Cross-dressing In Mexican Films
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Cross-dressing In Mexican Films
Cross-dressing is the act of wearing clothes usually worn by a different gender. From as early as pre-modern history, cross-dressing has been practiced in order to disguise, comfort, entertain, and self-express oneself. Cross-dressing has played an important part in society due to the nature of sociology. Sociology dictates that social norms are an inherent part of society and, thus, there are expected norms for each gender relating to style, color, type of clothing and more. Thus, cross-dressing allows individuals to express themselves by acting beyond guidelines, views, or even laws defining what type of clothing is expected and appropriate for each gender. The term "cross-dressing" refers to an action or a behavior, without attributing or implying any specific causes or motives for that behavior. Cross-dressing is not synonymous with being transgender. Terminology The phenomenon of cross-dressing is seen throughout recorded history, being referred to as far back as the He ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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Mid Wales
Mid Wales ( cy, Canolbarth Cymru or simply ''Y Canolbarth'', meaning "the midlands") or Central Wales refers to a region of Wales, encompassing its midlands, in-between North Wales and South Wales. The Mid Wales Regional Committee of the Senedd covered the unitary authority areas of Ceredigion and Powys and the area of Gwynedd that had previously been the district of Meirionnydd. A similar definition is used by the BBC. The Wales Spatial Plan defines a region known as "Central Wales" which covers Ceredigion and Powys. Mid Wales is dominated by the Cambrian Mountains, including the Green Desert of Wales. The region is sparsely populated, with an economy dependent on farming and small businesses. Major settlements * Aberaeron * Aberdyfi * Aberporth * Aberystwyth * Bala * Barmouth * Borth * Brecon * Builth Wells * Caersws * Cardigan * Crickhowell * Dolgellau * Fairbourne * Harlech * Hay-on-Wye * Knighton * Lampeter * Llandrindod Wells * Llandysul * Llanidloes * Llanwrtyd * M ...
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West Wales
West Wales ( cy, Gorllewin Cymru) is not clearly defined as a particular region of Wales. Some definitions of West Wales include only Pembrokeshire, Ceredigion and Carmarthenshire, which historically comprised the Welsh principality of ''Deheubarth'' and was called "South West Wales" in the Nomenclature of Territorial Units for Statistics (NUTS). Other definitions may include Swansea and Neath Port Talbot but exclude Ceredigion, although this definition may also be described as South West Wales. The "West Wales and the Valleys" NUTS area includes more westerly parts of North Wales. The preserved county of Dyfed covers what is generally considered to be West Wales; between 1974 and 1996, Dyfed was a county, with a county council and six district councils. Historic use Historically, the term West Wales was applied to the Kingdom of Cornwall during the Anglo-Saxon invasion of Britain and the period of the Heptarchy. The Old English word '' Wealas'', a Germanic term for inhabitants ...
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Rebecca Riots
The Rebecca Riots (Welsh: ''Terfysgoedd Beca'') took place between 1839 and 1843 in West and Mid Wales. They were a series of protests undertaken by local farmers and agricultural workers in response to levels of taxation. The rioters, often men dressed as women, took their actions against toll-gates, as they were tangible representations of taxes and tolls. The rioters went by the name of 'Merched Beca' which translates directly from Cymraeg as Rebecca's Daughters. The riots ceased prior to 1844 due to several factors, including increased troop levels, a desire by the protestors to avoid violence and the appearance of criminal groups using the guise of the biblical character Rebecca for their own purposes. In 1844 an Act of Parliament to consolidate and amend the laws relating to turnpike trusts in Wales was passed. History Events leading to the riots In the late 1830s and early 1840s, the agricultural communities of west Wales were in dire poverty.Howell (1988), pg, 113 In 1 ...
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Boy Player
Boy player refers to children who performed in Medieval and English Renaissance playing companies. Some boy players worked for the adult companies and performed the female roles as women did not perform on the English stage in this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys.   Children's companies In the Elizabethan and Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exist to this day.) Thus the choir attached to St. Paul's Cathedral in London since the 12th century was in the 16th centur ...
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Playing Company
Play is a range of intrinsically motivated activities done for recreational pleasure and enjoyment. Play is commonly associated with children and juvenile-level activities, but may be engaged in at any life stage, and among other higher-functioning animals as well, most notably mammals and birds. Many prominent researchers in the field of psychology, including Melanie Klein, Jean Piaget, William James, Sigmund Freud, Carl Jung and Lev Vygotsky have erroneously viewed play as confined to the human species, believing play was important for human development and using different research methods to prove their theories. Play is often interpreted as frivolous; yet the player can be intently focused on their objective, particularly when play is structured and goal-oriented, as in a game. Accordingly, play can range from relaxed, free-spirited and spontaneous through frivolous to planned or even compulsive. Play is not just a pastime activity; it has the potential to serve as an impor ...
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Benten Kozō
, as the original and fullest version of this play is known, is a tale in five acts of the ''shiranamimono'' (tales of thieves) sub-category of the ''kizewamono'' (rough contemporary piece) genre of kabuki plays. Written by Kawatake Mokuami, it first premiered at the Ichimura-za in Edo in March 1862. The play is frequently known by a number of other names. The name actually refers to the main character of the play, a ''gizoku'' (honorable thief), one of a band of five such men. Another common name for this play is , "''shiranami''" (white waves) being a term used to refer to thieves. Like most traditional Japanese dramas, the play originally had five acts, following particular conventions as to the dramatic pattern and themes of each act. However, today, it is very common to perform only one or two acts, each combination of acts represented by a different play title. For example, the title ''Benten Musume Meo no Shiranami'' refers to the performance of Acts III and/or IV without ...
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Benten
Benzaiten (''shinjitai'': 弁才天 or 弁財天; ''kyūjitai'': 辯才天, 辨才天, or 辨財天, lit. "goddess of eloquence"), also simply known as Benten (''shinjitai'': 弁天; ''kyūjitai'': 辯天 / 辨天), is a Japanese Buddhist goddess who originated mainly from Saraswati, the Hindu goddess of speech, the arts, and learning, with certain traits deriving from the warrior goddess Durga. Worship of Benzaiten arrived in Japan during the sixth through eighth centuries, mainly via Classical Chinese translations of the ''Golden Light Sutra'' (Sanskrit: ''Suvarṇaprabhāsa Sūtra''), which has a section devoted to her. During the medieval period onwards, Benzaiten came to be associated or even conflated with a number of Buddhist and local deities, which include the goddess Kisshōten (the Buddhist version of the Hindu Lakshmi, whose role as goddess of fortune eventually became ascribed to Benzaiten in popular belief), the snake god Ugajin (the combined form of the two bei ...
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Geisha
{{Culture of Japan, Traditions, Geisha {{nihongo, Geisha, 芸者 ({{IPAc-en, ˈ, ɡ, eɪ, ʃ, ə; {{IPA-ja, ɡeːɕa, lang), also known as {{nihongo, , 芸子, geiko (in Kyoto and Kanazawa) or {{nihongo, , 芸妓, geigi, are a class of female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Their distinct appearance is characterised by long, trailing kimono, traditional hairstyles and {{transliteration, ja, oshiroi make-up. Geisha entertain at parties known as {{transliteration, ja, ozashiki, often for the entertainment of wealthy clientele, as well as performing on stage and at festivals. Modern geisha are not prostitutes. This misconception originated due to the conflation of Japanese courtesans ({{transliteration, ja, oiran), {{transliteration, ja, oiran reenactors, the extant {{transliteration, ja, tayū, and prostitutes, who ...
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Korean Shamanism
Korean shamanism or Mu-ism is a religion from Korea. In the Korean language, alternative terms for the tradition are ''musok'' () and ''mugyo'' (무교, 巫敎). Scholars of religion have classified it as a folk religion. There is no central authority in control of the religion and much diversity exists among practitioners. The ''musok'' tradition is polytheistic, promoting belief in a range of deities. Both these deities and ancestral spirits are deemed capable of interacting with living humans and causing them problems. Central to the religion are ritual specialists, the majority of them female, called ''mudang'' (Hangul:무당, Hanja: 巫堂) or ''mu'' (무, 巫); in English they have sometimes been called "shamans," although the validity of this is contested. The ''mudang'' assist paying clients in determining the cause of misfortune using divination. ''Mudang'' also perform longer rituals called ''kut'', in which the gods and ancestral spirits are given offerings of food and ...
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