participating acts may be chosen by lottery, in contrast to juried festivals in which acts are selected based on their artistic qualities. Unjuried festivals (such as the Edinburgh Fringe, Edmonton Fringe Festival, Adelaide Fringe, and Fringe World) permit artists to perform a wide variety of works. History In 1947, eight theatre companies showed up at the Edinburgh Internationa ...
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West End Theatre
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1195, Along with New York City's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Famous screen actors, British and international alike, frequently appear on the London stage. There are a total of 39 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. The Savoy Theatre – built as a showcase for the popular series of comic operas of Gilbert and Sullivan – was entirely lit by electricity in 1881. Opening in October 2022, @sohoplace is the first new West End theatre in 50 years. The Society of London Theatre (SOLT) announced ...
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Broadway Theatre
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (namely the Broadwa ...
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Hamilton (musical)
''Hamilton'' is a biographical sung-and-rapped-through musical by the American composer and actor Lin-Manuel Miranda. Composed over a seven-year period from 2008 to 2015, the musical tells the story of American Founding Father Alexander Hamilton. Miranda said that he was inspired to write the musical after reading the 2004 biography ''Alexander Hamilton'' by Ron Chernow. Miranda says ''Hamilton'' was originally a hip hop album in his head. The show draws heavily from hip hop, as well as R&B, pop, soul, and traditional-style show tunes. It casts non-white actors as the Founding Fathers of the United States and other historical figures. Miranda described ''Hamilton'' as about "America then, as told by America now." From its opening, ''Hamilton'' received near-universal acclaim. It premiered Off-Broadway on February 17, 2015, at the Public Theater in Lower Manhattan, with Miranda playing the role of Alexander Hamilton, where its several-month engagement was sold out. The mu ...
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Wicked (musical)
''Wicked'' is a 2003 musical with music and lyrics by Stephen Schwartz and book by Winnie Holzman. It is based on the 1995 Gregory Maguire novel '' Wicked: The Life and Times of the Wicked Witch of the West'', in turn based on L. Frank Baum's 1900 novel ''The Wonderful Wizard of Oz'' and its 1939 Metro-Goldwyn-Mayer film adaptation. The show is told from the perspective of, and focuses on, the witches of the Land of Oz; its plot begins before and continues after Dorothy Gale arrives in Oz from Kansas. ''Wicked'' tells the story of two unlikely friends, Elphaba (the Wicked Witch of the West) and Galinda (later Glinda the Good Witch), whose relationship struggles through their opposing personalities and viewpoints, same love-interest, reactions to the Wizard's corrupt government, and, ultimately, Elphaba's private fall from grace. Produced by Universal Stage Productions, in coalition with Marc Platt, Jon B. Platt, and David Stone, with direction by Joe Mantello and choreog ...
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The Producers (musical)
''The Producers'' is a musical comedy with music and lyrics by Mel Brooks, and a book by Brooks and Thomas Meehan. It is adapted from Brooks's 1967 film of the same name. The story concerns two theatrical producers who scheme to get rich by fraudulently overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. The humor of the show draws on ridiculous accents, caricatures of gay people and Nazis, and many show business in-jokes. After 33 previews, the original Broadway production opened at the St. James Theatre on April 19, 2001, starring Nathan Lane and Matthew Broderick, and ran for 2,502 performances, winning a record-breaking 12 Tony Awards. It spawned a successful West End production running for just over two years, national tours in the US and UK, many productions worldwide and a 2005 film version. Background David Geffen persuaded Mel Brooks to turn his film into a stage musical. When Brooks met with Jer ...
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Rent (musical)
''Rent'' is a rock musical with music, lyrics, and book by Jonathan Larson, loosely based on Giacomo Puccini's 1896 opera ''La Bohème''. It tells the story of a group of impoverished young artists struggling to survive and create a life in Lower Manhattan's East Village in the thriving days of bohemian Alphabet City, under the shadow of HIV/AIDS. The musical was first seen in a workshop production at New York Theatre Workshop in 1993. This same off-Broadway theatre was also the musical's initial home following its official 1996 opening. The show's creator, Jonathan Larson, died suddenly of an aortic dissection, believed to have been caused by undiagnosed Marfan syndrome, the night before the off-Broadway premiere. The musical moved to Broadway's larger Nederlander Theatre on April 29, 1996. On Broadway, ''Rent'' gained critical acclaim and won several awards, including the Pulitzer Prize for Drama and the Tony Award for Best Musical. The Broadway production closed on Sept ...
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