Cytherea (1924 Film)
''Cytherea'' is a 1924 American silent romantic drama film directed by George Fitzmaurice and starring Alma Rubens, Lewis Stone, Constance Bennett, and Norman Kerry. Based on the novel ''Cytherea, Goddess of Love'', by Joseph Hergesheimer and was adapted for the screen by Frances Marion. ''Cytherea'' features two dream sequences filmed in an early version of the Technicolor color film process.Progressive Silent Film List: ''Cytherea'' at silentera.com The film is also known as ''The Forbidden Way''. Plot As described in a film magazine review, Lee Randon, forty years old and bored, sees his nephew Morris becoming infatuated with Mina Raff and reproaches him. Later, when Morris leaves his wife to go with Mina, contented housewife Fanny Randon, who has n ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
George Fitzmaurice
George Fitzmaurice (13 February 1885 – 13 June 1940) was a French-born film director and producer. Career Fitzmaurice's career first started as a set designer on stage. Beginning in 1914, and continuing until his death in 1940, he directed a total of over 80 films; several of these were successful, including ''The Son of the Sheik'', '' Raffles'', ''Mata Hari'', and '' Suzy''. At the beginning of his directorial career, Fitzmaurice was astute at directing stage actresses in their initial films with the first wave of great Broadway stars that migrated to motion pictures during the World War I era, including Mae Murray, Elsie Ferguson, Fannie Ward, Helene Chadwick, Irene Fenwick, Gail Kane, and Edna Goodrich. ''The Son of the Sheik'' is his most famous extant silent film, no doubt aided by the sudden death of its star, Rudolph Valentino. '' Lilac Time'' is a classic war/romance film. Fitzmaurice, however, directed scores of silent films of which the majority of them are los ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Technicolor
Technicolor is a series of Color motion picture film, color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades. Definitive Technicolor movies using three black and white films running through a special camera (3-strip Technicolor or Process 4) started in the early 1930s and continued through to the mid-1950s when the 3-strip camera was replaced by a standard camera loaded with single strip 'monopack' color negative film. Technicolor Laboratories were still able to produce Technicolor prints by creating three black and white matrices from the Eastmancolor negative (Process 5). Process 4 was the second major color process, after Britain's Kinemacolor (used between 1908 and 1914), and the most widely used color process in Cinema of the United States, Hollywood during the Golden Age of Hollywood. Technicolor's #Process 4: Development and introduction, three-color process became known and celebrated for its highly s ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
1924 Films
The following is an overview of 1924 in film, including significant events, a list of films released and notable births and deaths. Top-grossing films (U.S.) The top eight 1924 released films by box office gross in North America are as follows: Events * January 10 – CBC Distributions corp. is renamed and incorporated as Columbia Pictures. * D. W. Griffith, co-founder of United Artists, leaves the company. *April 17 – Entertainment entrepreneur Marcus Loew gains control of Metro Pictures, Goldwyn Pictures Corporation and Louis B. Mayer Pictures to create Metro-Goldwyn-Mayer (MGM) *November 15 – In Los Angeles, director Thomas Ince ("The Father of the Western") meets publishing tycoon William Randolph Hearst to work out a deal. When Ince dies a few days later, reportedly of a heart attack, rumors soon surface that he was murdered by Hearst. *Loews Theatres acquires the 4,000 seat Capitol Theatre in New York City becoming the flagship of the theatre chain and site of many ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
List Of Lost Films
For this list of lost films, a lost film is defined as one of which no part of a print is known to have survived. For films in which any portion of the footage remains (including trailers), see List of incomplete or partially lost films. Reasons for loss Films may go missing for a number of reasons. One major contributing factor is the common use of nitrate film until the early 1950s. This type of film is highly flammable, and there have been several devastating fires, such as the Universal Pictures fire in 1924, the 1937 Fox vault fire and the 1965 MGM vault fire. Black-and-white film prints judged to be otherwise worthless were sometimes incinerated to salvage the meager scrap value of the silver image particles in their emulsions. Films have disappeared when production companies went bankrupt. Occasionally, a studio would remake a film and destroy the earlier version. Silent films in particular were once seen as having no further commercial value and were simply junked ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
List Of Early Color Feature Films
This is a list of early feature-length color films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major-studio favorite. About a third of the films are thought to be lost films, with no prints surviving. Some have survived incompletely or only in black-and-white copies made for TV broadcast use in the 1950s. Background The earliest attempts to produce color films involved either tinting the film broadly with washes or baths of dyes, or pains-takingly hand-painting certain areas of each frame of the film with transparent dyes. Stencil-based techniques such as Pathéchrome were a labor-saving alternative if many copies of a film had to be colored: each dye was rolled over the whole print using an appropriate stencil to restrict the dye to selected areas of each frame. The Handschiegl color process was a comparable technique. Because transparent dyes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Natural Lighting
Daylighting is the practice of placing windows, skylights, other openings, and reflective surfaces so that sunlight (direct or indirect) can provide effective internal lighting. Particular attention is given to daylighting while designing a building when the aim is to maximize visual comfort or to reduce energy use. Energy savings can be achieved from the reduced use of artificial (electric) lighting or from passive solar heating. Artificial lighting energy use can be reduced by simply installing fewer electric lights where daylight is present or by automatically dimming/switching off electric lights in response to the presence of daylight – a process known as daylight harvesting. The amount of daylight received in an internal space can be analyzed by measuring illuminance on a grid or undertaking a daylight factor calculation. Computer programs such as Radiance allow an architect or engineer to quickly calculate benefits of a particular design. The human eye's response to li ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Artificial Light
Lighting or illumination is the deliberate use of light to achieve practical or aesthetic effects. Lighting includes the use of both artificial light sources like lamps and light fixtures, as well as natural illumination by capturing daylight. Daylighting (using windows, skylights, or light shelves) is sometimes used as the main source of light during daytime in buildings. This can save energy in place of using artificial lighting, which represents a major component of energy consumption in buildings. Proper lighting can enhance task performance, improve the appearance of an area, or have positive psychological effects on occupants. Indoor lighting is usually accomplished using light fixtures, and is a key part of interior design. Lighting can also be an intrinsic component of landscape projects. History With the discovery of fire, the earliest form of artificial lighting used to illuminate an area were campfires or torches. As early as 400,000 years ago, fire was kindled ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Brandon Hurst
Brandon Hurst (30 November 1866 – 15 July 1947) was an English stage and film actor. Early life Born in London, England, Hurst studied philology in his youth and began performing in theater in the 1880s. Before he began acting professionally, Hurst served seven years in the English army, including five years with the King's Dragoon Guards in India. Career He worked in Broadway shows from 1900 until his entry into motion pictures. His most notable stage appearance was ''Two Women'' in 1910, costarring Mrs. Leslie Carter and Robert Warwick.''Pictorial History of the American Theatre: 1860-1970'' p.118 c.1969 by Daniel Blum He was nearly fifty before his film debut in ''Via Wireless'' (1915) as Edward Pinckney. He appeared in 129 other films. He became well known in the 1920s for portraying the antagonist and anti-heroes. Those roles include Sir George Carewe in '' Dr. Jekyll and Mr. Hyde'' (1920), Jehan Frollo in ''The Hunchback of Notre Dame'' (1923), Alexei Karenin opp ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lydia Yeamans Titus
Lydia Yeamans Titus (12 December 1857 – 30 December 1929) was an Australian-born American singer, dancer, comedienne, and actress who had a lengthy career in vaudeville and cinema. She was remembered on stage for her ''Baby-Talk'' act and a popular rendition of the English ballad, ''Sally in Our Alley''. In appreciation, King Edward VII once presented Titus a gold bar pin with the opening notes of ''Sally in Our Alley'' etched in diamonds. In later life Titus became a pioneer in the medium of film appearing in at least 132 motion pictures between 1911 and 1930. Early life Lydia Yeamans was born off the coast of south eastern Australia during a voyage from Sydney to Melbourne. Her parents were Edward "Ned" Yeamans (died c. 1866), an American circus clown and comedian from New York, and Annie Griffiths (10 November 1835 – 3 March 1912), a British-born Australian circus equestrienne. Her parents married not long after Griffiths, then seventeen or eighteen, joined the Rowe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lee Hill (actor)
Lee Hill (July 8, 1894 – September 15, 1957) was an American actor of the silent era. He appeared in 74 films between 1914 and 1924. He was born in Minnesota and died in Los Angeles, California. Selected filmography * ''Shanghaied'' (1915) * ''Guilty'' (1916) * '' Behind the Lines'' (1916) * ''The Fuel of Life'' (1917) * '' Station Content'' (1918) * ''False Ambition'' (1918) * '' A Sporting Chance'' (1919) * ''Girls'' (1919) * ''A Master Stroke ''A Master Stroke'' is a 1920 American silent comedy film directed by Chester Bennett and starring Earle Williams, Vola Vale and Lee Hill.Spehr & Lundquist p.45 Cast * Earle Williams as Yale Durant * Vola Vale as Minnie Patton * Lee Hill as J ...'' (1920) * '' Cytherea'' (1924) External links * 1894 births 1957 deaths American male film actors American male silent film actors 20th-century American male actors Male actors from Minnesota {{US-film-actor-1890s-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Michael D
Michael D may refer to: * Mike D (born 1965), founding member of the Beastie Boys Arts * Michael D. Cohen (actor) (born 1975), Canadian actor * Michael D. Ellison, African American recording artist * Michael D. Fay, American war artist * Michael D. Ford (1928–2018), English set decorator * Michael D. Roberts, American actor Business * Michael D. Dingman (1931–2017), American businessman * Michael D. Ercolino (1906–1982), American businessman * Michael D. Fascitelli, (born c. 1957), American businessman * Michael D. Penner (born 1969), Canadian lawyer and businessman Education * Michael D. Aeschliman (born 1948), American–Swiss educator * Michael D. Cohen (academic) (1945–2013), professor of complex systems, information and public policy at the University of Michigan * Michael D. Hanes, American music educator * Michael D. Hurley (born 1976), British Professor of Literature and Theology * Michael D. Johnson, a former President of John Carroll University * Mic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |