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Monogatari
is a literary form in traditional Japanese literature – an extended prose narrative tale comparable to the epic novel. ''Monogatari'' is closely tied to aspects of the oral tradition, and almost always relates a fictional or fictionalized story, even when retelling a historical event. Many of the great works of Japanese fiction, such as the '' Genji Monogatari'' and the ''Heike Monogatari'', are in the ''monogatari'' form. History The form was prominent around the 9th to 15th centuries, reaching a peak between the 10th and 11th centuries. ''Monogatari'' was the court literature during the Heian era and also persisted in the form of archaic fiction until the sixteenth century. According to the '' Fūyō Wakashū'' (1271), at least 198 ''monogatari'' existed by the 13th century and that only 24 exist today. Genres The genre is sub-divided into multiple categories depending on their contents: ''Denki-monogatari'' Stories dealing with fantastical events. ''Uta-monogatari'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Japanese Literature
Japan's medieval period (the Kamakura, Nanbokuchō and Muromachi periods, and sometimes the Azuchi–Momoyama period) was a transitional period for the nation's literature. Kyoto ceased being the sole literary centre as important writers and readerships appeared throughout the country, and a wider variety of genres and literary forms developed accordingly, such as the ''gunki monogatari'' and ''otogi-zōshi'' prose narratives, and ''renga'' linked verse, as well as various theatrical forms such as ''noh''. Medieval Japanese literature can be broadly divided into two periods: the early and late , the former lasting roughly 150 years from the late 12th to the mid-14th century, and the latter until the end of the 16th century. The early saw a continuation of the literary trends of the classical period, with court fiction (''monogatari'') continuing to be written, and composition of ''waka'' poetry reaching new heights in the age of the '' Shin-kokin Wakashū'', an anthology compi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyakumonogatari Kaidankai
was a popular didactic Buddhist-inspired parlour game during the Edo period in Japan. Play The game was played as night fell upon the region using three separate rooms. In preparation, participants would light 100 andon in the third room and position a single mirror on the surface of a small table. When the sky was at its darkest, guests gathered in the first of the three rooms, taking turns orating tales of ghoulish encounters and reciting folkloric tales passed on by villagers who claimed to have experienced supernatural encounters. These tales soon became known as kaidan. Upon the end of each kaidan, the story-teller would enter the third room and extinguish one andon, look in the mirror and make their way back to the first room. With each passing tale, the room slowly grew darker and darker as the participants reached the one hundredth tale, creating a safe haven for the evocation of spirits. However, as the game reached the ninety-ninth tale, many participants would stop, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torikaebaya Monogatari
, translated into English as ''The Changelings'', is a Japanese tale from the late Heian period (794 to 1185) by an unknown author, or possibly more than one author. It is four volumes in length.Kubota (2007:255) It is the tale of two siblings whose mannerisms are those of the opposite sex, and their relationships in the Emperor's court. It has been adapted as a novel, two different manga series, and a Takarazuka Revue play. It was translated into English in 1983. The reception of the tale over time has depended on how the society sees sex and gender issues, with one reading of it being as a ribald erotic comedy, while another reading is as a serious attempt to discuss sex and gender issues through a Heian Buddhist understanding. Story The story tells of a Sadaijin (high-ranking courtier) who has two similar-looking children by different mothers, but their mannerisms are those of the opposite sex. The title, "Torikaebaya", literally means "If only I could exchange them!", a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heike Monogatari
is an epic account compiled prior to 1330 of the struggle between the Taira clan and Minamoto clan for control of Japan at the end of the 12th century in the Genpei War (1180–1185). Heike () refers to the Taira (), ''hei'' being the ''on'yomi'' reading of the first ''kanji'' and "ke" () means family. Note that in the title of the Genpei War, "hei" is in this combination read as "pei" and the "gen" () is the first kanji used in the Minamoto (also known as "Genji" which is also pronounced using ''on'yomi'', for example as in '' The Tale of Genji'') clan's name. It has been translated into English at least five times, the first by Arthur Lindsay Sadler in 1918–1921. A complete translation in nearly 800 pages by Hiroshi Kitagawa & Bruce T. Tsuchida was published in 1975. Also translated by Helen McCullough in 1988. An abridged translation by Burton Watson was published in 2006. In 2012, Royall Tyler completed his translation, which seeks to be mindful of the performance styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murasaki Shikibu
was a Japanese novelist, poet and lady-in-waiting at the Imperial court in the Heian period. She is best known as the author of '' The Tale of Genji,'' widely considered to be one of the world's first novels, written in Japanese between about 1000 and 1012. Murasaki Shikibu is a descriptive name; her personal name is unknown, but she may have been , who was mentioned in a 1007 court diary as an imperial lady-in-waiting. Heian women were traditionally excluded from learning Chinese, the written language of government, but Murasaki, raised in her erudite father's household, showed a precocious aptitude for the Chinese classics and managed to acquire fluency. She married in her mid-to late twenties and gave birth to a daughter before her husband died, two years after they were married. It is uncertain when she began to write ''The Tale of Genji'', but it was probably while she was married or shortly after she was widowed. In about 1005, she was invited to serve as a lady-in-wait ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eiga Monogatari
is a Japanese ''monogatari'' which relates events in the life of courtier Fujiwara no Michinaga. It is believed to have been written by a number of authors, over the course of roughly a century, from 1028 to 1107. It is notable for giving high credits to the Fujiwara family especially Michinaga. The work was translated into English by William H. and Helen Craig McCullough in 1980 as ''A Tale of Flowering Fortunes''. It forms the basis for and is frequently referenced in Fumiko Enchi's retelling, ''A Tale of False Fortunes''. Summary The ''monogatari'' is related both to official court histories, such as the ''Rikkokushi'', and other prose fiction, such as '' The Tale of Genji''. It discusses the life and exploits of Michinaga and his family following his death. The first part, thirty volumes detailing the period from the reign of Emperor Uda until Michinaga's death, is believed to have been written between 1028 and 1034 by Akazome Emon and/or Fujiwara no Tamenari. The second ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ise Monogatari
is a Japanese ''uta monogatari'', or collection of ''waka (poetry), waka'' poems and associated narratives, dating from the Heian period. The current version collects 125 sections, with each combining poems and prose, giving a total of 209 poems in most versions. Concerning the exact date of composition and authorship there is only unresolved speculation. The identity of the nameless, idealised central character is unclear, though it is suggested to be Ariwara no Narihira (825–880). Thirty of the poems from ''The Tales of Ise'' appear in the ''Kokin Wakashū'' (905), with similar headnotes, all attributed to Narihira. The combination of these poems, and the similarity of some events in the tales to Narihira's life, have led to the additional suggestion that Narihira actually composed the work; however, the inclusion of material and events dating after 880 suggests otherwise. Title The late-eleventh centuryKeene 1999 : 518–519. work known as ''Sagoromo Monogatari, The Tale of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heichū Monogatari
''Tales of Heichū'' (''Heichū monogatari'') belongs to the genre of ''uta monogatari'' poem tales that emerged in Japanese literature from the mid 10th to the early 11th centuries. As early as the ''Collection of Ten-Thousand Leaves'' ('' Manyōshū''), a poetry collection completed around 759, there appeared poems introduced by brief prose narrations. The imperial court began to come alive with poetry from around this time. People exchanged poetry with one another on topics as diverse as love and politics and religion. Towards the end of the 9th century it was common for individual poets to keep compilations of their own verse, sometimes explaining in prose the circumstances behind a poem's composition. The highest honor was to have ones poem selected for inclusion in the ''Collection of Ancient and Modern Poetry'' ( Kokinshū), the first imperial poetry collection, which was completed around 905. By the middle of the 10th century the idea of a poem paired with a prose narrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tale Of The Bamboo Cutter
is a (fictional prose narrative) containing elements of Japanese folklore. Written by an unknown author in the late 9th or early 10th century during the Heian period, it is considered the oldest surviving work in the form. The story details the life of Kaguya-hime, a princess from the Moon who is discovered as a baby inside the stalk of a glowing bamboo plant. After she grows, her beauty attracts five suitors seeking her hand in marriage, whom she turns away by challenging them each with an impossible task; she later attracts the affection of the Emperor of Japan. At the tale's end, Kaguya-hime reveals her celestial origins and returns to the Moon. The story is also known as , after its protagonist.Katagiri et al. 1994: 81. Background ''The Tale of the Bamboo Cutter'' is considered the oldest surviving , though its exact date of composition is unknown. A poem in the , a 10th-century work that describes life in the imperial court, invokes the tale in reference to a moon-vie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ōkagami
''Ōkagami'' () is a Japanese historical tale written in around 1119 by an unknown author. It covers the period 850 to 1025, the golden days of the Fujiwara family's rule. It is said to be a successor (世継物語, ''yotsugi monogatari'') with the records of the Eiga Monogatari. In the tale, the writer listens to a conversation mainly led by a 190-year-old man, Ōyake no Yotsugi (大宅世継, literally "world-successor"), who recalls the past. A 180-year-old man, Natsuyama no Shigeki (夏山繁樹), adds comments and a young samurai puts questions to these two elders. This narrative strategy makes the story vivid and allows for the natural addition of various opinions and criticisms. The structure is modelled after traditional Chinese history books like ''the Records of the Grand Historian''. It consists of Preface, Stories of Emperors, Stories of Ministers, Miscellaneous Stories and Post-fin. This and three other tales with ''mirror'' (鏡 ''kagami'', also read ''kyō'') in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamamatsu Chūnagon Monogatari
, also known as , is an eleventh-century Japanese ''monogatari'' that tells about a ''chūnagon'' who discovers his father has been reborn as a Chinese prince. He visits his reincarnated father in China and falls in love with the Hoyang Consort, consort to the Chinese Emperor and mother to his reborn father. It is told in six chapters, but the first has been lost to antiquity. The tale was written by a female author who employed several exotic locations in the work. The author considers the love between a parent and a child to be "deeper, lasting and more tender" than a romantic love between a man and a woman, which follows traditional virtues of filial piety. Plot ''Hamamatsu Chūnagon Monogatari'' is the tale of a ''chūnagon'' who lost his father when he was very young. His mother marries a widower with two daughters and he fell in love with the older daughter, Taishō no Kimi. The Chūnagon learns in a dream that his father has been reborn as the Third Prince of the Emperor o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utsubo Monogatari
is a late 10th century Japanese story. It is Japan's oldest full-length narrative.Kubota (2007:34)Nihon Koten Bungaku Daijiten Henshū Iinkai (1986:170-173) Composition The author is unknown. Minamoto no Shitagō is cited as a likely candidate; however, it may have had multiple authors spanning a number of years. The text is referenced in a number of later works such as (), (1002), and (), suggesting compilation between . The text is illustrated in an by Asukabe no Tsunenori, with calligraphy by Ono no Michikaze. Title The title of the story, ''Tale of the Hollow Tree'', is taken from an incident early in the text. The protagonist Nakatada and his mother flee to the mountains and live in hollow cedar tree. The ateji 宇津保 are also used. Contents The story is twenty volumes in length and revolves around a mystical koto (musical instrument), harp that passes through four generations. It belongs to the monogatari genre and is subclassified as a denki monogatari. It con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
