Irish Folklore
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Irish Folklore
Irish folklore ( ga, béaloideas) refers to the folktales, balladry, music, dance, and so forth, ultimately, all of folk culture. Irish folklore, when mentioned to many people, conjures up images of banshees, fairies, leprechauns and people gathering around, sharing stories. Many tales and legends were passed from generation to generation, so were the dances and song in the observing of important occasions such as weddings, wakes, birthdays and holidays or, handcraft traditions. All of the above can be considered as a part of folklore, as it is the study and appreciation of how people lived. Definition What constitutes Irish folklore may be rather fuzzy to those unfamiliar with Irish literature. Diarmuid Ó Giolláin, for one, declared that folklore was elusive to define clearly. Bo Almqvist (c. 1977) gave an all-encompassing definition that folklore covered "the totality of folk culture, spiritual and material", and included anything mentioned in Seán Ó Súilleabháin's ' ...
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Banshee
A banshee ( ; Modern Irish , from sga, ben síde , "woman of the fairy mound" or "fairy woman") is a female spirit in Irish folklore who heralds the death of a family member, usually by screaming, wailing, shrieking, or keening. Her name is connected to the mythologically important tumuli or "mounds" that dot the Irish countryside, which are known as (singular ) in Old Irish.Dictionary of the Irish Language: síd, síth': "a fairy hill or mound" and ben' Description Sometimes she has long streaming hair and wears a grey cloak over a green dress, and her eyes are red from continual weeping.Briggs, Katharine (1976). ''An Encyclopedia of Fairies''. Pantheon Books. pp. 14–16. . She may be dressed in white with red hair and a ghastly complexion, according to a firsthand account by Ann, Lady Fanshawe in her ''Memoirs''. Lady Wilde in ''Ancient Legends of Ireland'' provides another: The size of the banshee is another physical feature that differs between regional accounts. Thoug ...
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Eibhlín Dubh Ní Chonaill
Eibhlín Dubh Ní Chonaill (also known as Eileen O'Connell, ) was a member of the Irish gentry and a poet. She was the main composer of ''Caoineadh Airt Uí Laoghaire'', a traditional lament in Irish described (in its written form) as the greatest poem composed in either Ireland or Britain during the eighteenth century. Ní Chonaill was a member of Muintir Chonaill of Derrynane, County Kerry, being one of twenty-two children of Dómhnaill Mór Ó Conaill and Máire Ní Dhonnchadha Dhuibh, and an aunt of Daniel O'Connell. Life Her first marriage at age fifteen was arranged by her parents. Her elderly husband died after only six months and they had no children. In 1767 she fell in love with Captain Art Ó Laoghaire of Rathleigh, Macroom, County Cork. He had recently returned from service in the Hungarian Hussars. Eileen was 23; she had been married to "old O'Connor of Firies" when she was 15, and widowed within six months of that marriage. With the marriage against the ex ...
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The Morrígan
The Morrígan or Mórrígan, also known as Morrígu, is a figure from Irish mythology. The name is Mór-Ríoghain in Modern Irish, and it has been translated as "great queen" or "phantom queen". The Morrígan is mainly associated with war and fate, especially with foretelling doom, death, or victory in battle. In this role she often appears as a crow, the '' badb''. She incites warriors to battle and can help bring about victory over their enemies. The Morrígan encourages warriors to do brave deeds, strikes fear into their enemies, and is portrayed washing the bloodstained clothes of those fated to die. She is most frequently seen as a goddess of battle and war and has also been seen as a manifestation of the earth- and sovereignty-goddess,Koch, John T. ''Celtic Culture: A Historical Encyclopedia''. ABC-CLIO, 2006. p.1622 chiefly representing the goddess's role as guardian of the territory and its people. The Morrígan is often described as a trio of individuals, all sisters ...
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Badb
In Irish mythology, the Badb (Old Irish, ), or in Modern Irish Badhbh (, )—also meaning "crow"—is a war goddess who takes the form of a crow, and is thus sometimes known as Badb Catha ("battle crow").http://www.dil.ie/5114 ''badb'', Author: Royal Irish Academy She is known to cause fear and confusion among soldiers to move the tide of battle to her favoured side. Badb may also appear prior to a battle to foreshadow the extent of the carnage to come, or to predict the death of a notable person. She would sometimes do this through wailing cries, leading to comparisons with the bean-sídhe (banshee). With her sisters, Macha and the Morrigan or Anand, Badb is part of a trio of war goddesses known as '' the three Morrígna''.''Cath Maige Tuired'': The Second Battle of Mag Tuired
T ...
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Fairy Trees Near Greenan - Geograph
A fairy (also fay, fae, fey, fair folk, or faerie) is a type of mythical being or legendary creature found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, English, and French folklore), a form of spirit, often described as metaphysical, supernatural, or preternatural. Myths and stories about fairies do not have a single origin, but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in Pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature. The label of ''fairy'' has at times applied only to specific magical creatures with human appearance, magical powers, and a penchant for trickery. At other times it has been used to describe any magical creature, such as goblins and gnomes. ''Fairy'' has at times been used as an adjective, ...
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Tuatha Dé Danann
The Tuath(a) Dé Danann (, meaning "the folk of the goddess Danu (Irish goddess), Danu"), also known by the earlier name Tuath Dé ("tribe of the gods"), are a supernatural race in Irish mythology. Many of them are thought to represent deity, deities of pre-Christian Gaelic Ireland. The Tuath Dé are often depicted as kings, queens, druids, bards, warriors, heroes, healers and craftsmen who have supernatural powers. They dwell in the Celtic Otherworld, Otherworld but interact with humans and the human world. They are associated with the ''sídhe'': prominent ancient burial mounds such as Brú na Bóinne, which are entrances to Otherworld realms. Their traditional rivals are the Fomorians (Fomoire), who might represent the destructive powers of nature, and whom the Tuath Dé defeat in the Cath Maige Tuired, Battle of Mag Tuired. Prominent members of the Tuath Dé include The Dagda ("the great god"); The Morrígan ("the great queen" or "phantom queen"); Lugh; Nuada Airgetlám, N ...
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Aos Sí
' (; older form: ) is the Irish name for a supernatural race in Celtic mythology – spelled ''sìth'' by the Scots, but pronounced the same – comparable to fairies or elves. They are said to descend from either fallen angels or the Tuatha Dé Danann, meaning the "People of Danu", depending on the Abrahamic or pagan tradition. The ''aos sí'' are said to live underground in fairy forts, across the Western sea, or in an invisible world that co-exists with the world of humans. This world is described in the ''Lebor Gabála Érenn'' as a parallel universe in which the ''aos sí'' walk among the living. In modern Irish the people of the mounds are also called ''daoine sí''; in Scottish Gaelic they are called ''daoine sìth'' (in both cases, it means "people of the fairy mound"). They are variously said to be the ancestors, the spirits of nature, or goddesses and gods. Evans Wentz, W. Y. (1966, 1990The Fairy-Faith in Celtic Countries Gerrards Cross, Colin Smythe Humanitie ...
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Classifications Of Fairies
Fairies, particularly those of Irish, English, Scottish and Welsh folklore, have been classified in a variety of ways. Classifications – which most often come from scholarly analysis, and may not always accurately reflect local traditions – typically focus on behavior or physical characteristics. Early classifications of fairies Germanic lore featured light and dark elves ( Ljósálfar and Dökkálfar). This may be roughly equivalent to later concepts such as the Seelie and Unseelie. In the mid-thirteenth century, Thomas of Cantimpré classified fairies into ''neptuni'' of water, ''incubi'' who wandered the earth, ''dusii'' under the earth, and ''spiritualia nequitie in celestibus'', who inhabit the air. In 1566, John Walsh of Devonshire – on trial for witchcraft – said that there were three kinds of "feries": white, green and black. Good and evil Seelie and Unseelie Courts In Scottish folklore, faeries are divided into the Seelie Court and the Unseelie Cour ...
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Andrew Lang
Andrew Lang (31 March 1844 – 20 July 1912) was a Scottish poet, novelist, literary critic, and contributor to the field of anthropology. He is best known as a collector of folk and fairy tales. The Andrew Lang lectures at the University of St Andrews are named after him. Biography Lang was born in 1844 in Selkirk, Scottish Borders. He was the eldest of the eight children born to John Lang, the town clerk of Selkirk, and his wife Jane Plenderleath Sellar, who was the daughter of Patrick Sellar, factor to the first Duke of Sutherland. On 17 April 1875, he married Leonora Blanche Alleyne, youngest daughter of C. T. Alleyne of Clifton and Barbados. She was (or should have been) variously credited as author, collaborator, or translator of '' Lang's Color/Rainbow Fairy Books'' which he edited. He was educated at Selkirk Grammar School, Loretto School, and the Edinburgh Academy, as well as the University of St Andrews and Balliol College, Oxford, where he took a first ...
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Herb Lore
Herbal medicine (also herbalism) is the study of pharmacognosy and the use of medicinal plants, which are a basis of traditional medicine. With worldwide research into pharmacology, some herbal medicines have been translated into modern remedies, such as the anti-malarial group of drugs called artemisinin isolated from '' Artemisia annua'', a herb that was known in Chinese medicine to treat fever. There is limited scientific evidence for the safety and efficacy of plants used in 21st century herbalism, which generally does not provide standards for purity or dosage. The scope of herbal medicine commonly includes fungal and bee products, as well as minerals, shells and certain animal parts. Herbal medicine is also called phytomedicine or phytotherapy. Paraherbalism describes alternative and pseudoscientific practices of using unrefined plant or animal extracts as unproven medicines or health-promoting agents. Paraherbalism relies on the belief that preserving various substan ...
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Imbolc
Imbolc or Imbolg (), also called Saint Brigid's Day ( ga, Lá Fhéile Bríde; gd, Là Fhèill Brìghde; gv, Laa'l Breeshey), is a Gaelic traditional festival. It marks the beginning of spring, and for Christians it is the feast day of Saint Brigid, Ireland's patroness saint. It is held on 1 February, which is about halfway between the winter solstice and the spring equinox.Danaher, Kevin (1972) ''The Year in Ireland: Irish Calendar Customs'' Dublin, Mercier. p. 38McNeill, F. Marian (1959, 1961) ''The Silver Bough'', Vol. 1–4. William MacLellan, Glasgow; Vol. 2, pp. 11–42 Historically, its traditions were widely observed throughout Ireland, Scotland and the Isle of Man. It is one of the four Gaelic seasonal festivals, along with: Bealtaine, Lughnasadh and Samhain. Imbolc is mentioned in early Irish literature, and there is evidence suggesting it was also an important date in ancient times. It is believed that Imbolc was originally a pagan festival associa ...
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Irish Folklore Commission
The Irish Folklore Commission (''Coimisiún Béaloideasa Éireann'' in Irish) was set up in 1935 by the Irish Government to study and collect information on the folklore and traditions of Ireland. History Séamus Ó Duilearga (James Hamilton Delargy) founded ''An Cumann le Béaloideas Éireann'' (The Folklore of Ireland Society) and its journal ''Béaloideas'' in 1927. Ó Duilearga prescribed a guideline for gathered oral tradition, for example, insisting that the collected data identified the informant's name and age as well as provenance of material. The Society would not only edit and publish the collected folklore, but endeavor to supply a translation or at least a summary in English or some suitable language. It was a call for the preservation of Irish folklore, and his countrymen heeded the appeal by sending in manuscripts to the Society, and these material would be published in the ''Béaloideas'' periodical. Public sentiment mounted that such a grave undertaking should not ...
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