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Crossovers
Crossover may refer to: Entertainment Albums and songs * ''Cross Over'' (Dan Peek album) * ''Crossover'' (Dirty Rotten Imbeciles album), 1987 * ''Crossover'' (Intrigue album) * ''Crossover'' (Hitomi Shimatani album) * ''Crossover'' (Yoshinori Sunahara album), 1995 * "Cross Over" (song), a 2013 single by the Japanese girl idol group 9nine * "Crossover" (song), by EPMD Comics * ''Cross Over'' (manga), by Kouji Seo * Crossover (storyline), a 2005 ''Fantastic Four'' storyline * ''The Crossovers'', a 2003 CrossGen comic book series * ''Crossover'' (Image Comics), a 2020 comic book series Film and television * ''Crossover'' (1980 film), a 1980 film * ''Crossover'' (2006 film), a 2006 basketball drama by Preston A. Whitmore II * "Crossover" (''Adventure Time''), a 2016 episode of the animated series ''Adventure Time'' * "Crossover" (''Star Trek: Deep Space Nine''), a 1994 episode of ''Star Trek: Deep Space Nine'' Other entertainment * Crossover (fiction), a storyline comb ...
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The Crossovers
''The Crossovers'' is a comic book series created in 2003 by Robert Rodi (writer), Mauricet (penciller #1-6) and Ernie Colón (inker), and published by CrossGen. The comics are self-referential and multi-genre satire.Mandel, Susannah, Mask and Closet, or, "Under the Hood": Metaphors and Representations of Homosexuality in American Superhero Comics After 1985', p.81, B.A., English and American Language and Literature (1999) Harvard University, Submitted to the Program in Comparative Media Studies in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies at the Massachusetts Institute of Technology, September 2003. Publication history The series is composed of two storylines: "Cross Current" (''The Crossovers'' #1-6) and "Cross Your Hearts" (''The Crossovers'' #7-9). The illustrator Joe Staton substitutes the Belgian penciller Mauricet in the second storyline. A third storyline named "Cross Path" (''The Crossovers'' #10-12) was sched ...
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Crossover (fiction)
A crossover is the placement of two or more otherwise discrete fictional characters, settings, or universes into the context of a single story. They can arise from legal agreements between the relevant copyright holders, unofficial efforts by fans, or common corporate ownership. Background Official Crossovers often occur in an official capacity in order for the intellectual property rights holders to reap the financial reward of combining two or more popular, established properties. In other cases, the crossover can serve to introduce a new concept derivative of an older one. Crossovers generally occur between properties owned by a single holder, but they can, more rarely, involve properties from different holders, provided that the inherent legal obstacles can be overcome. They may also involve using characters that have passed into the public domain with those concurrently under copyright protection. A crossover story may try to explain its own reason for the crossov ...
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Crossovers (dance)
Crossovers are classic moves from Balboa (dance). The pattern is back - together - forward with a quick - quick - slow rhythm, or the down-hold rhythm. ''Lead:'' # - Step back left 45 degrees with left foot, leaving follow behind (allow arms to extend) # - Step back with right foot, bringing feet together. # - Step forward with left foot, crossing it over right foot, and bring follow back into original position. # - Hold. # - Step back right 45 degrees with right foot, leaving follow behind (allow arms to extend). # - Step back with left foot, bringing feet together. # - Step forward with right foot, crossing it over left foot, and bring follow back into original position. # - Hold. Crossovers can be done where both are going to the same side, or they are alternating. Crossovers also include swivels and fall off the log. See also Lollies (dance), Throwouts (dance) Throwouts are variations from Balboa and are also known as Toss-outs. The main idea is that the follower ...
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Crossover (video Games)
Crossovers in video games occur when otherwise separated fictional characters, stories, settings, universes, or media in a video game meet and interact with each other. These may exist as a gimmick if two separate games in question are developed by the same company. Otherwise, they may exist as a gag from a rival company. The following is a list of games in which crossovers appear in either the form of a cameo of any kind, a guest character, or the theme of "crossover" in general in a video game itself. Many crossover games include third-party companies. First and second-party crossovers This list includes crossovers and cameos of characters from video games owned by one company and close affiliates. These can range from a character simply appearing as a playable character or boss in the game, as a special guest character, or a major crossover where two or more franchises encounter. Third-party crossovers This list includes video games that have crossovers from two or mo ...
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Crossover (figure Skating)
Crossovers are a basic stroking technique in figure skating for gaining impetus while skating along a curve or circle. They may be performed while skating either forwards or backwards. Description To perform forward crossovers in a counterclockwise direction, the skater begins with a stroke onto the left forward outside edge. The right foot is next placed on the ice towards the toe of the left foot and positioned on an inner edge, slightly inside the running curve. The right foot gradually becomes the new skating foot as the left foot leaves the curve to the outside and thrusts away. As the transfer of weight takes place, the skater pushes off the outside edge of the left foot. The next stroke is performed by placing the left foot next to the right, inside the circle, and pushing off the inside edge of the right foot. The upper body is generally turned to face into the circle with the arms extended. To perform counterclockwise backward crossovers, the skater begins by gliding b ...
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Intercompany Crossover
In comic books, an intercompany crossover (also called cross-company or company crossover) is a comic or series of comics in which characters, that at the time of publication are the property or licensed property of one publisher, meet characters owned or licensed by another publisher (for example, DC Comics and Marvel Comics collaborating on '' Superman vs. The Amazing Spider-Man'' or WildStorm (DC Comics) and Dynamite Entertainment teaming to produce '' Freddy vs. Jason vs. Ash''). These crossovers typically occur in " one-shot" issues or miniseries. Some crossovers are part of canon, but most are outside of the continuity of a character's regular title or series of stories. They can be a joke, a dream sequence, or even a "what if" scenario (such as Marvel's ''What If'' series or DC's ''Elseworlds'' titles). While '' Avengers/JLA'' is debatably considered canon, Marvel/DC crossovers are generally considered non-canonical. They include those where the characters live in alter ...
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Mitotic Crossover
Mitotic recombination is a type of genetic recombination that may occur in somatic cells during their preparation for mitosis in both sexual and asexual organisms. In asexual organisms, the study of mitotic recombination is one way to understand genetic linkage because it is the only source of recombination within an individual. Additionally, mitotic recombination can result in the expression of recessive genes in an otherwise heterozygous individual. This expression has important implications for the study of tumorigenesis and lethal recessive genes. Mitotic homologous recombination occurs mainly between sister chromatids subsequent to replication (but prior to cell division). Inter-sister homologous recombination is ordinarily genetically silent. During mitosis the incidence of recombination between non-sister homologous chromatids is only about 1% of that between sister chromatids. Discovery The discovery of mitotic recombination came from the observation of twin spotting ...
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Chromosomal Crossover
Chromosomal crossover, or crossing over, is the exchange of genetic material during sexual reproduction between two homologous chromosomes' non-sister chromatids that results in recombinant chromosomes. It is one of the final phases of genetic recombination, which occurs in the ''pachytene'' stage of prophase I of meiosis during a process called synapsis. Synapsis begins before the synaptonemal complex develops and is not completed until near the end of prophase I. Crossover usually occurs when matching regions on matching chromosomes break and then reconnect to the other chromosome. Crossing over was described, in theory, by Thomas Hunt Morgan. He relied on the discovery of Frans Alfons Janssens who described the phenomenon in 1909 and had called it "chiasmatypie". The term '' chiasma'' is linked, if not identical, to chromosomal crossover. Morgan immediately saw the great importance of Janssens' cytological interpretation of chiasmata to the experimental results of hi ...
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Crossover Music
Crossover is a term applied to musical works or performers who appeal to different types of audience. This can be seen, for example, (especially in the United States) when a song appears on two or more of the record charts which track differing musical styles or genres. If the second chart combines genres, such as a "Hot 100" list, the work is not a ''crossover''. In some contexts the term "crossover" can have negative connotations associated with cultural appropriation, implying the dilution of a music's distinctive qualities to appeal to mass tastes. For example, in the early years of rock and roll, many songs originally recorded by African-American musicians were re-recorded by white artists such as Pat Boone in a more toned-down style, often with changed lyrics, that lacked the hard edge of the original versions. These covers were popular with a much broader audience. Crossover frequently results from the appearance of the music in a film soundtrack. For instance, Sacre ...
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Crossover Thrash
Crossover thrash (often abbreviated to crossover) is a fusion genre of thrash metal and hardcore punk. The genre lies on a continuum between heavy metal and hardcore punk. Other genres on the same continuum, such as metalcore and grindcore, may overlap with crossover thrash. Terminological ambiguity The genre is often confused with thrashcore, which is essentially a faster hardcore punk rather than a more punk-oriented form of metal."Powerviolence: The Dysfunctional Family of Bllleeeeaaauuurrrgghhh!!". ''Terrorizer'' no. 172. July 2008. p. 36-37. Throughout the early and mid 1980s, the term "thrash" was often used as a synonym for hardcore punk (as in the ''New York Thrash'' compilation of 1982). The term "thrashcore" to distinguish acts of the genre from others was not coined until at least 1993. Many crossover bands, such as D.R.I., began as influential thrashcore bands. The "-core" suffix of "thrashcore" is sometimes used to distinguish it from crossover thrash and thrash ...
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Crossover Experiment (chemistry)
In chemistry, a crossover experiment is a method used to study the mechanism of a chemical reaction. In a crossover experiment, two similar but distinguishable reactants simultaneously undergo a reaction as part of the same reaction mixture. The products formed will either correspond directly to one of the two reactants (non-crossover products) or will include components of both reactants (crossover products). The aim of a crossover experiment is to determine whether or not a reaction process involves a stage where the components of each reactant have an opportunity to exchange with each other. The results of crossover experiments are often straightforward to analyze, making them one of the most useful and most frequently applied methods of mechanistic study. In organic chemistry, crossover experiments are most often used to distinguish between intramolecular and intermolecular reactions.Carroll, Felix A.; Perspectives on Structure and Mechanism in Organic Chemistry; Brooks/Cole P ...
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The Crossover
''The Crossover'' is a 2014 children's book by American author Kwame Alexander and the winner of the 2015 Newbery Medal and Coretta Scott King Award Honor. The book, which is told entirely through verse, was first published in the United States in hardback on March 18, 2014, through HMH Books for Young Readers. Reception Critical reception for ''The Crossover'' has been positive. According to ''Kirkus Reviews'', "Poet Alexander deftly reveals the power of the format to pack an emotional punch." In ''Booklist'', Gail Bush called ''The Crossover'' "a rare verse novel that is fundamentally poetic rather than using this writing trend as a device." Writing for the ''Washington Post'', Mary Quattlebaum said Alexander was "at the top of his poetic game in this taut, complex tale of the crossover from brash, vulnerable boy to young adult." Poet Cornelius Eady wrote in ''The New York Times'', "The biggest surprise of 'The Crossover' is that, for all the bells and whistles of a young man' ...
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