Geometry Of Fear
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Geometry Of Fear
The Geometry of Fear was an informal group or school of young British sculptors in the years after the Second World War. The term was coined by Herbert Read in 1952 in his description of the work of the eight British artists represented in the "New Aspects of British Sculpture" exhibition at the Biennale di Venezia of 1952. Venice The eight artists who exhibited "New Aspects of British Sculpture" in the British pavilion at the Biennale di Venezia of 1952 were Robert Adams, Kenneth Armitage, Reg Butler, Lynn Chadwick, Geoffrey Clarke, Bernard Meadows, Eduardo Paolozzi and William Turnbull. All were under 40, with years of birth ranging from 1913 to 1924, and of a younger generation than established British sculptors such as Barbara Hepworth and Henry Moore. A large bronze by Moore, ''Double Standing Figure'', stood outside the British pavilion, and contrasted strongly with the works inside. Unlike the smoothly carved work of Hepworth and Moore, these were angular, jagged, ...
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Kenneth Armitage
William Kenneth Armitage (18 July 1916 – 22 January 2002) was a British sculptor known for his semi-abstract bronzes. Life Armitage was born in Leeds on July 18, 1916, the youngest of three children studied at the Leeds College of Art and the Slade School of Fine Art in London before joining the British Army (Royal Artillery) in 1939. In 1940 he married Joan Moore, another sculptor. They separated in the 1950s but never divorced. They had no children. After leaving the army, Armitage became head of the sculpture department at the Bath Academy of Art in 1946. In 1952, he held his first one-man show in London. In 1953, he became Great Britain's first university artist in residence, at the University of Leeds (to 1956). In 1958, he won best international sculpture under age 45 at the Venice Biennale. Armitage was made CBE in 1969 and was elected to the Royal Academy in 1994. In 2001, his sculpture "Both Arms" was erected along with a blue plaque in Millennium Square, Leeds, b ...
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Anglo-French Art Centre
The Anglo-French Art Centre (or Anglo-French Art School, previously the St John's Wood Art School, was an art school at 29 Elm Tree Road in St John's Wood, north London, England. The centre was founded in 1946 by Alfred Rozelaar Green, who studied in Paris at the Académie Julian and Atelier Gromaire before the Second World War. He moved to London at the end of the war and aimed to revolutionise British art education. He invited artists from France and other countries to exhibit and teach. Artists included Robert Couturier, Fernand Léger, André Lhote, Jean Lurçat, Agnès Capri and Germaine Richier. He was also supported by English artists who visited to give lectures, including Francis Bacon, Henry Moore, Victor Pasmore and Julian Trevelyan. Other lecturers included art critics and museum directors. Students included Dora Holzhandler, Anne Dunn, Breon O'Casey Breon O'Casey (30 April 1928 – 22 May 2011) was an artist associated with the St Ives School. Biograph ...
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Art Movement
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. The per ...
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Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ...
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Saint Martin's School Of Art
Saint Martin's School of Art was an art college in London, England. It offered foundation and degree level courses. It was established in 1854, initially under the aegis of the church of St Martin-in-the-Fields. Saint Martin's became part of the London Institute in 1986, and in 1989 merged with the Central School of Art and Design to form Central Saint Martins College of Art and Design. History Saint Martin's School of Art was established in 1854 by Henry Mackenzie, vicar of the church of St Martin-in-the-Fields. It became independent from the church in 1859. The school was at first housed on the top floor of St Martin's Northern School in Shelton Street (then called Castle Street), to the north of Long Acre. The Gilbert-Garret Competition for Sketching Clubs was founded at Saint Martin's in 1870, when John Parker was headmaster. It was named after Sir John Gilbert, the first president of the school. From 1952 to 1979 Frank Martin was head of the sculpture department of Sa ...
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Anthony Caro
Sir Anthony Alfred Caro (8 March 192423 October 2013) was an English abstract sculptor whose work is characterised by assemblages of metal using ' found' industrial objects. His style was of the modernist school, having worked with Henry Moore early in his career. He was lauded as the greatest British sculptor of his generation. Early life and education Caro was born in New Malden, England to a Jewish family and was the youngest of three children. When Caro was three, his father, a stockbroker, moved the family to a farm in Churt, Surrey. Caro was educated at Charterhouse School where his housemaster introduced him to Charles Wheeler. In the holidays he studied at the Farnham School of Art (now the University for the Creative Arts) worked in Wheeler's studio. He later earned a degree in engineering at Christ's College, Cambridge. In 1946, after time in the Royal Navy, he studied sculpture at the Regent Street Polytechnic before pursuing further studies at the Royal Academy ...
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Abstract (art)
Abstract art uses visual language of shape, form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstract art, non-figurative art, non-objective art, and non-representational art are all closely related terms. They have similar, but perhaps not identical, meanings. Abstraction indicates a departure from reality in depiction of imagery in art. This departur ...
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César Baldaccini
César (born Cesare Baldaccini; 1 January 1921 – 6 December 1998), also occasionally referred to as César Baldaccini (), was a noted French sculptor. César was at the forefront of the Nouveau Réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects. Biography He was a French sculptor, born in 1921 to Italian parents from Tuscany in the working-class neighbourhood of la Belle-de-Mai in Marseilles. His father was a cooper and bar owner. After studying at the Ecole des Beaux-Arts, Marseilles (1935-9) he went on to the Ecole des Beaux-Arts in Paris (1943-8). He began making sculptures by welding together pieces of scrap metal in 1952 and first made his reputation with solid welded sculptures of insects, various kinds of animals and nudes. His first one-man exhibition was at the Galerie Lucien Durand, Paris, 1954. His early work u ...
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Naum Gabo
Naum Gabo, born Naum Neemia Pevsner (23 August 1977) (Hebrew: נחום נחמיה פבזנר), was an influential sculptor, theorist, and key figure in Russia's post-Revolution avant-garde and the subsequent development of twentieth-century sculpture.Tate GalleryNaum Gabo biography. Retrieved March 23, 2018./ref> His work combined geometric abstraction with a dynamic organization of form in small reliefs and constructions, monumental public sculpture and pioneering kinetic works that assimilated new materials such as nylon, wire, lucite and semi-transparent materials, glass and metal. Responding to the scientific and political revolutions of his age, Gabo led an eventful and peripatetic life, moving to Berlin, Paris, Oslo, Moscow, London, and finally the United States, and within the circles of the major avant-garde movements of the day, including Cubism, Futurism, Constructivism, the Bauhaus, de Stijl and the Abstraction-Création group.Hammer, Martin and Naum Gabo, Christina Lo ...
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Museum Of Modern Art
The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one of the largest and most influential museums of modern art in the world. MoMA's collection offers an overview of modern and contemporary art, including works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated and artist's books, film, and electronic media. The MoMA Library includes about 300,000 books and exhibition catalogs, more than 1,000 periodical titles, and more than 40,000 files of ephemera about individual artists and groups. The archives hold primary source material related to the history of modern and contemporary art. It attracted 1,160,686 visitors in 2021, an increase of 64% from 2020. It ranked 15th on the list of most visited art museums in the world in 2021.'' The Art Newspaper'' an ...
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Alfred Barr
Alfred Hamilton Barr Jr. (January 28, 1902 – August 15, 1981) was an American art historian and the first director of the Museum of Modern Art in New York City. From that position, he was one of the most influential forces in the development of popular attitudes toward modern art; for example, his arranging of the blockbuster Van Gogh exhibition of 1935, in the words of author Bernice Kert, was "a precursor to the hold Van Gogh has to this day on the contemporary imagination." Life and education Barr's life and work are the subject of Hugh Eakins's 2022 book about efforts by Barr and others to bring Picasso's work, already celebrated in Europe, to the United States. Barr graduated from the Boys' Latin School of Maryland. Barr received his B.A. in 1923 and his M.A. in 1924 from Princeton University, where he studied art history with Frank Jewett Mather and Charles Rufus Morey. In 1924, he began doctoral work at Harvard, but left after completing PhD course requirements to pursue ...
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The Love Song Of J
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ...
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