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Dance-punk
Dance-punk (also known as disco-punk, punk-funk or techno-punk) is a post-punk subgenre that emerged in the late 1970s, and is closely associated with the disco, post-disco and new wave movements.Rip It Up and Start Again: Post Punk 1978-1984.Simon Reynolds.Faber and Faber Ltd, April 2005, (U.S. Edition: Penguin, February 2006, ) Predecessors Many groups in the post-punk era adopted a more danceable style. These bands were influenced by funk, disco, new wave, and other dance music popular at the time (as well as being anticipated by some artists from 1970s including Sparks and Iggy Pop). Influential bands from the 1980s included Talking Heads, Public Image Ltd.,Swaminathan, Nikhil (25 December 2003) â€Dance-punk ends scenester dormancy New Order, Gang of Four, Pigbag, the Clash, the Pop Group, Maximum Joy, Minutemen, and Red Hot Chili Peppers. New York City dance-punk included Defunkt, Material, James Chance and the Contortions, Cristina Monet, Bush Tetras, ESG, and Li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pigbag
Pigbag were a British post-punk band, best known for their instrumentals, active between 1980 and 1983. Origin and formation Pigbag were formed in Cheltenham in late 1980 by Chris Hamlin, a fashion student at Cheltenham Art College. Hamlin recruited multi-instrumentalist Roger Freeman, an old friend from his hometown of Birmingham, along with Chris Lee on trumpet and James Johnstone, a guitarist, record shop assistant and newcomer to the alto sax, for initial jam sessions which would eventually evolve into Pigbag. The group would jam in parks and various other places, but their usual practice space was Hamlin's house, Beech House, which still stands on the corner of St James's Square and St George's Place in Cheltenham. After a couple of months they decided to expand the line-up, adding a rhythm section and rehearsing more seriously. They recruited Andrew "Chip" Carpenter on drums and Mark "Miff" Smith on bass, both old school friends of Johnstone's, and former members of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gang Of Four (band)
Gang of Four are an English post-punk band, formed in 1976 in Leeds. The original members were singer Jon King, guitarist Andy Gill, bass guitarist Dave Allen and drummer Hugo Burnham. There have been many different line-ups including, among other notable musicians, Sara Lee, Gail Ann Dorsey, and Mark Heaney. After a brief lull in the 1980s, different constellations of the band recorded two studio albums in the 1990s. Between 2004 and 2006 the original line-up was reunited; Gill toured using the name between 2012 and his death in 2020. In 2021, the band announced that King, Burnham, and Lee would be reuniting for a tour in 2022 with David Pajo on guitar. The band played a stripped-down mix of punk rock, funk and dub, with a lyrical emphasis on the social and political ills of society. Gang of Four are widely considered one of the leading bands of the late 1970s/early 1980s post-punk movement. Their debut album, ''Entertainment!'', was ranked by ''Rolling Stone'' as the fifth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-rock
Dance-rock is a dance-infused genre of rock music. It is a post-disco genre connected with pop rock and post-punk with fewer rhythm and blues influences. It originated in the early 1980s, following the decline in popularity of both punk and disco. Examples of early dance-rock include Gina X's "No G.D.M.", Russ Ballard's "On the Rebound", artists such as Dinosaur L, Liquid Liquid and Polyrock, and the compilation album '' Disco Not Disco''. Definitions Michael Campbell, in his book ''Popular Music in America'', defines the genre as "post-punk/post-disco fusion". Campbell also cited Robert Christgau, who described dance-oriented rock (or DOR) as an umbrella term used by various DJs in the 1980s. However, AllMusic defines "dance-rock" as 1980s and 1990s music practiced by rock musicians, influenced by Philly soul, disco and funk, fusing those styles with rock and dance. Artists like the Rolling Stones, David Bowie, Duran Duran, Simple Minds, INXS, Eurythmics, Depeche Mode, the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-funk
Avant-funk (also called mutant disco in the early 1980s) is a music style in which artists combine funk and disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music. Characteristics Artists described as "avant-funk" or "mutant disco" have blended elements from styles such as funk, punk, disco, freeform jazz and dub. Some motifs of the style in the 1970s and 1980s included "neurotic slap-bass" and "guttural pseudo-sinister vocals," as well as "Eurodisco rhythms; synthesizers used to generate not pristine, hygienic textures, but poisonous, noisome filth; Burroughs’ cut-up technique applied to found voices." According to critic Simon Reynolds, the movement was animated by the notion that "rock's hopes of enjoying a future beyond mere antiquarianism depends on assimilating the latest rhythmic innovations from black dance music." Musicologist Simon Frith d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sparks (band)
Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references-- and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. They have been much more successful in Europe than in their native U.S., though they maintain a loyal cult following in the States. Career highlights include "This Town Ain't Big Enough for Both of Us", which reached No. 2 on the UK Singles Chart in 1974; the disco hit "The Number One Song in Heaven" in 1979, resulting from a collaboration with Giorgio Moroder and marking a stylistic shift ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Image Ltd
Public Image Ltd (abbreviated and stylized as PiL) are an English post-punk band (and incorporated limited company) formed by singer John Lydon (previously known as the singer of Sex Pistols), guitarist Keith Levene, bassist Jah Wobble, and drummer Jim Walker in May 1978. The group's personnel has changed frequently over the years; Lydon has been the sole constant member. Following Lydon's departure from the Sex Pistols in January 1978, he sought a more experimental "anti-rock" project and formed PiL. That year PiL released their debut ''First Issue'' (1978), creating an abrasive, bass-heavy sound that drew on dub, noise, progressive rock and disco. PiL's second album ''Metal Box'' (1979) pushed their sound further into the avant-garde, and is often regarded as one of the most important albums of the post-punk era. By 1984, Levene, Wobble and Walker had departed and the group was effectively a solo vehicle for Lydon, who moved toward a more accessible sound with the commerci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
