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Cross Of Otto And Mathilde
The Cross of Otto and Mathilde, Otto-Mathilda Cross, or First Cross of Mathilde (German: ) is a medieval ''crux gemmata'' (jewelled cross) processional cross in the Essen Cathedral Treasury. It was created in the late tenth century and was used on high holidays until recently. It is named after the two persons who appear on the enamel plaque below Christ: Otto I, Duke of Swabia and Bavaria and his sister, Mathilde, the abbess of the Essen Abbey. They were grandchildren of the emperor Otto I and favourites of their uncle, Otto II. The cross is one of the items which demonstrate the very close relationship between the Liudolfing royal house and Essen Abbey. Mathilde became Abbess of Essen in 973 and her brother died in 982, so the cross is assumed to have been made between those dates, or a year or two later if it had a memorial function for Otto. Like other objects in Essen made under the patronage of Mathilde, the location of the goldsmith's workshop is uncertain, but as well as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Mathilden Kreuz
Otto is a masculine German given name and a surname. It originates as an Old High German short form (variants ''Audo'', ''Odo'', ''Udo'') of Germanic names beginning in ''aud-'', an element meaning "wealth, prosperity". The name is recorded from the 7th century ( Odo, son of Uro, courtier of Sigebert III). It was the name of three 10th-century German kings, the first of whom was Otto I the Great, the first Holy Roman Emperor, founder of the Ottonian dynasty. The Gothic form of the prefix was ''auda-'' (as in e.g. '' Audaþius''), the Anglo-Saxon form was ''ead-'' (as in e.g. ''Eadmund''), and the Old Norse form was '' auð-''. The given name Otis arose from an English surname, which was in turn derived from ''Ode'', a variant form of ''Odo, Otto''. Due to Otto von Bismarck, the given name ''Otto'' was strongly associated with the German Empire in the later 19th century. It was comparatively frequently given in the United States (presumably in German American families) during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aachen
Aachen ( ; ; Aachen dialect: ''Oche'' ; French and traditional English: Aix-la-Chapelle; or ''Aquisgranum''; nl, Aken ; Polish: Akwizgran) is, with around 249,000 inhabitants, the 13th-largest city in North Rhine-Westphalia, and the 28th-largest city of Germany. It is the westernmost city in Germany, and borders Belgium and the Netherlands to the west, the triborder area. It is located between Maastricht (NL) and Liège (BE) in the west, and Bonn and Cologne in the east. The Wurm River flows through the city, and together with Mönchengladbach, Aachen is the only larger German city in the drainage basin of the Meuse. Aachen is the seat of the City Region Aachen (german: link=yes, Städteregion Aachen). Aachen developed from a Roman settlement and (bath complex), subsequently becoming the preferred medieval Imperial residence of Emperor Charlemagne of the Frankish Empire, and, from 936 to 1531, the place where 31 Holy Roman Emperors were crowned Kings of the Germans. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilisk
In European bestiaries and legends, a basilisk ( or ) is a legendary reptile reputed to be a serpent king, who causes death to those who look into its eyes. According to the ''Naturalis Historia'' of Pliny the Elder, the basilisk of Cyrene is a small snake, "being not more than twelve inches in length", that is so venomous, it leaves a wide trail of deadly venom in its wake, and its gaze is likewise lethal. The basilisk's weakness is the odor of the weasel, which, according to Pliny, was thrown into the basilisk's hole, recognizable because some of the surrounding shrubs and grass had been scorched by its presence. It is possible that the legend of the basilisk and its association with the weasel in Europe was inspired by accounts of certain species of Asiatic snakes (such as the king cobra) and their natural predator, the mongoose. Etymology The word originates from the Greek form ''basilískos'' ( el, βασιλίσκος; la, basiliscus), which means "little king", "littl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Numbers
The book of Numbers (from Greek Ἀριθμοί, ''Arithmoi''; he, בְּמִדְבַּר, ''Bəmīḏbar'', "In the desert f) is the fourth book of the Hebrew Bible, and the fourth of five books of the Jewish Torah. The book has a long and complex history; its final form is possibly due to a Priestly redaction (i.e., editing) of a Yahwistic source made some time in the early Persian period (5th century BC). The name of the book comes from the two censuses taken of the Israelites. Numbers begins at Mount Sinai, where the Israelites have received their laws and covenant from God and God has taken up residence among them in the sanctuary. The task before them is to take possession of the Promised Land. The people are counted and preparations are made for resuming their march. The Israelites begin the journey, but they "grumble" at the hardships along the way, and about the authority of Moses and Aaron. For these acts, God destroys approximately 15,000 of them through various ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nehushtan
In the biblical Books of Kings ( 2 Kings 18:4; written c. 550 BC), the Nehushtan (Hebrew: ''Nəḥuštān'' ) is the name given to the bronze image of a serpent on a pole. The image is described in the Book of Numbers, where Yahweh instructed Moses to erect it so that the Israelites who saw it would be cured and be protected from dying from the bites of the " fiery serpents", which Yahweh had sent to punish them for speaking against him and Moses (). According to the Book of Kings, King Hezekiah institutes an iconoclastic reform that included the destruction of "the brazen serpent that Moses had made; for unto those days the children of Israel did burn incense to it; and it was called Nehushtan". Etymology The term is a proper noun coming from either the word for "snake" or "brass", and thus means "The (Great) Serpent" or "The (Great) Brass". Alternative translations The English Standard Version of the Bible and the majority of contemporary English translations refer to the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suppedaneum
A crucifix (from Latin ''cruci fixus'' meaning "(one) fixed to a cross") is a cross with an image of Jesus on it, as distinct from a bare cross. The representation of Jesus himself on the cross is referred to in English as the ''corpus'' (Latin for "body"). The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Roman Rite of the Roman Catholic Church, but is also used in the Eastern Orthodox Church, most Oriental Orthodox Churches (except the Armenian & Syriac Church), and the Eastern Catholic Churches, as well as by the Lutheran, Moravian and Anglican Churches. The symbol is less common in churches of other Protestant denominations, and in the Assyrian Church of the East and Armenian Apostolic Church, which prefer to use a cross without the figure of Jesus (the ''corpus''). The crucifix emphasizes Jesus' sacrifice—his death by crucifixion, which Christians believe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halo (religious Iconography)
A halo (from the Greek , ; also known as a nimbus, aureole, glory, or gloriole) is a crown of light rays, circle or disk of light that surrounds a person in art. It has been used in the iconography of many religions to indicate holy or sacred figures, and has at various periods also been used in images of rulers and heroes. In the religious art of Ancient Greece, Ancient Rome, Christianity, Hinduism, and Buddhism among other religions, sacred persons may be depicted with a halo in the form of a circular glow, or flames in Asian art, around the head or around the whole body—this last one is often called a mandorla. Halos may be shown as almost any colour or combination of colours, but are most often depicted as golden, yellow or white when representing light or red when representing flames. Ancient Mesopotamia Sumerian religious literature frequently speaks of (loaned into Akkadian as ), a "brilliant, visible glamour which is exuded by gods, heroes, sometimes by kings, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Egbert (archbishop Of Trier)
Egbert (c. 950 – 9 December 993) was the Archbishop of Trier from 977 until his death. Egbert was a son of Dirk II, Count of Holland. After being trained in Egmond Abbey, founded and controlled by his family, and at the court of Bruno I, Archbishop of Cologne, he became the chancellor of Otto II in 976. The following year he was appointed to the archdiocese of Trier, still probably in his twenties. He accompanied Otto II on visits to Italy in 980 and 983, and may have made other trips there. After Otto II's death in 983, he joined the party supporting the succession of Henry the Quarrelsome, Duke of Bavaria, rather than Otto III, but returned to supporting Otto in 985. Egbert was a significant patron of science and the arts, who established one or more workshops of goldsmiths and enamellers at Trier, which produced works for other Ottonian centres and the Imperial court. Beginning with his tenure, Trier came to rival Mainz and Cologne as the artistic centre of the Ottonian wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gero Cross
The Gero Cross or Gero Crucifix (german: Gero-Kreuz, link=no), of around 965–970, is the oldest large sculpture of the crucified Christ north of the Alps, and has always been displayed in Cologne Cathedral in Germany. It was commissioned by Gero, Archbishop of Cologne, who died in 976, thus providing a terminus ante quem for the work. It is carved in oak, and painted and partially gilded – both have been renewed. The halo and cross-pieces are original, but the Baroque surround was added in 1683. The figure is high, and the span of its arms is .Schiller, pp. 140–142 It is the earliest known Western depiction of Christ on the cross while dead; earlier depictions had Christ appearing alive. Particular significance to medieval art The Gero Cross is important to medieval art for the unique way it depicts Christ. The figure appears to be the earliest, and finest, of a number of life-size German wood sculpted crucifixions that appeared in the late Ottonian or early Romanesque peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus Christ
Jesus, likely from he, יֵשׁוּעַ, translit=Yēšūaʿ, label=Hebrew/Aramaic ( AD 30 or 33), also referred to as Jesus Christ or Jesus of Nazareth (among other names and titles), was a first-century Jewish preacher and religious leader; he is the central figure of Christianity, the world's largest religion. Most Christians believe he is the incarnation of God the Son and the awaited Messiah (the Christ) prophesied in the Hebrew Bible. Virtually all modern scholars of antiquity agree that Jesus existed historically. Research into the historical Jesus has yielded some uncertainty on the historical reliability of the Gospels and on how closely the Jesus portrayed in the New Testament reflects the historical Jesus, as the only detailed records of Jesus' life are contained in the Gospels. Jesus was a Galilean Jew who was circumcised, was baptized by John the Baptist, began his own ministry and was often referred to as "rabbi". Jesus debated with fellow Jews on ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloisonné
Cloisonné () is an ancient technique for decorating metalwork objects with colored material held in place or separated by metal strips or wire, normally of gold. In recent centuries, vitreous enamel has been used, but inlays of cut gemstones, glass and other materials were also used during older periods; indeed cloisonné enamel very probably began as an easier imitation of cloisonné work using gems. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments (''cloisons'' in French) to the metal object by soldering or affixing silver or gold as wires or thin strips placed on their edges. These remain visible in the finished piece, separating the different compartments of the enamel or inlays, which are often of several colors. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then needs to be fired in a kiln. If gemstones or colored glass are used, the pieces need to be cut or ground into the sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pearl
A pearl is a hard, glistening object produced within the soft tissue (specifically the mantle) of a living shelled mollusk or another animal, such as fossil conulariids. Just like the shell of a mollusk, a pearl is composed of calcium carbonate (mainly aragonite or a mixture of aragonite and calcite) in minute crystalline form, which has deposited in concentric layers. The ideal pearl is perfectly round and smooth, but many other shapes, known as baroque pearls, can occur. The finest quality of natural pearls have been highly valued as gemstones and objects of beauty for many centuries. Because of this, ''pearl'' has become a metaphor for something rare, fine, admirable and valuable. The most valuable pearls occur spontaneously in the wild, but are extremely rare. These wild pearls are referred to as ''natural'' pearls. ''Cultured'' or ''farmed'' pearls from pearl oysters and freshwater mussels make up the majority of those currently sold. Imitation pearls are also widely s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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