Ghazal Songs
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Ghazal Songs
The ''ghazal'' ( ar, غَزَل, bn, গজল, Hindi-Urdu: /, fa, غزل, az, qəzəl, tr, gazel, tm, gazal, uz, gʻazal, gu, ગઝલ) is a form of amatory poem or ode, originating in Arabic poetry. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. The ghazal form is ancient, tracing its origins to 7th-century Arabic poetry. The ghazal spread into South Asia in the 12th century due to the influence of Sufi mystics and the courts of the new Islamic Sultanate, and is now most prominently a form of poetry of many languages of the Indian subcontinent and Turkey. A ghazal commonly consists of five to fifteen couplets, which are independent, but are linked – abstractly, in their theme; and more strictly in their poetic form. The structural requirements of the ghazal are similar in stringency to those of the Petrarchan sonnet. In style and content, due to its highly allusive natur ...
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Rose
A rose is either a woody perennial flowering plant of the genus ''Rosa'' (), in the family Rosaceae (), or the flower it bears. There are over three hundred species and tens of thousands of cultivars. They form a group of plants that can be erect shrubs, climbing, or trailing, with stems that are often armed with sharp prickles. Their flowers vary in size and shape and are usually large and showy, in colours ranging from white through yellows and reds. Most species are native to Asia, with smaller numbers native to Europe, North America, and northwestern Africa. Species, cultivars and hybrids are all widely grown for their beauty and often are fragrant. Roses have acquired cultural significance in many societies. Rose plants range in size from compact, miniature roses, to climbers that can reach seven meters in height. Different species hybridize easily, and this has been used in the development of the wide range of garden roses. Etymology The name ''rose'' comes from L ...
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Songbird
A songbird is a bird belonging to the suborder Passeri of the perching birds (Passeriformes). Another name that is sometimes seen as the scientific or vernacular name is Oscines, from Latin ''oscen'', "songbird". The Passeriformes contains 5000 or so speciesEdwards, Scott V. and John Harshman. 2013. Passeriformes. Perching Birds, Passerine Birds. Version 06 February 2013 (under construction). http://tolweb.org/Passeriformes/15868/2013.02.06 in The Tree of Life Web Project, http://tolweb.org/ ccessed 2017/12/11 found all over the world, in which the vocal organ typically is developed in such a way as to produce a diverse and elaborate bird song. Songbirds form one of the two major lineages of extant perching birds (~4000 species), the other being the Tyranni (~1000 species), which are most diverse in the Neotropics and absent from many parts of the world. The Tyranni have a simpler syrinx musculature, and while their vocalizations are often just as complex and striking as thos ...
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Bulbul
The bulbuls are members of a family, Pycnonotidae, of medium-sized passerine songbirds, which also includes greenbuls, brownbuls, leafloves, and bristlebills. The family is distributed across most of Africa and into the Middle East, tropical Asia to Indonesia, and north as far as Japan. A few insular species occur on the tropical islands of the Indian Ocean. There are 160 species in 32 genera. While different species are found in a wide range of habitats, the African species are predominantly found in rainforest, whereas Asian bulbuls are predominantly found in more open areas. Taxonomy The family Pycnonotidae was introduced by the English zoologist George Robert Gray in 1840 as a subfamily Pycnonotinae of the thrush family Turdidae. The Arabic word ''bulbul'' (بلبل) is sometimes used to refer to the "nightingale" as well as the bulbul, but the English word ''bulbul'' refers to the birds discussed in this article. A few species that were previously considered to be memb ...
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Nazm
''Nazm'' () is a major part of Urdu and Sindhi poetry that is normally written in rhymed verse and also in modern prose-style poems. is a significant genre of Urdu and Sindhi poetry; the other one is known as ''ghazal'' (). is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws. The title of the itself holds the central theme as a whole. While writing , it is not important to follow any rules as it depends on the writer. A can be long or short and there are no restrictions on size or rhyme scheme. All the verses written in a are interlinked. In summary, is a form of descriptive poetry. Forms of The following are the different forms of : * ''Doha'' () * ''Geet'' () * ''Hamd'' () * '' Hijv'' () * ''Kafi'' () * ''Madah'' () * '' Manqabat '' () * ''Marsia A marsiya ( fa, مرثیه) is an elegiac poem written to commemorate the martyrdom and valou ...
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Mora (linguistics)
A mora (plural ''morae'' or ''moras''; often symbolized μ) is a basic timing unit in the phonology of some spoken languages, equal to or shorter than a syllable. For example, a short syllable such as ''ba'' consists of one mora (''monomoraic''), while a long syllable such as ''baa'' consists of two (''bimoraic''); extra-long syllables with three moras (''trimoraic'') are relatively rare. Such metrics are also referred to as syllable weight. The term comes from the Latin word for "linger, delay", which was also used to translate the Greek word χρόνος : ''chrónos'' (time) in its metrical sense. Formation The general principles for assigning moras to segments are as follows (see Hayes 1989 and Hyman 1985 for detailed discussion): # A syllable onset (the first consonant or consonants of the syllable) does not represent any mora. # The syllable nucleus represents one mora in the case of a short vowel, and two morae in the case of a long vowel or diphthong. Consonants se ...
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Beher (poetry)
''Beher'' (Arabic/Persian/Urdu: بحر) in Urdu poetry is the meter of a ''sher'' (couplet). Essentially, ''beher'' is a specific pattern, combining the ''arkaans'' (dummy meaningless words) of Urdu prosody that define the "length" of a ''sher''. However, generally ''beher'' is categorized in three classes: Short, medium, long, depending upon the length of the ''sher'' of the ''ghazal''. For a ''ghazal'', since all the ''shers'' in it should be of the same ''beher'', determining the ''beher'' of one ''sher'' (or even one line of the ''sher'') is enough to determine the ''beher'' of the entire ''ghazal''. For example, in this ''ghazal'' of Ghalib Mirza Beg Asadullah Khan (Urdu, fa, مرزا بیگ اسد اللہ خان; 27 December 1797 – 15 February 1869) also known as Mirza Ghalib (Urdu, fa}) was an Urdu and Persian language, Persian shayar (poet), poet of the 19th century Mughal Em ..., the length and meter of the ashaar is same throughout. In terms of the European method ...
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Takhallus
A takhallus ( ur, , fa, تخلّص, hi, तख़ल्लुस), is a pen-name. Pen names were widely adopted by Urdu, Punjabi, Hindi and Persian poets. ''Takhallus'' is an Arabic word which means, literally, "to get liberated" or "become secure;" the word has been borrowed in Hindi-Urdu and Punjabi to mean "pen name". The takhallus is often included in the maqta, last sher (couplet), of the ghazal. History While ghazal originated in Arabia evolving from Qasida, some of the common features of contemporary ghazal, such as including the takhallus in the maqta, the concept of matla, etc., did not exist in Arabic ghazal. It was Persian ghazal which added these features. Common Takhallus List of Takhallus of some Urdu poets: * ''Ghalib'' – Mirza Asadullah Baig Khan * ''Faiz'' – Faiz Ahmed Faiz * ''Hali'' – Altaf Hussain ''Hali'' * ''Jigar'' - Sikander Ali Moradabadi * ''Kaki'' - Khwaja Qutbuddin Bakhtiar * ''Zafar'' - Bahadur Shah II * ''Mir'' - Mir Taqi Mir ...
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Maqta
The maqta ( ur, ) is the last ''sher'' of a ''ghazal'', a collection of Urdu poems and the poet's ''takhallus'', or pen name, is usually employed in it, often in very creative ways. A '' shayar'' can use the ''maqta'' in a variety of interesting ways. He can "talk to himself", "to somebody else", "refer to something" etc. For example ''Firaq'' Gorakhpuri, whose ''takhallus'' is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word ''firaq'': Roman Urdu: :''Tu yeh na samajh ke Firaq teri Firaq mein hai'' :''Firaq uski Firaq mein hai jo teri Firaq mein hai'' English Translation: :Don't think that Firaq pines for you :Firaq pines for the one who pines for you Examples A sher by Mir Taqi Mir: ''Mir'' in neem baaz aankhon mein Saari masti sharaab ki see hai Another by Mirza Ghalib: * Kaba kis munh se jaaoge ''Ghalib'' sharm tum ko magar nahiN aati See also *Takhallus *Ghazal *Urdu poetry *Matla The Matla ...
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Radif
Radif ( fa, ردیف, meaning ''order'') is a rule in Persian, Turkic, and Urdu poetry which states that, in the form of poetry known as a ghazal, the second line of all the couplets (''s'' or ''shers'') ''must'' end with the ''same'' word/s. This repeating of common words is the of the ghazal. It is preceded by a ''qaafiyaa'', which is a repeating pattern of words. The following is an example of a ghazal by Daag Dehelvi. In this example the is . The is the following pattern of words: (in the first hemistich A hemistich (; via Latin from Greek , from "half" and "verse") is a half-line of verse, followed and preceded by a caesura, that makes up a single overall prosodic or verse unit. In Latin and Greek poetry, the hemistich is generally confined to ...), , (in the fourth hemistich), , and . References Persian poetry Urdu-language poetry Ghazal Rhyme {{Poetry-stub ...
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