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Drikung Kagyu
Drikung Kagyü or Drigung Kagyü ( Wylie: 'bri-gung bka'-brgyud) is one of the eight "minor" lineages of the Kagyu school of Tibetan Buddhism. "Major" here refers to those Kagyü lineages founded by the immediate disciples of Gampopa (1079-1153) while "minor" refers to all the lineages founded by disciples of Gampopa's main disciple, Phagmo Drupa (1110-1170). One of these disciples, Jigten Sumgön (1143-1217), is the founder of Drikung. History Like with all other Kagyu lineages, origins of Drikung Kagyü can be traced back to the Great Indian Master Tilopa who passed on his teachings to Mahasiddha Naropa who lived around 10th and 11th century. The founder of the Drikung Kagyü lineage was Jigten Sumgön (1143-1217) of the Kyura clan, who was the disciple of Phagmo Drupa. According to historical account from the time, Jigten Sumgön's teachings attracted more than 100,000 people at a time, with the highest number of attendance recorded at 130,000. Several sub-schools bran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drikung Kagyu Lineage Tree
Drikung Kagyü or Drigung Kagyü (Wylie transliteration, Wylie: 'bri-gung bka'-brgyud) is one of the eight "minor" lineages of the Kagyu school of Tibetan Buddhism. "Major" here refers to those Kagyü lineages founded by the immediate disciples of Gampopa (1079-1153) while "minor" refers to all the lineages founded by disciples of Gampopa's main disciple, Phagmo Drupa Dorje Gyalpo, Phagmo Drupa (1110-1170). One of these disciples, Jigten Sumgön (1143-1217), is the founder of Drikung. History Like with all other Kagyu lineages, origins of Drikung Kagyü can be traced back to the Great Indian Master Tilopa who passed on his teachings to Mahasiddha Naropa who lived around 10th and 11th century. The founder of the Drikung Kagyü lineage was Jigten Sumgön (1143-1217) of the Kyura clan, who was the disciple of Phagmo Drupa Dorje Gyalpo, Phagmo Drupa. According to historical account from the time, Jigten Sumgön, Jigten Sumgön's teachings attracted more than 100,000 people at a ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahamudra
Mahāmudrā (Sanskrit: महामुद्रा, , contraction of ) literally means "great seal" or "great imprint" and refers to the fact that "all phenomena inevitably are stamped by the fact of wisdom and emptiness inseparable". Mahāmudrā is a multivalent term of great importance in later Indian Buddhism and Tibetan Buddhism which "also occurs occasionally in Hindu and East Asian Buddhist esotericism." The name also refers to a body of teachings representing the culmination of all the practices of the Sarma schools of Tibetan Buddhism, who believe it to be the quintessential message of all of their sacred texts. The ''mudra'' portion denotes that in an adept's experience of reality, each phenomenon appears vividly, and the ''maha'' portion refers to the fact that it is beyond concept, imagination, and projection.Reginald Ray, ''Secret of the Vajra World''. Shambhala 2001, page 261. The practice of Mahāmudrā is also known as the teaching called "Sahajayoga" or "Co-eme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dzogchen
Dzogchen (, "Great Perfection" or "Great Completion"), also known as ''atiyoga'' ( utmost yoga), is a tradition of teachings in Indo-Tibetan Buddhism and Yungdrung Bon aimed at discovering and continuing in the ultimate ground of existence. The primordial ground (''gzhi'', "basis") is said to have the qualities of purity (i.e. emptiness), spontaneity (''lhun grub'', associated with luminous clarity) and compassion (''thugs rje''). The goal of Dzogchen is knowledge of this basis, this knowledge is called ''rigpa'' (Skt. ''vidyā''). There are numerous spiritual practices taught in the various Dzogchen systems for awakening rigpa. History Dzogchen developed in the Tibetan Empire period and the Era of Fragmentation (9th-11th centuries) and continues to be practiced today both in Tibet and around the world. It is a central teaching of the Yundrung Bon tradition as well as in the Nyingma school of Tibetan Buddhism. In these traditions, Dzogchen is the highest and most defin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drikung
Drikung Kagyü or Drigung Kagyü ( Wylie: 'bri-gung bka'-brgyud) is one of the eight "minor" lineages of the Kagyu school of Tibetan Buddhism. "Major" here refers to those Kagyü lineages founded by the immediate disciples of Gampopa (1079-1153) while "minor" refers to all the lineages founded by disciples of Gampopa's main disciple, Phagmo Drupa (1110-1170). One of these disciples, Jigten Sumgön (1143-1217), is the founder of Drikung. History Like with all other Kagyu lineages, origins of Drikung Kagyü can be traced back to the Great Indian Master Tilopa who passed on his teachings to Mahasiddha Naropa who lived around 10th and 11th century. The founder of the Drikung Kagyü lineage was Jigten Sumgön (1143-1217) of the Kyura clan, who was the disciple of Phagmo Drupa. According to historical account from the time, Jigten Sumgön's teachings attracted more than 100,000 people at a time, with the highest number of attendance recorded at 130,000. Several sub-schools branc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ngöndro
In Tibetan Buddhism, Ngöndro (, sa, pūrvaka) refers to the preliminary, preparatory or foundational practices or disciplines (Sanskrit: sādhanā) common to all four schools of Tibetan Buddhism and also to Bon. They precede deity yoga. The preliminary practices establish the foundation for the more advanced and esoteric Vajrayana sādhanā which are held to engender realization and the embodiment of Dzogchen, Heruka and Mahamudra. Nevertheless, Vajrayana masters are careful to point out that "foundational" does not mean "lesser," that the practice of Ngöndro is a complete and sufficient practice of the spiritual path, and that it can take the practitioner all the way to full enlightenment. In addition to what is generally denoted by the term ''ngöndro'', preparatory practices may also be prescribed for senior and advanced sadhana, e.g.: "differentiating saṃsāra and nirvāṇa" () is the preparatory practice for trekchö or "cutting through to primordial purity." Outer a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vipaśyanā
''Samatha'' (Pāli; sa, शमथ ''śamatha''; ), "calm," "serenity," "tranquillity of awareness," and ''vipassanā'' (Pāli; Sanskrit ''vipaśyanā''), literally "special, super (''vi-''), seeing (''-passanā'')", are two qualities of the mind developed in tandem in Buddhist practice. In the Pali Canon and the Āgama they are not specific practices, but elements of "a single path," and "fulfilled" with the development (''bhāvanā'') of ''sati'' ("mindfulness") and '' jhana/dhyana'' ("meditation") and other path-factors. While ''jhana/dhyana'' has a central role in the Buddhist path, ''vipassanā'' is hardly mentioned separately, but mostly described along with ''samatha''. The '' Abhidhamma Pitaka'' and the commentaries describe samatha and vipassanā as two separate techniques, taking samatha to mean concentration-meditation, and ''vipassana'' as a practice to gain insight. In the Theravada-tradition, ''vipassanā'' is defined as a practice that seeks "insight into the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samatha
''Samatha'' (Pāli; sa, शमथ ''śamatha''; ), "calm," "serenity," "tranquillity of awareness," and ''vipassanā'' (Pāli; Sanskrit ''vipaśyanā''), literally "special, super (''vi-''), seeing (''-passanā'')", are two qualities of the mind developed in tandem in Buddhist practice. In the Pali Canon and the Āgama they are not specific practices, but elements of "a single path," and "fulfilled" with the development (''bhāvanā'') of ''sati'' ("mindfulness") and '' jhana/dhyana'' ("meditation") and other path-factors. While ''jhana/dhyana'' has a central role in the Buddhist path, ''vipassanā'' is hardly mentioned separately, but mostly described along with ''samatha''. The '' Abhidhamma Pitaka'' and the commentaries describe samatha and vipassanā as two separate techniques, taking samatha to mean concentration-meditation, and ''vipassana'' as a practice to gain insight. In the Theravada-tradition, ''vipassanā'' is defined as a practice that seeks "insight into the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Yoga
In Vajrayana, guru yoga (Tib: ''bla ma'i rnal 'byor'') is a tantric devotional practice in which the practitioner unites their mindstream with the mindstream of the body, speech, and mind of their guru. Guru yoga is akin to deity yoga since the guru (who can be a Buddha, a historical figure like Padmasambhava, or a living person) is visualized in the same manner as with a meditational deity. The process of guru yoga may entail visualization of a refuge tree as an invocation of the lineage, with the 'root guru' channeling the blessings of the entire lineage to the practitioner. The guru may be visualized as above the meditator, in front of them, or in their heart. Guru yoga may also include a liturgy, prayer, or ''mantra'', such as the "Seven Line Prayer" of Padmasambhava, or the "Migtsema" (a prayer to Je Tsongkhapa). Background As in other Buddhist traditions, an attitude of reverence for the teacher, or guru, is highly prized. A guru or lama is seen as an essential guide durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avalokiteśvara
In Buddhism, Avalokiteśvara (Sanskrit: अवलोकितेश्वर, IPA: ) is a bodhisattva who embodies the compassion of all Buddhas. He has 108 avatars, one notable avatar being Padmapāṇi (lotus bearer). He is variably depicted, described, and portrayed in different cultures as either male or female. In East Asian Buddhism, he has evolved into a female form called Guanyin. Etymology The name ''Avalokiteśvara'' combines the verbal prefix ''ava'' "down", ''lokita'', a past participle of the verb ''lok'' "to notice, behold, observe", here used in an active sense; and finally '' īśvara'', "lord", "ruler", "sovereign" or "master". In accordance with sandhi (Sanskrit rules of sound combination), ''a''+''īśvara'' becomes ''eśvara''. Combined, the parts mean "lord who gazes down (at the world)". The word ''loka'' ("world") is absent from the name, but the phrase is implied. It does appear in the Cambodian form of the name, ''Lokesvarak''. The earliest translation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Milarepa
Jetsun Milarepa (, 1028/40–1111/23) was a Tibetan siddha, who was famously known as a murderer when he was a young man, before turning to Buddhism and becoming a highly accomplished Buddhist disciple. He is generally considered one of Tibet's most famous yogis and spiritual poets, whose teachings are known among several schools of Tibetan Buddhism. He was a student of Marpa Lotsawa, and a major figure in the history of the Kagyu school of Tibetan Buddhism. He is also famous for the feat of climbing Mount Kailash. Biography — ''The Life of Milarepa'' Milarepa's life-story is famous in Tibetan culture, and retold many times. The best-known biography, ''The Life of Milarepa'', written by Tsangnyön Heruka (1452–1507) in the fifteenth century and drawing from older biographies, is still very popular. Most of the present-day stories on Milarepa come from this single source, with oral lineage predominating as well as relics including his bearskin coat. While "very little s kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajravārāhī
In Tibetan Buddhism, Vajravārāhī ("The Diamond Sow", Dorje Pakmo) is a wrathful form of Vajrayogini associated particularly with the ''Cakrasaṃvara Tantra'', where she is paired in yab-yum with the Heruka Cakrasaṃvara. Judith Simmer-Brown writes that "Vajravārāhī's iconography is very similar to that of Vajrayoginī, but she often has more prominent fangs and a more wrathful expression, and she prominently displays a sow's head above her right ear." Although there are practices of Vajravārāhī in all schools of Tibetan Buddhism, she is particularly associated with the Kagyu school and is one of the main yidam practices of that school. Her tulkus, the Samding Dorje Phagmo, are associated with the Bodongpa, a little-known school of Tibetan Buddhism. Iconography Vajravārāhī is one of the most popular female Tantric deities in all traditions of Tibetan Buddhism. Although there are several forms, the basic iconography is that she has one face, (usually) two hands an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cakrasaṃvara Tantra
The ''Cakrasaṃvara Tantra'' (, ''khorlo demchok,'' The "Binding of the Wheels" Tantra) is an influential Buddhist Tantra. It is roughly dated to the late eight or early ninth century by David B. Gray (with a ''terminus ante quem'' in the late tenth century). The full title in the Sanskrit manuscript used by Gray's translation is: ''Great King of Yoginī Tantras called the Śrī Cakrasaṃvara'' (''Śrīcakrasaṃvara-nāma-mahayoginī-tantra-rāja''). The text is also called the ''Discourse of Śrī Heruka'' (''Śrīherukābhidhāna'') and the ''Samvara Light'' (''Laghusaṃvara''). "Cakrasaṃvara" may also refer to the main deity in this tantra as well as to a collection of texts or "cycle" associated with the root Cakrasaṃvara tantra. Tsunehiko Sugiki writes that this "Cakrasaṃvara cycle", "is one of the largest collections of Buddhist Yoginītantra literature from the early medieval South Asian world."Sugiki, Tsunehiko. Review of ''David B. Gray, The Cakrasamvara Tantra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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