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Cu-Bop
''Cu-Bop'' is an album by drummer Art Blakey and The Jazz Messengers with conguero Sabu recorded in 1957 and originally released on the Jubilee label. accessed June 25, 2013 Reception awarded the album 3 stars.Allmusic listingaccessed June 25, 2013 Track listing # "" ( |
Jazz Messengers
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career. The group evolved into a proving ground for young jazz talent. While veterans occasionally re-appeared in the group, by and large, each iteration of the Messengers included a lineup of new young players. Having the Messengers on one's resume was a rite of passage in the jazz world, and conveyed immediate bona fides. Many former members of the Jazz Messengers established careers as solo musicians, such as Lee Morgan, Benny Golson, Wayne Shorter, Freddie Hubbard, Bobby Timmons, Curtis Fuller, Cedar Walton, Keith Jarrett, Joanne Brackeen, Woody ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey
Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhaina after he converted to Islam for a short time in the late 1940s. Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. ''The Biographical Encyclopedia of Jazz'' calls the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanky DeBrest
Jimmy "Spanky" DeBrest (April 24, 1937 in Philadelphia – March 2, 1973 in Philadelphia) was an American jazz bassist. DeBrest played with Lee Morgan in his early years in Philadelphia. In 1957 he was a member of Ray Draper's Quintet, Jackie McLean, pianist Mal Waldron, and drummer Ben Dixon.AllMusic ''Tuba Sounds'' review/ref> He played with Art Blakey's Jazz Messengers until 1958 which included Bill Hardman on trumpet and certain sessions with Thelonious Monk on piano. Other credits include work with John Coltrane, Clifford Jordan, Ray Draper, Lee Morgan, and J. J. Johnson. His last recordings were made in 1971. Discography With Art Blakey * ''Hard Bop'' (Columbia, 1956) * ''Originally'' (Columbia, 1956 982 *'' Ritual: The Modern Jazz Messengers'' (Pacific Jazz, 1957) *''Drum Suite'' (Columbia, 1956) *''Mirage'' (Savoy, 1957) * '' Selections from Lerner and Loewe's...'' (Vik, 1957) *''Tough!'' (Cadet, 1957 966 *''A Night in Tunisia'' (Vik, 1957) - reissued as ''Theory of Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Dockery
Samuel Dockery (1929 – December 21, 2015), nicknamed Sure-Footed Sam, was a hard bop pianist and well-respected musician on the Philadelphia jazz scene since the early 1950s.Allmusic Biography See als"A Veteran Piano Man Just Keeps on Playing" ''Philadelphia Inquirer'', August 9, 1996 Dockery was born in Camden, New Jersey. He appears on 11 recordings as the pianist for Art Blakey & the Jazz Messengers and composed "Sam's Tune" which appears on their 1957 Blue Note recording ''Ritual''. In 1963 he was the pianist for Betty Carter's extended engagement at Birdland,William R. Bauer''Open the Door: The Life and Music of Betty Carter'' University of Michigan Press, 2003, p.91. and headed The Sam Dockery Trio in Philadelphia during the 1990s. He also taught at Philadelphia's University of the Arts. He died in a nursing home in 2015, aged 86. His brother was bassist Wayne Dockery. Discography With Art Blakey * '' Originally'' ( Columbia, 1956) - unreleased until 1982 * ''Hard Bop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Griffin
John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American jazz tenor saxophonist. Nicknamed "the Little Giant" for his short stature and forceful playing, Griffin's career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie "Lockjaw" Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music. Early life and career Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto saxophone. While still at high school at the age of 15, Griffin was playing with T-Bone Walker in a band led by Walker's brother. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Hardman
William Franklin Hardman Jr. (April 6, 1933 – December 6, 1990) was an American jazz trumpeter and flugelhornist who chiefly played hard bop. He was married to Roseline and they had a daughter Nadege. Career Hardman was born and grew up in Cleveland, Ohio, and worked with local players including Bobby Few and Bob Cunningham; while in high school he appeared with Tadd Dameron, and after graduation he joined Tiny Bradshaw's band. Hardman's first recording was with Jackie McLean in 1956; he later played with Charles Mingus, Art Blakey and the Jazz Messengers, Horace Silver, and Lou Donaldson, and led a group with Junior Cook. Hardman also recorded as a leader: '' Saying Something'' on the Savoy label received critical acclaim in jazz circles, but was little known to the general public. He had three periods in as many decades with Art Blakey's Jazz Messengers; Hardman's misfortune was not to be with the Messengers at the time of their popular Blue Note recordings. Blakey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey's Jazz Messengers With Thelonious Monk
''Art Blakey's Jazz Messengers with Thelonious Monk'' is a studio album released in 1958 by Atlantic Records. It is a collaboration between the Jazz Messengers, the group led by drummer Art Blakey, and Thelonious Monk on piano. Background Throughout the preceding decade, on sessions for both Blue Note and Riverside, Blakey had supported Monk on various occasions. Monk returned the favor on this one-off session for Atlantic. Blakey was on the verge of beginning a long-term contract with Blue Note, while Monk was in the middle of his stay on Riverside. One month after these recordings, Monk would begin his summer and autumn residency at the Five Spot on Cooper Square after regaining his cabaret card, without which he had been barred from playing in most of New York City's clubs. Monk's quartet featuring John Coltrane at that residency would bring Monk fame beyond the inner circle of jazz aficionados. Atlantic released this album over a year after it was recorded, thereby capita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sabu Martinez
Louis "Sabu" Martinez (July 14, 1930 – January 13, 1979) was an American conguero of Puerto Rican descent. A prominent player in the Cubop movement, Martinez appeared on many important recordings and live performances during that period. Martinez also recorded several Latin jazz albums, now recognized as classics of the genre. Born in New York City, Martinez made his professional debut in 1941 aged 11. He replaced Chano Pozo in Dizzy Gillespie's orchestra in 1948, and began performing with Benny Goodman's Bebop Orchestra in 1949. Over the next 15 years, Martinez worked with Charlie Parker, Duke Ellington, Count Basie, J. J. Johnson, Horace Silver, Thelonious Monk, Charles Mingus, Mary Lou Williams, Lionel Hampton, Noro Morales, Marcelino Guerra, Esy Morales, the Lecuona Cuban Boys, Miguelito Valdés, Tito Rodríguez, and the Joe Loco Trio. He also worked with vocalists Tony Bennett, Sammy Davis, Jr., and Harry Belafonte. Martinez first recorded with Art Blakey in 1953, and cont ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jazz Messengers Albums
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Blakey Albums
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bongos
Bongos ( es, bongó) are an Afro-Cuban percussion instrument consisting of a pair of small open bottomed hand drums of different sizes. They are struck with both hands, most commonly in an eight-stroke pattern called ''martillo'' (hammer). The larger drum is called a hembra (Spanish for female) and the smaller drum is called the macho (Spanish for male). They are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales. This brought bongos into our cultural vocabulary, from Beatniks to Mambo to the current revival of Cuban folkloric music. Bongo drummers (''bongoseros'') emerged as the only drummers of son cubano ensembles in eastern Cuba toward the end of the 19th century. It is believed that Bongos evolved from the Abakua Drum trio 'Bonko' and its lead drum 'Bonko Enmiwewos'. These drums are still a fundamental part of the Abakua Religion in Cuba. If joined with a wooden peck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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