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Crosby United Reformed Church
Crosby United Reformed Church, originally Great Crosby Congregational Church, is on the corner of Eshe Road and Mersey Road in Great Crosby, a suburb of Liverpool, Merseyside, England. It is recorded in the National Heritage List for England as a designated Grade II listed building. It is an active congregation of the United Reformed Church. The authors of the '' Buildings of England'' series, referring to the architecture of the church, say "The whole is very satisfying". History The church was founded in 1885 and initially met in a schoolroom. On 22 May 1897 the foundation stone for the present church was laid and the first service was held on 15 September 1898. The church was designed by Douglas and Fordham and it was attached to the schoolroom. In 1972 it became a United Reformed Church. Architecture Exterior The church is built in snecked red sandstone with green slate roofs in Gothic style. Its plan consists of a nave, low north and south aisles, ...
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Great Crosby
Great Crosby is an area of the town of Crosby, Merseyside, Crosby, in the Metropolitan Borough of Sefton, Merseyside, England and is Historic counties of England, historically, part of Lancashire. Location In 1907, the Victoria County History described Great Crosby's location thus: 'The ancient township of Great Crosby, which includes Waterloo, lies on the northern shore of the estuary of the Mersey, with a level sandy beach extending over three miles (5 km) from north-west to southeast; it stretches inland some two miles (3 km), and has an area of , of which belong to the present diminished township. The village, which lies more than a mile inland, is becoming modernized and growing quickly, especially along the principal road, that from Liverpool to Southport, which crosses the township in a northerly direction, with roads branching off to the shore and to Thornton. The Liverpool and Southport line of the Lancashire and Yorkshire Railway, opened in 1848, with station ...
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Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ...
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Shrigley And Hunt
Shrigley and Hunt was an English firm which produced stained-glass windows and art tiles. History The business began in the 1750s when Shrigley's was a painting, carving and gilding firm in Lancaster, Lancashire. In 1868, control of Shrigley's was passed to Arthur Hunt, a Londoner, who ran a stained glass and decorating business in the south of England. Hunt had worked under designer Henry Holiday at the firm of Heaton, Butler & Bayne. Holiday influenced Hunt to create brighter, more realistic and more understandable figures and stories from the bible. Hunt's chief designers were Carl Almquist who had also studied under Holiday, and E. H. Jewitt. From 1878, the firm became known as Shrigley and Hunt, with premises on Castle Hill, Lancaster opposite the main gate of Lancaster Castle Lancaster Castle is a medieval castle and former prison in Lancaster in the English county of Lancashire. Its early history is unclear, but it may have been founded in the 11th century ...
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Gesso
Gesso (; "chalk", from the la, gypsum, from el, γύψος) is a white paint mixture consisting of a binder mixed with chalk, gypsum, pigment, or any combination of these. It is used in painting as a preparation for any number of substrates such as wood panels, canvas and sculpture as a base for paint and other materials that are applied over it. Description "''Gesso''", also known "glue gesso" or "Italian gesso", is a traditional mix of an animal glue binder (usually rabbit-skin glue), chalk, and white pigment, used to coat rigid surfaces such as wooden painting panels or masonite as a permanent absorbent primer substrate for painting. The colour of gesso is usually white or off-white. Its absorbency makes it work with all painting media, including water-based media, different types of tempera and oil paint. It is also used as a base on three-dimensional surfaces for the application of paint or gold leaf. Mixing and applying it is a craft in itself, as it is usually applie ...
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Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin ''dorsum''. (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spelling of "rear".) In the 14th and 15th cent ...
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Hammerbeam Roof
A hammerbeam roof is a decorative, open timber roof truss typical of English Gothic architecture and has been called "...the most spectacular endeavour of the English Medieval carpenter". They are traditionally timber framed, using short beams projecting from the wall on which the rafters land, essentially a tie beam which has the middle cut out. These short beams are called hammer-beams and give this truss its name. A hammerbeam roof can have a single, double or false hammerbeam truss. Design A hammer-beam is a form of timber roof truss, allowing a hammerbeam roof to span greater than the length of any individual piece of timber. In place of a normal tie beam spanning the entire width of the roof, short beams – the hammer beams – are supported by curved braces from the wall, and hammer posts or arch-braces are built on top to support the rafters and typically a collar beam. The hammerbeam truss exerts considerable thrust on the walls or posts that support it. Hamm ...
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Gable
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ...
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Turret (architecture)
In architecture, a turret is a small tower that projects vertically from the wall of a building such as a medieval castle. Turrets were used to provide a projecting defensive position allowing covering fire to the adjacent wall in the days of military fortification. As their military use faded, turrets were used for decorative purposes, as in the Scottish baronial style. A turret can have a circular top with crenellations as seen in the picture at right, a pointed roof, or other kind of apex. It might contain a staircase if it projects higher than the building; however, a turret is not necessarily higher than the rest of the building; in this case, it is typically part of a room, that can be simply walked into – see the turret of Chateau de Chaumont on the collection of turrets, which also illustrates a turret on a modern skyscraper. A building may have both towers and turrets; towers might be smaller or higher, but turrets instead project from the edge of a building ra ...
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Buttress
A buttress is an architectural structure built against or projecting from a wall which serves to support or reinforce the wall. Buttresses are fairly common on more ancient buildings, as a means of providing support to act against the lateral (sideways) forces arising out of inadequately braced roof structures. The term ''counterfort'' can be synonymous with buttress and is often used when referring to dams, retaining walls and other structures holding back earth. Early examples of buttresses are found on the Eanna Temple (ancient Uruk), dating to as early as the 4th millennium BC. Terminology In addition to flying and ordinary buttresses, brick and masonry buttresses that support wall corners can be classified according to their ground plan. A clasping or clamped buttress has an L shaped ground plan surrounding the corner, an angled buttress has two buttresses meeting at the corner, a setback buttress is similar to an angled buttress but the buttresses are set back from the ...
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Lancet Window
A lancet window is a tall, narrow window with a pointed arch at its top. It acquired the "lancet" name from its resemblance to a lance. Instances of this architectural element are typical of Gothic church edifices of the earliest period. Lancet windows may occur singly, or paired under a single moulding, or grouped in an odd number with the tallest window at the centre. The lancet window first appeared in the early French Gothic period (c. 1140–1200), and later in the English period of Gothic architecture (1200–1275). So common was the lancet window feature that this era is sometimes known as the "Lancet Period".Gothic Architecture in England
Retrieved 24 October 2006 The term ''lancet window'' is properly applied to windows of austere form, without

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Flèche (architecture)
A flèche () is the name given to spires in Gothic architecture. In French the word is applied to any spire, but in English it has the technical meaning of a ''spirelet'' or ''spike'' on the rooftop of a building. In particular, the spirelets often built atop the crossings of major churches in mediaeval French Gothic architecture are called flèches. On the ridge of the roof on top of the crossing (the intersection of the nave and the transepts) of a church, flèches were typically light, delicate, timber-framed constructions with a metallic sheath of lead or copper. They are often richly decorated with architectural and sculptural embellishments: tracery, crockets, and miniature buttresses serve to adorn the flèche. Flèches are often very tall: the Gothic Revival spire of Notre-Dame de Paris (18582019) by Eugène Viollet-le-Duc was about before its destruction in the Notre-Dame de Paris fire, while the 16th century flèche of Amiens Cathedral is high. The highest flèc ...
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Vestry
A vestry was a committee for the local secular and ecclesiastical government for a parish in England, Wales and some English colonies which originally met in the vestry or sacristy of the parish church, and consequently became known colloquially as the "vestry". Overview For many centuries, in the absence of any other authority (which there would be in an incorporated city or town), the vestries were the sole ''de facto'' local government in most of the country, and presided over local, communal fundraising and expenditure until the mid or late 19th century using local established Church chairmanship. They were concerned for the spiritual but also the temporal as well as physical welfare of parishioners and its parish amenities, collecting local rates or taxes and taking responsibility for numerous functions such as the care of the poor, the maintaining of roads, and law enforcement, etc. More punitive matters were dealt with by the manorial court and hundred court, and latter ...
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