Crown Film Unit
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Crown Film Unit
The Crown Film Unit was an organisation within the British Government's Ministry of Information during the Second World War. Formerly the GPO Film Unit it became the Crown Film Unit in 1940. Its remit was to make films for the general public in Britain and abroad. Its output included short information and documentary films, as well as longer drama-documentaries, as well as a few straight drama productions. Music was an important element. The conductor Muir Mathieson was the director of music for many productions, and notable composers commissioned to write original scores included Walter Leigh, Benjamin Britten, Ernst Meyer, Richard Addinsell, Benjamin Frankel, Christian Darnton, Guy Warrack and Arthur Benjamin. The Crown Film Unit continued to produce films, as part of the Central Office of Information The Central Office of Information (COI) was the UK government's marketing and communications agency. Its Chief Executive reported to the Minister for the Cabinet Office ...
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Ministry Of Information (United Kingdom)
The Ministry of Information (MOI), headed by the Minister of Information, was a United Kingdom government department created briefly at the end of the First World War and again during the Second World War. Located in Senate House at the University of London during the 1940s, it was the central government department responsible for publicity and propaganda. The MOI was dissolved in March 1946, with its residual functions passing to the Central Office of Information (COI); which was itself dissolved in December 2011 due to the reforming of the organisation of government communications. First World War Before the Lloyd George War Cabinet was formed in 1917, there was no full centralised coordination of public information and censorship. Even under the War Cabinet, there were still many overlapping departments involved. The Admiralty, War Office and Press Committee (AWOPC) had been formed in 1912 as a purely advisory body, chaired initially by the Secretary of the Admiralty Sir G ...
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The Young Person's Guide To The Orchestra
''The Young Person's Guide to the Orchestra'', Op. 34, is a 1945 musical composition by Benjamin Britten with a subtitle ''Variations and Fugue on a Theme of Purcell''. It was based on the second movement, "Rondeau", of the ''Abdelazer'' suite. It was originally commissioned for the British educational documentary film called ''Instruments of the Orchestra'' released on 29 November 1946, directed by Muir Mathieson and featuring the London Symphony Orchestra conducted by Malcolm Sargent; Sargent also conducted the concert première on 15 October 1946 with the Liverpool Philharmonic in the Philharmonic Hall, Liverpool, England. The work is one of the best-known pieces by the composer, and is often associated with two other works in music history: Saint-Saëns' ''The Carnival of the Animals'' and Prokofiev's ''Peter and the Wolf''. This piece is also commonly played as the intro for british band Yes' live tours, starting in the 2000s. Instrumentation ''The Young Person's Guide ...
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Pat Jackson
Patrick Douglas Selmes Jackson (26 March 1916 – 3 June 2011) was an English film and television director. Biography Born in Eltham, to a formerly affluent family which was severely affected by the Wall Street Crash in 1929, and his father's long-term illness and early death ending Jackson's formal education. He joined the GPO Film Unit on his 17th birthday as a messenger boy after his mother persuaded her MP, Sir Kingsley Wood, then also postmaster general, to find work for her son. Rising to production assistant, he was part of the crew for the short film ''Night Mail'' (1936). The voice narrating the poem by W.H. Auden Wystan Hugh Auden (; 21 February 1907 – 29 September 1973) was a British-American poet. Auden's poetry was noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in ... ("This is the Night Mail crossing the border, bringing the cheque and the postal order.") was Jackson him ...
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Docufiction
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is (as direct cinema or cinéma vérité) and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression. More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous. A film genre in expansion, it is adopted by a number of experimental filmmakers. The neologism docuf ...
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Western Approaches (film)
''Western Approaches'' is a 1944 docufiction film directed by Pat Jackson and was Crown Film Unit's first Technicolor production. It is the fictional account of 22 British Merchant Navy The Merchant Navy is the maritime register of the United Kingdom and comprises the seagoing commercial interests of UK-registered ships and their crews. Merchant Navy vessels fly the Red Ensign and are regulated by the Maritime and Coastguard ... sailors adrift in a lifeboat. They are able to signal by Morse code their position. A nearby U-boat receives the signal along with a friendly vessel which changes course to go to their rescue. The captain of the U-boat decides to wait in ambush with its two remaining torpedoes. Before the rescue ship arrives, the U-boat's periscope is spotted by the lifeboat. The U-boat fires its torpedoes just as the rescue vessel is alerted to the U-boat's presence. Although set in the North Atlantic, much of it was shot in the Irish Sea. Sailors rather than p ...
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Paul Bonifas
Paul Bonifas (3 June 1902 – 9 November 1975) was a French actor, born in Paris. Career In the 1920s, while working for the French customs service, Bonifas took classes in acting at the Conservatoire de Paris in his spare time. He left with the first prize for comedy, which allowed him to join the Odéon Theatre in 1933, then the Comédie-Française in 1938. He made his first film appearance in 1935 in a version of Dostoyevsky's ''Crime and Punishment'', directed by Pierre Chenal. During World War II he served as a lieutenant in the artillery, was badly wounded, and evacuated from Dunkirk with his unit. In London he joined the Free French, and worked for ''Radio Londres'' broadcasting to occupied France. In 1942 he appeared in the film ''The Foreman Went to France''. In 1943 he formed "The Molière Players", who staged a repertoire of mainly Molière works in London theatres, as well as in regional towns and at French army barracks. In 1944 "The Molière Players" ap ...
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Bernard Miles
Bernard James Miles, Baron Miles, CBE (27 September 190714 June 1991) was an English character actor, writer and director. He opened the Mermaid Theatre in London in 1959, the first new theatre that opened in the City of London since the 17th century. He was known for playing character roles that usually had bucolic backgrounds or links to countrymen. His strong accent was typical of rustic dialects associated with the counties of Hertfordshire and Buckinghamshire. His pleasant rolling bass-baritone voice made him a regular presence on the stage and in films for more than fifty years. In addition to his acting, he was a voice-over artist and published author. Early life Miles was educated at Uxbridge County School, Pembroke College, Oxford and the Northampton Institute (later City University of London) in London. He lived for a while in New Road, Hillingdon Heath. Career In 1946 his comedy about the Home Guard '' Let Tyrants Tremble!'' was staged at the Scala Theatre in the We ...
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Anthony Asquith
Anthony William Landon Asquith (; 9 November 1902 – 20 February 1968) was an English film director. He collaborated successfully with playwright Terence Rattigan on ''The Winslow Boy'' (1948) and '' The Browning Version'' (1951), among other adaptations. His other notable films include ''Pygmalion'' (1938), ''French Without Tears'' (1940), ''The Way to the Stars'' (1945) and a 1952 adaptation of Oscar Wilde's ''The Importance of Being Earnest''. Life and career Born in London, he was the son of H. H. Asquith, the Prime Minister from 1908 to 1916, and Margot Asquith, who was responsible for 'Puffin' as his family nickname.Anthony Asquith biography
at BFI Screenonline
He was educated at
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Two Fathers (film)
''Two Fathers'' is a 1944 British wartime propaganda short film made by the Crown Film Unit, a division of the Ministry of Information, and directed by Anthony Asquith. Plot An Englishman (Bernard Miles) and a Frenchman (Paul Bonifas) find themselves sharing a room in a hotel in an unidentified English location, and fall into conversation. The Englishman's son is in the Royal Air Force The Royal Air Force (RAF) is the United Kingdom's air and space force. It was formed towards the end of the First World War on 1 April 1918, becoming the first independent air force in the world, by regrouping the Royal Flying Corps (RFC) an ..., and when the Frenchman shows him a photograph of his daughter, the Englishman remarks that it is less worrisome to have a daughter than a son at this time of war. The Frenchman replies that his daughter, a nurse by profession, is currently an active member of the Maquis. The Englishman says that he has received news that his son was forced to ...
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John Gielgud
Sir Arthur John Gielgud, (; 14 April 1904 – 21 May 2000) was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End theatre, West End before establishing himself at the Old Vic as an exponent of William Shakespeare, Shakespeare in 1929–31. During the 1930s Gielgud was a stage star in the West End and on Broadway theatre, Broadway, appearing in new works and classics. He began a parallel career as a director, and set up his own company at the Sondheim Theatre, Queen's Theatre, London. He was regarded by many as the finest Prince Hamlet, Hamlet of his era, ...
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Myra Hess
Dame Julia Myra Hess, (25 February 1890 – 25 November 1965) was an English pianist best known for her performances of the works of Bach, Mozart, Beethoven and Schumann. Career Early life Julia Myra Hess was born on 25 February 1890 to a Jewish family in South Hampstead, London. She was the youngest of four children and began piano lessons at the age of five. She studied at the Guildhall School of Music and at the Royal Academy of Music under Tobias Matthay. Her debut came in 1907, when she played Beethoven's Piano Concerto No. 4 with Sir Thomas Beecham conducting. She went on to tour through Britain, the Netherlands and France. Upon her American debut in New York City on 24 January 1922, she became a favorite in the United States, both as a soloist and ensemble player. Second World War Hess garnered greater fame during the Second World War when, with all concert halls blacked out at night to avoid being targeted by German bombers, she organised almost 2,000 lunchtime ...
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Michael Redgrave
Sir Michael Scudamore Redgrave CBE (20 March 1908 – 21 March 1985) was an English stage and film actor, director, manager and author. He received a nomination for the Academy Award for Best Actor for his performance in ''Mourning Becomes Electra'' (1947), as well as two BAFTA nominations for Best British Actor for his performances in ''The Night My Number Came Up'' (1955) and ''Time Without Pity'' (1957). At the 4th Cannes Film Festival, he won Best Actor for his performance in '' The Browning Version'' (1951). Youth and education Redgrave was born in Bristol, England, the son of actress Margaret Scudamore and the silent film actor Roy Redgrave. Roy left when Redgrave was six months old to pursue a career in Australia. He died when Redgrave was 14. His mother subsequently married Captain James Anderson, a tea planter. Redgrave greatly disliked his stepfather. He studied at Clifton College and Magdalene College, Cambridge. Clifton College Theatre was opened in 1966 by Redg ...
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