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Culture Of Iraq
The Culture of Iraq (Arabic: ثقافة العراق) or The Culture of Mesopotamia is one of the world's oldest cultural histories and is considered one of the most influential cultures in the world. The region between the Tigris and Euphrates rivers, historically known as Mesopotamia, is often referred to as the Cradle of civilisation. Mesopotamian legacy went on to influence and shape the civilizations of the Old World in different ways such as inventing writing system, mathematics, law, astrology and many more. Iraq is home to diverse ethnic groups who have contributed to the wide spectrum of the Iraqi Culture. The country is known for its poets، architects، painters and sculptors who are among the best in the region, some of them being world-class. The country has one of the longest written traditions in the world including architecture, literature, music, dance, painting, weaving, pottery, calligraphy, stonemasonry and metalworking. Additionally, Iraq embraces and celebrate ...
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Arabic
Arabic (, ' ; , ' or ) is a Semitic languages, Semitic language spoken primarily across the Arab world.Semitic languages: an international handbook / edited by Stefan Weninger; in collaboration with Geoffrey Khan, Michael P. Streck, Janet C. E.Watson; Walter de Gruyter GmbH & Co. KG, Berlin/Boston, 2011. Having emerged in the 1st century, it is named after the Arabs, Arab people; the term "Arab" was initially used to describe those living in the Arabian Peninsula, as perceived by geographers from ancient Greece. Since the 7th century, Arabic has been characterized by diglossia, with an opposition between a standard Prestige (sociolinguistics), prestige language—i.e., Literary Arabic: Modern Standard Arabic (MSA) or Classical Arabic—and diverse vernacular varieties, which serve as First language, mother tongues. Colloquial dialects vary significantly from MSA, impeding mutual intelligibility. MSA is only acquired through formal education and is not spoken natively. It is ...
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Calligraphy
Calligraphy (from el, link=y, καλλιγραφία) is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instrument. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". Modern calligraphy ranges from functional inscriptions and designs to fine-art pieces where the letters may or may not be readable. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic design and commissioned calligraphic art, cut stone inscriptions, and memorial documents. It is also used for props and moving images for film and television, and also for testimonials, birth and death cert ...
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Yahya Ibn Mahmud Al-Wasiti
Yahya ibn Mahmud al-Wasiti ( ar, يحيى بن محمود الواسطي) was a 13th-century Iraqi-Arab painter and calligrapher, noted for his illustrations of al-Hariri's '' Maqamat''. Biography Al-Wasiti was probably born in Wasit واسط south of Baghdad. In 1237 he transcribed and illustrated a copy of al-Hariri's '' Maqamat'' typically shortened to ''Maqamat,'' and also known as the ''Assemblies,'' a series of anecdotes of social satire written by Al-Hariri of Basra. Al-Wasiti's illustrations, which are among the finest examples of a style used in the 13th-century, served as an inspiration for the modern Baghdad art movement in the 20th-century. Very little is known about his life. He was from the 13th century school of painting. He was known for his articulate painting style. Illustrations from ''Maqamat'' In total, ''Maqmat'' has 96 illustrations, all by al-Wasiti. They are of "outstanding quality with fine composition, expressive figures, and vivid but controlled ...
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Quran
The Quran (, ; Standard Arabic: , Classical Arabic, Quranic Arabic: , , 'the recitation'), also romanized Qur'an or Koran, is the central religious text of Islam, believed by Muslims to be a revelation in Islam, revelation from God in Islam, God. It is organized in 114 surah, chapters (pl.: , sing.: ), which consist of āyah, verses (pl.: , sing.: , construct case, cons.: ). In addition to its religious significance, it is widely regarded as the finest work in Arabic literature, and has significantly influenced the Arabic language. Muslims believe that the Quran was orally revealed by God to the Khatam an-Nabiyyin, final prophet, Muhammad in Islam, Muhammad, through the archangel Gabriel incrementally over a period of some 23 years, beginning in the month of Ramadan, when Muhammad was 40; and concluding in 632, the year of his death. Muslims regard the Quran as Muhammad's most important miracle; a proof of his prophethood; and the culmination of a series of divine message ...
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Tree Of Life
The tree of life is a fundamental archetype in many of the world's mythological, religious, and philosophical traditions. It is closely related to the concept of the sacred tree.Giovino, Mariana (2007). ''The Assyrian Sacred Tree: A History of Interpretations'', page 129. Saint-Paul. The concept of the tree of life may have originated in Central Asia, and absorbed by other cultures, such as Scandinavian mythology and Altai shamanism. The tree of knowledge, connecting to heaven and the underworld, and the tree of life, connecting all forms of creation, are both forms of the world tree or cosmic tree, and are portrayed in various religions and philosophies as the same tree. Religion and mythology Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility. They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmet ...
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Master Of Animals
The Master of Animals, Lord of Animals, or Mistress of the Animals is a motif in ancient art showing a human between and grasping two confronted animals. The motif is very widespread in the art of the Ancient Near East and Egypt. The figure may be female or male, it may be a column or a symbol, the animals may be realistic or fantastical, and the human figure may have animal elements such as horns, an animal upper body, an animal lower body, legs, or cloven feet. Although what the motif represented to the cultures that created the works probably varies greatly, unless shown with specific divine attributes, when male the figure is typically described as a hero by interpreters. The motif is so widespread and visually effective that many depictions probably were conceived as decoration with only a vague meaning attached to them. The Master of Animals is the "favorite motif of Achaemenian official seals", but the figures in these cases should be understood as the king. The human ...
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Confronted Animals
Confronted animals, or confronted-animal as an adjective, where two animals face each other in a symmetrical pose, is an ancient bilateral motif in art and artifacts studied in archaeology and art history. The "anti-confronted animals" is the opposing motif, with the animals back to back. Bilateral symmetry is a dominant aspect of our world and strong representation of it with matching figures often creates a balance that is appealing in artwork. In ancient art, confronted-animal motifs often involve the Master of Animals, a central human figure between two confronted animals, often grasping them, and are probably part of a unified socio-cultural motif. A related motif in ancient art is known as the Mistress of Animals. It is thought that the iconography sometimes has ritual and religious associations; for example, the Lion Gate of Mycenae has a column between the protective, surmounted and confronted lionesses standing with two feet on the ground and two on the same base on ...
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Visual Art
The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, design, crafts and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts also involve aspects of visual arts as well as arts of other types. Also included within the visual arts are the applied arts such as industrial design, graphic design, fashion design, interior design and decorative art. Current usage of the term "visual arts" includes fine art as well as the applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, craft, or applied Visual arts media. The distinction was emphasized by artists of the Arts and Crafts Move ...
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Ashurbanipal In A Chariot, Wall Relief, 7th Century BC, From Nineveh, The British Museum
Ashurbanipal (Neo-Assyrian cuneiform: , meaning " Ashur is the creator of the heir") was the king of the Neo-Assyrian Empire from 669 BCE to his death in 631. He is generally remembered as the last great king of Assyria. Inheriting the throne as the favored heir of his father Esarhaddon, Ashurbanipal's 38-year reign was among the longest of any Assyrian king. Though sometimes regarded as the apogee of ancient Assyria, his reign also marked the last time Assyrian armies waged war throughout the ancient Near East and the beginning of the end of Assyrian dominion over the region. Esarhaddon selected Ashurbanipal as heir 673. The selection of Ashurbanipal bypassed the elder son Shamash-shum-ukin. Perhaps in order to avoid future rivalry, Esarhaddon designated Shamash-shum-ukin as the heir to Babylonia. The two brothers jointly acceded to their respective thrones after Esarhaddon's death in 669, though Shamash-shum-ukin was relegated to being Ashurbanipal's closely monitored vassal. ...
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Abbasid Caliphate
The Abbasid Caliphate ( or ; ar, الْخِلَافَةُ الْعَبَّاسِيَّة, ') was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abdul-Muttalib (566–653 CE), from whom the dynasty takes its name. They ruled as caliphs for most of the caliphate from their capital in Baghdad in modern-day Iraq, after having overthrown the Umayyad Caliphate in the Abbasid Revolution of 750 CE (132  AH). The Abbasid Caliphate first centered its government in Kufa, modern-day Iraq, but in 762 the caliph Al-Mansur founded the city of Baghdad, near the ancient Babylonian capital city of Babylon. Baghdad became the center of science, culture and invention in what became known as the Golden Age of Islam. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it a worldwide reputation as the ...
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Baghdad
Baghdad (; ar, بَغْدَاد , ) is the capital of Iraq and the second-largest city in the Arab world after Cairo. It is located on the Tigris near the ruins of the ancient city of Babylon and the Sassanid Persian capital of Ctesiphon. In 762 CE, Baghdad was chosen as the capital of the Abbasid Caliphate, and became its most notable major development project. Within a short time, the city evolved into a significant cultural, commercial, and intellectual center of the Muslim world. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it a worldwide reputation as the "Center of Learning". Baghdad was the largest city in the world for much of the Abbasid era during the Islamic Golden Age, peaking at a population of more than a million. The city was largely destroyed at the hands of the Mongol Empire in 1258, resulting in a decline that would linger through many c ...
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Islamic Golden Age
The Islamic Golden Age was a period of cultural, economic, and scientific flourishing in the history of Islam, traditionally dated from the 8th century to the 14th century. This period is traditionally understood to have begun during the reign of the Abbasid caliph Harun al-Rashid (786 to 809) with the inauguration of the House of Wisdom in Baghdad, the world's largest city by then, where Muslim scholars and polymaths from various parts of the world with different cultural backgrounds were mandated to gather and translate all of the known world's classical knowledge into Aramaic and Arabic. The period is traditionally said to have ended with the collapse of the Abbasid caliphate due to Mongol invasions and the Siege of Baghdad in 1258. A few scholars date the end of the golden age around 1350 linking with the Timurid Renaissance, while several modern historians and scholars place the end of the Islamic Golden Age as late as the end of 15th to 16th centuries meeting with the I ...
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