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Monteverdi Scholars
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string instrument, string player. A composer of both Secular music, secular and Religious music, sacred music, and a pioneer in the Origins of opera, development of opera, he is considered a crucial Transition from Renaissance to Baroque in instrumental music, transitional figure between the Renaissance music, Renaissance and Baroque music, Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of St Mark's Basilica, San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of List of compositions by Claudio Monteverdi, Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Strozzi - Claudio Monteverdi (c
Bernardo is a given name and less frequently an Italian, Portuguese and Spanish surname. Possibly from the Germanic "Bernhard". Given name People * Bernardo the Japanese (died 1557), early Japanese Christian convert and disciple of Saint Francis Xavier * Bernardo Accolti (1465–1536), Italian poet * Bernardo Bellotto (c. 1721/2-1780), Venetian urban landscape painter and printmaker in etching * Bernardo Bertolucci (born 1940), Italian film director and screenwriter * Bernardo Buontalenti (c. 1531–1608), Italian stage designer, architect, theatrical designer, military engineer and artist * Bernardo Clesio (1484–1539), Italian cardinal, bishop, prince, diplomat, humanist and botanist * Bernardo Corradi (born 1976), Italian footballer * Bernardo Daddi (c. 1280–1348), Italian Renaissance painter * Bernardo Domínguez (born 1979), Spanish footballer known as Bernardo * Bernardo Dovizi (1470–1520), Italian cardinal and comedy writer * Bernardo Espinosa (born 1989), Colombian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Republic Of Venice
The Republic of Venice ( vec, Repùblega de Venèsia) or Venetian Republic ( vec, Repùblega Vèneta, links=no), traditionally known as La Serenissima ( en, Most Serene Republic of Venice, italics=yes; vec, Serenìsima Repùblega de Venèsia, links=no), was a sovereign state and Maritime republics, maritime republic in parts of present-day Italy (mainly Northern Italy, northeastern Italy) that existed for 1100 years from AD 697 until AD 1797. Centered on the Venetian Lagoon, lagoon communities of the prosperous city of Venice, it incorporated numerous Stato da Màr, overseas possessions in modern Croatia, Slovenia, Montenegro, Greece, Albania and Cyprus. The republic grew into a Economic history of Venice, trading power during the Middle Ages and strengthened this position during the Renaissance. Citizens spoke the still-surviving Venetian language, although publishing in (Florentine) Italian became the norm during the Renaissance. In its early years, it prospered on the salt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ritorno D'Ulisse In Patria
''Il ritorno d'Ulisse in patria'' (Stattkus-Verzeichnis, SV 325, ''The Return of Ulysses to his Homeland'') is an List of operas by Claudio Monteverdi, opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1639–1640 carnival season. The story, taken from the second half of Homer's ''Odyssey'', tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulisse, king of Homer's Ithaca, Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemachus, Telemaco and a staunch friend Eumete, Odysseus, Ulisse vanquishes the suitors and recovers his kingdom. ''Il ritorno'' is the first of three full-length works which Monteverdi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Orfeo
''L'Orfeo'' ( SV 318) (), sometimes called ''La favola d'Orfeo'' , is a late Renaissance/early Baroque ''favola in musica'', or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. It was written in 1607 for a court performance during the annual Carnival at Mantua. While Jacopo Peri's ''Dafne'' is generally recognised as the first work in the opera genre, and the earliest surviving opera is Peri's '' Euridice'', ''L'Orfeo'' is the earliest that is still regularly performed. By the early 17th century the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's ''L'Orfeo'' moved this process out of its experimental era and provided the first fully developed example of the new genre. After i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Operas By Claudio Monteverdi
The Italian composer Claudio Monteverdi (1567–1643) wrote several works for the stage between 1604 and 1643, including ten in the then-emerging opera genre. Of these, both the music and libretto for three are extant: ''L'Orfeo'' (1607), ''Il ritorno d'Ulisse in patria'' (1640) and ''L'incoronazione di Poppea'' (1643). Seven other opera projects are known; four were completed and performed during Monteverdi's lifetime, while he abandoned another three at some point. The libretto has survived for some of these Lost operas by Claudio Monteverdi, lost operas. The Origins of opera, opera genre emerged during Monteverdi's earlier career, first as courtly entertainment trying to revive Greek theatre. The first known work to be regarded as an opera in the modern sense is ''Dafne'' (1598) by Jacopo Peri, and his ''Euridice (Peri), Euridice'' (1600) is the earliest surviving one. Since Monteverdi served as the court composer for the Dukes of Mantua#Dukes of Mantua (1530–1708), Gonzaga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespro Della Beata Vergine
''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin''), SV 206, is a musical setting by Claudio Monteverdi of the evening vespers on Marian feasts, scored for soloists, choirs, and orchestra. It is an ambitious work in scope and in its variety of style and scoring, and has a duration of around 90 minutes. Published in Venice (with a dedication to Pope Paul V dated 1 September 1610) as ("Mass for the Most Holy Virgin for six voices, and Vespers for several voices with some sacred songs, suitable for chapels and ducal chambers"), it is sometimes called Monteverdi's ''Vespers of 1610''. Monteverdi composed the music while musician and composer for the Gonzagas, the dukes of Mantua. The libretto is compiled from several Latin Biblical and liturgical texts. The thirteen movements include the introductory ''Deus in adiutorium'', five Psalms, four ''concertato'' motets and a vocal sonata on the " Sancta Maria" litany, several differently scored stanzas of the hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lost Operas By Claudio Monteverdi
The Italian composer Claudio Monteverdi (1567–1643), in addition to a large output of church music and madrigals, wrote prolifically for the stage. His theatrical works were written between 1604 and 1643 and included List of operas by Claudio Monteverdi, operas, of which three—''L'Orfeo'' (1607), ''Il ritorno d'Ulisse in patria'' (1640) and ''L'incoronazione di Poppea'' (1643)—have survived with their music and librettos intact. In the case of the other seven operas, the music has disappeared almost entirely, although some of the librettos exist. The loss of these works, written during a critical period of early opera history, has been much regretted by commentators and musicologists. Opera, as a musical and theatrical genre, began to emerge during the early part of Monteverdi's career, initially as a form of courtly entertainment. With other composers, he played a leading part in its development into the main form of public musical theatre. His first opera, ''L'Orfeo'', wr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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