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Fictional Assassins In Comics
Fiction is any creative work, chiefly any narrative work, portraying individuals, events, or places that are imaginary, or in ways that are imaginary. Fictional portrayals are thus inconsistent with history, fact, or plausibility. In a traditional narrow sense, "fiction" refers to written narratives in prose often referring specifically to novels, novellas, and short stories. More broadly, however, fiction encompasses imaginary narratives expressed in any medium, including not just writings but also live theatrical performances, films, television programs, radio dramas, comics, role-playing games, and video games. Definition Typically, the fictionality of a work is publicly marketed and so the audience expects the work to deviate in some ways from the real world rather than presenting, for instance, only factually accurate portrayals or characters who are actual people. Because fiction is generally understood to not fully adhere to the real world, the themes and context of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alice Par John Tenniel 30
Alice may refer to: * Alice (name), most often a feminine given name, but also used as a surname Literature * Alice (Alice's Adventures in Wonderland), Alice (''Alice's Adventures in Wonderland''), a character in books by Lewis Carroll * Alice series, ''Alice'' series, children's and teen books by Phyllis Reynolds Naylor * Alice (Hermann book), ''Alice'' (Hermann book), a 2009 short story collection by Judith Hermann Computers * Alice (computer chip), a graphics engine chip in the Amiga computer in 1992 * Alice (programming language), a functional programming language designed by the Programming Systems Lab at Saarland University * Alice (software), an object-oriented programming language and IDE developed at Carnegie Mellon * Alice mobile robot * Artificial Linguistic Internet Computer Entity, an open-source chatterbot * Matra Alice, a home micro-computer marketed in France * Alice, a brand name used by Telecom Italia for internet and telephone services Video games * ''Alice: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Dramas
Radio drama (or audio drama, audio play, radio play, radio theatre, or audio theatre) is a dramatized, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, docudrama, dramatized works of fiction, as well as plays originally written for the theatre, including musical theatre, and opera. Radio drama achieved widespread popularity within a decade of its initial development in the 1920s. By the 1940s, it was a leading international popular entertainment. With the advent of television in the 1950s radio drama began losing its audience. However, it remains popular in much of the world. Recordings of OTR ( old-time radio) survive today in the audio archives of collectors, libraries and museums, as we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Docudrama
Docudrama (or documentary drama) is a genre of television and film, which features dramatized re-enactments of actual events. It is described as a hybrid of documentary and drama and "a fact-based representation of real event". Docudramas typically strive to adhere to known historical facts, while allowing some degree of dramatic license in peripheral details, such as when there are gaps in the historical record. Dialogue may, or may not, include the actual words of real-life people, as recorded in historical documents. Docudrama producers sometimes choose to film their reconstructed events in the actual locations in which the historical events occurred. A docudrama, in which historical fidelity is the keynote, is generally distinguished from a film merely " based on true events", a term which implies a greater degree of dramatic license; and from the concept of "historical drama", a broader category which may also encompass entirely fictionalized action taking place in histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-fiction Novel
The non-fiction novel is a literary genre which, broadly speaking, depicts real historical figures and actual events woven together with fictitious conversations and uses the storytelling techniques of fiction. The non-fiction novel is an otherwise loosely defined and flexible genre. The genre is sometimes referred to using the slang term "faction", a portmanteau of the words ''fact'' and ''fiction''. Genre established The genre goes back at least as far as André Breton's '' Nadja'' (1928) and several books by the Czech writer Vítězslav Nezval, such as '' Ulice Git-le-coeur'' (1936). One of the early English books in the genre is Rebecca West's '' Black Lamb and Grey Falcon'' (1941). Jim Bishop's ''The Glass Crutch'' (1945) was advertised as "one of the most unusual best-sellers ever published—a non-fiction novel." Perhaps the most influential nonfiction novel of the twentieth century was John Hersey's Hiroshima (1946). Scholar David Schmid writes that "many American writer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Creative Nonfiction
Creative nonfiction (also known as literary nonfiction or narrative nonfiction or literary journalism or verfabula) is a genre of writing that uses literary styles and techniques to create factually accurate narratives. Creative nonfiction contrasts with other nonfiction, such as academic or technical writing or journalism, which are also rooted in accurate fact though not written to entertain based on prose style. Many writers view creative nonfiction as overlapping with the essay. Characteristics and definition For a text to be considered creative nonfiction, it must be factually accurate, and written with attention to literary style and technique. Lee Gutkind, founder of the magazine '' Creative Nonfiction'', writes, "Ultimately, the primary goal of the creative nonfiction writer is to communicate information, just like a reporter, but to shape it in a way that reads like fiction." Forms within this genre include memoir, diary, travel writing, food writing, literary journa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autofiction
In literary criticism, autofiction is a form of fictionalized autobiography. Autofiction combines two mutually inconsistent narrative forms, namely autobiography and fiction. An author may decide to recount their life in the third person, to modify significant details and characters, using fictive subplots and imagined scenarios with real life characters in the service of a search for self. In this way, autofiction shares similarities with the Bildungsroman as well as the New Narrative movement and has parallels with faction, a genre devised by Truman Capote to describe his novel '' In Cold Blood''. Autofiction is a genre of literature which includes New Narrative, amongst others. Serge Doubrovsky coined the term in 1977 with reference to his novel ''Fils''. However, autofiction arguably existed as an intergeneric practice with ancient roots long before Doubrovsky coined the term. Michael Skafidas argues that the first-person narrative can be traced back to the confessional subt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postmodern Fiction
Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s.Linda Hutcheon (1988) ''A Poetics of Postmodernism.'' London: Routledge, pp. 202-203. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to. Precursors to postmodern literature include Miguel de Cervantes’ ''Don Quixote'' (1605–1615), Laurence Sterne’s ''Tristram Shandy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Fiction
Experimental literature is a genre that is, according to Warren Motte in his essa"Experimental Writing, Experimental Reading" "difficult to define with any sort of precision." He says the "writing is often invoked in an "offhand manner" and the focus is on "form rather than content." It can be in written form of prose narrative or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in the classical stanza form of verse. It may also be entwined with images of a real or abstract nature, with the use of art or photography. Furthermore, while experimental literature was traditionally handwritten on paper or vellum, the digital age has seen an exponential leaning to the use of digital computer technologies. Early history The first text generally cited in this category is Laurence Sterne's ''The Life and Opinions of Tristram Shandy, Gentleman'' (1759). This text occurs so early in the standard history of the novel that one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-fiction
Nonfiction, or non-fiction, is any document or media content that attempts, in good faith, to provide information (and sometimes opinions) grounded only in facts and real life, rather than in imagination. Nonfiction is often associated with being presented more objectively, like historical, scientific, or otherwise straightforward and accurate information, but sometimes, can be presented more subjectively, like sincerely held beliefs and thoughts on a real-world topic. One prominent usage of nonfiction is as one of the two fundamental divisions of narrative (storytelling)—often, specifically, prose writing—in contrast to narrative fiction, which is largely populated by imaginary characters and events, though sometimes ambiguous regarding its basis in reality. Some typical examples of nonfiction include diaries, biographies, news stories, documentary films, textbooks, travel books, recipes, and scientific journals. While specific claims in a nonfiction work may p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Worldbuilding
Worldbuilding is the process of constructing a world, originally an imaginary one, sometimes associated with a fictional universe. Developing an imaginary setting with coherent qualities such as a history, geography, and ecology is a key task for many science fiction or fantasy writers. Worldbuilding often involves the creation of geography, a backstory, flora, fauna, inhabitants, technology and often if writing speculative fiction, different races. This may include social customs as well as invented languages for the world. The world could encompass different planets spanning vast distances of space or be limited in scope to a single small village. World building exists in novels, tabletop role-playing games, and visual media such as films, video games and comics. Prior to 1900 most worldbuilding was conducted by novelists, who could leave imagination of the fictional setting in part to the reader. Some authors of fiction set multiple works in the same world. This is known as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fictional Universe
A fictional universe, or fictional world, is a self-consistent setting with events, and often other elements, that differ from the real world. It may also be called an imagined, constructed, or fictional realm (or world). Fictional universes may appear in novels, comics, films, television shows, video games, and other creative works. The subject is most commonly addressed in reference to fictional universes that differ markedly from the real world, such as those that introduce entire fictional cities, countries, or even planets, or those that contradict commonly known facts about the world and its history, or those that feature fantasy or science fiction concepts such as magic or faster than light travel—and especially those in which the deliberate development of the setting is a substantial focus of the work. When a large franchise of related works has two or more somewhat different fictional universes that are each internally consistent but not consistent with each other (su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme (narrative)
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. Themes can be divided into two categories: a work's ''thematic concept'' is what readers "think the work is about" and its ''thematic statement'' being "what the work says about the subject". Themes are often distinguished from premises. The most common contemporary understanding of theme is an idea or point that is central to a story, which can often be summed in a single word (for example, love, death, betrayal). Typical examples of themes of this type are conflict between the individual and society; coming of age; humans in conflict with technology; nostalgia; and the dangers of unchecked ambition. A theme may be exemplified by the actions, utterances, or thoughts of a character in a novel. An example of this would be the thematic idea of loneliness in John Steinbeck's ''Of Mice and Men'', wherein many of the characters seem to be lonely. It may differ from the thesis—the text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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