|
Cultural Influence Of Metamorphoses
''Metamorphoses'' (Transformations) is a Latin narrative poem by the Roman poet Ovid, considered his ''magnum opus''. Comprising fifteen books and over 250 myths, the poem chronicles the history of the world from its creation to the deification of Julius Caesar within a loose mythico-historical framework. Although meeting the criteria for an epic, the poem defies simple genre classification by its use of varying themes and tones. Considered one of the most influential works of art in Western culture, particularly European, ''Metamorphoses'' has inspired such authors as Geoffrey Chaucer, William Shakespeare, Dante Alighieri and Giovanni Boccaccio. Numerous episodes from the poem have been depicted in sculptures and paintings by artists such as Titian. Although Ovid's reputation faded after the Renaissance, towards the end of the twentieth century there was a resurgence of interest in his work; today, ''Metamorphoses'' continues to inspire and be retold through various media. F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metamorphoses
The ''Metamorphoses'' ( la, Metamorphōsēs, from grc, μεταμορφώσεις: "Transformations") is a Latin narrative poem from 8 CE by the Roman poet Ovid. It is considered his ''magnum opus''. The poem chronicles the history of the world from its creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry and some of the ''Metamorphoses'' derives from earlier treatment of the same myths; however, he diverged significantly from all of his models. One of the most influential works in Western culture, the ''Metamorphoses'' has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works of sculpture, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metamorphoses (1978 Film)
is a 1978 Japanese animated anthology film that premiered in Albuquerque, New Mexico on November 2, 1978. It was released by Sanrio in the United States on May 3, 1979. It is a retelling of stories from ''Metamorphoses'' by the Roman poet Ovid, and narration by Peter Ustinov. In all of its five parts, the protagonists are portrayed in the form of a recurring boy and girl. Production The film was the between American golden age of Disney-influenced anime and Sanrio's second animated release in the US (following their adaptation of ''The Mouse and His Child'' the previous year). Over 170 animators, all employed in Hollywood, worked on it for three years. Release ''Metamorphoses'' tried to be the rock era's answer to '' Fantasia'', but its original run was critically reviled and closed as soon as it opened. According to many of its crew, many problems with the production, music and plotting were to blame. On May 3, 1979, it was reissued under a new title, ''Winds of Change'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion (1938 Film)
''Pygmalion'' is a 1938 British film based on the 1913 George Bernard Shaw play of the same name, and adapted by him for the screen. It stars Leslie Howard as Professor Henry Higgins and Wendy Hiller as Eliza Doolittle. The film was a financial and critical success, and won an Oscar for Best Screenplay and three more nominations; Best Picture, Best Actor (Howard) and Best Actress (Hiller). The screenplay later was adapted into the 1956 theatrical musical ''My Fair Lady'', which in turn led to the 1964 film of the same name. Adaptation The Hungarian producer Gabriel Pascal wished to create a set of films based on Shaw's works, beginning with ''Pygmalion'', and went to see Shaw in person to gain permission to do so. Shaw was reluctant to allow a film adaptation of ''Pygmalion'' owing to the low quality of previous film adaptations of his works, but Pascal managed to convince him (on the condition Shaw retained constant personal supervision of the adaptation) and later went ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonetics
Phonetics is a branch of linguistics that studies how humans produce and perceive sounds, or in the case of sign languages, the equivalent aspects of sign. Linguists who specialize in studying the physical properties of speech are phoneticians. The field of phonetics is traditionally divided into three sub-disciplines based on the research questions involved such as how humans plan and execute movements to produce speech (articulatory phonetics), how various movements affect the properties of the resulting sound (acoustic phonetics), or how humans convert sound waves to linguistic information (auditory phonetics). Traditionally, the minimal linguistic unit of phonetics is the phone—a speech sound in a language which differs from the phonological unit of phoneme; the phoneme is an abstract categorization of phones. Phonetics deals with two aspects of human speech: production—the ways humans make sounds—and perception—the way speech is understood. The communicative modali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galatea, Or Pygmalion Reversed
''Galatea, or Pygmalion Re-Versed'' is a musical burlesque that parodies the Pygmalion legend, and specifically W. S. Gilbert's 1871 play '' Pygmalion and Galatea''. The libretto was written by Henry Pottinger Stephens and W. Webster. The score was composed by Wilhelm Meyer Lutz. The work was premiered at the Gaiety Theatre, London on 26 December 1883. It starred Nellie Farren and Edward Terry. Background This type of work, Victorian burlesque, was popular in Britain in the late 19th century. Other examples include ''The Bohemian G-yurl and the Unapproachable Pole'' (1877), ''Blue Beard'' (1882), ''Ariel'' (1883, by F. C. Burnand), ''Little Jack Sheppard'' (1885), ''Monte Cristo Jr.'' (1886), '' Miss Esmeralda'' (1887), ''Frankenstein, or The Vampire's Victim'' (1887), ''Faust up to Date'' (1888), ''Ruy Blas and the Blasé Roué'' (1888), ''Carmen up to Data'' (1890), and ''Cinder Ellen up too Late'' (1891). Gilbert himself had written a series of burlesques of opera ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion (play)
''Pygmalion'' is a play by Irish playwright George Bernard Shaw, named after the Greek mythological figure. It premiered at the Hofburg Theatre in Vienna on 16 October 1913 and was first presented in German on stage to the public in 1913. Its English-language premiere took place at Her Majesty's Theatre in the West End in April 1914 and starred Herbert Beerbohm Tree as phonetics professor Henry Higgins and Mrs Patrick Campbell as Cockney flower girl Eliza Doolittle. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called '' Pygmalion and Galatea'' that was first presented in 1871. Shaw would also have been familiar with the musical ''Adonis'' and the burlesque version, ''Galatea, or Pygmalion Reversed''. Shaw's play has been adapted nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Bernard Shaw
George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from the 1880s to his death and beyond. He wrote more than sixty plays, including major works such as ''Man and Superman'' (1902), ''Pygmalion'' (1913) and '' Saint Joan'' (1923). With a range incorporating both contemporary satire and historical allegory, Shaw became the leading dramatist of his generation, and in 1925 was awarded the Nobel Prize in Literature. Born in Dublin, Shaw moved to London in 1876, where he struggled to establish himself as a writer and novelist, and embarked on a rigorous process of self-education. By the mid-1880s he had become a respected theatre and music critic. Following a political awakening, he joined the gradualist Fabian Society and became its most prominent pamphleteer. Shaw had been writing plays for years ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion And Galatea (play)
''Pygmalion and Galatea, an Original Mythological Comedy'' is a blank verse play by W. S. Gilbert in three acts based on the Pygmalion story. It opened at the Haymarket Theatre in London on 9 December 1871 and ran for a very successful 184 performances.Moss, Simon"Pygmalion and Galatea"at ''Gilbert & Sullivan: a selling exhibition of memorabilia'', c20th.com, accessed 16 November 2009 It was revived many times, including an 1883 production in New York starring Mary Anderson as Galatea, an 1883–84 revival at the Lyceum Theatre, again with Anderson, and an 1888 production at the Lyceum Theatre, with Julia Neilson as Cynisca. ''Pygmalion'' was Gilbert's greatest success to that date and is said to have earned him £40,000 during his lifetime. ''Pygmalion and Galatea'' was so popular that other Pygmalions were rushed to the stage. In January 1872, ''Ganymede and Galatea'' opened at the Gaiety Theatre. This was a comic version of Franz von Suppé's '' Die schöne Galathee'', c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion (Rousseau)
''Pygmalion'' (french: Pygmalion, link=no) is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera ''Le devin du village''. Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment). It is formed of spoken monodrama with instrumental musical interludes and thus can be credited with spreading a new theatrical genre, especially in German-speaking areas of Europe. He wrote it in 1762, with music by Horace Coignet. It was first performed at the Hôtel de Ville, Lyon in 1770. The work is considered a turning point for its author, who also wrote ''The Social Contract'' that same year. History Rousseau probably wrote his text in 1762, but hesitated to put on a production of it, complaining of his lack of skill (in Pygmalion's case in life-giving, in Rousseau's in music-writing). The merchant and amateur composer Horace Coignet allowed him to rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Rousseau
Jean-Jacques Rousseau (, ; 28 June 1712 – 2 July 1778) was a Genevan philosopher, writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His ''Discourse on Inequality'' and ''The Social Contract'' are cornerstones in modern political and social thought. Rousseau's sentimental novel ''Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published '' Confessions'' (composed in 1769), which initiated the modern autobiography, and the unfinished '' Reveries of the Solitary Walker'' (composed 1776–1778)—exemplified the late 18th-century " Age of Sensibility", and featured an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galatea (mythology)
Galatea (; grc-gre, Γαλάτεια; "she who is milk-white") is a name popularly applied to the statue carved of ivory by Pygmalion of Cyprus, which then came to life in Greek mythology. In modern English, the name usually alludes to that story. Galatea is also the name of Polyphemus's object of desire in Theocritus's ''Idylls VI'' and ''XI'' and is linked with Polyphemus again in the myth of Acis and Galatea in Ovid's ''Metamorphoses''. Galatea is mentioned in Book XVIII of The Iliad: "Bright Galatea quits her pearly bed". Etymology Though the name "Galatea" has become so firmly associated with Pygmalion's statue as to seem antique, its use in connection with Pygmalion originated with a post-classical writer. No extant ancient text mentions the statue's name, Reinhold notes that the first edition of Lemprière's '' Bibliotheca Classica'' (1788), does not have an entry for "Galatea", which was inserted in later editions. although Pausanias mentions a statue of Calm, Galene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pygmalion (mythology)
In Greek mythology, Pygmalion (; Ancient Greek: Πυγμαλίων ''Pugmalíōn'', ''gen''.: Πυγμαλίωνος) was a legendary figure of Cyprus, who was a king and a sculptor. He is most familiar from Ovid's narrative poem Metamorphoses (poem), ''Metamorphoses'', in which Pygmalion was a sculptor who fell in love with a statue he had carved. In Ovid In book 10 of Ovid Pūblius Ovidius Nāsō (; 20 March 43 BC – 17/18 AD), known in English as Ovid ( ), was a Roman poet who lived during the reign of Augustus. He was a contemporary of the older Virgil and Horace, with whom he is often ranked as one of the th ...'s ''Metamorphoses'', Pygmalion was a Cypriot sculptor who carved a woman out of ivory. He named her Galatea (mythology), Galatea. According to Ovid, when Pygmalion saw the Propoetides of Cyprus practicing prostitution, he began "detesting the faults beyond measure which nature has given to women". He determined to remain celibate and to occupy himself with sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
-black_bg.jpg "Click for more on -> Galatea (mythology)")
.jpg "Click for more on -> Pygmalion (mythology)")