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Crosby, Stills And Nash
Crosby, Stills & Nash (CSN) were a folk rock supergroup made up of American singer-songwriters David Crosby and Stephen Stills and English singer-songwriter Graham Nash. When joined by Canadian singer-songwriter Neil Young as a fourth member, they are called Crosby, Stills, Nash & Young (CSNY). They are noted for their lasting influence on American music and culture, and for their intricate vocal harmonies, often tumultuous interpersonal relationships, and political activism. CSN formed in 1968 shortly after Crosby, Stills and Nash performed together informally in July of that year, discovering they harmonized well. Crosby had been asked to leave the Byrds in late 1967, and Stills' band Buffalo Springfield had broken up in early 1968; Nash left his band the Hollies in December, and by early 1969 the trio had signed a recording contract with Atlantic Records. Their first album, ''Crosby, Stills & Nash'', was released in May 1969, from which came two Top 40 hits, " Suite: Judy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Young
Neil Percival Young (born November 12, 1945) is a Canadian-American singer and songwriter. After embarking on a music career in Winnipeg in the 1960s, Young moved to Los Angeles, joining Buffalo Springfield with Stephen Stills, Richie Furay and others. Since the beginning of his solo career with his backing band Crazy Horse (band), Crazy Horse, he has released many critically acclaimed and important albums, such as ''Everybody Knows This Is Nowhere'', ''After the Gold Rush'', ''Harvest (Neil Young album), Harvest'', ''On the Beach (Neil Young album), On the Beach'' and ''Rust Never Sleeps''. He was a part-time member of Crosby, Stills, Nash & Young. His guitar work, deeply personal lyrics and signature high tenor singing voice define his long career. Young also plays piano and harmonica on many albums, which frequently combine folk music, folk, rock music, rock, country music, country and other musical genres. His often distorted electric guitar playing, especially with Cra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hollies
The Hollies are a British pop rock band, formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Allan Clarke (singer), Allan Clarke and Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north in East Lancashire. Nash left the group in 1968 to form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion. They enjoyed considerable popularity in the UK and Europe during the mid-1960s with a string of hit singles that included "Just One Look (song), Just One Look" (1964), "Here I Go Again (The Hollies song), Here I Go Again" (1964), "I'm Alive (The Hollies song), I'm Alive" (1965; their first of two UK number-ones), "Look Through Any Window" (1965) and "I Can't Let Go" (1966), although they did not achieve US chart success until "Bus Stop (song), Bus Stop" was released in 1966. The grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greg Reeves
Gregory Allen Reeves (born ) is an American bass guitarist. He is best known for playing bass on Crosby, Stills, Nash & Young's album ''Déjà Vu'' (1970). Early life Reeves grew up in Warren, Ohio, and graduated from Warren Western Reserve High School in 1968. In an interview, bandmate Dallas Taylor spoke of a rumor that Reeves was as young as 15 years old when he joined CSNY. While Reeves acknowledged having a fake ID and being "very young" while with CSNY, ''Rolling Stone'' stated his age as 19 in a December 1969 article. Career Motown Reeves had been scouted as a session musician at the age of 12 by Motown Records and Chess Records, though his mother "would not hear of" him playing professionally at that age.''The Robesonian'' article:Songster Rick James Cracks The Pop Market" By 1968, however, Reeves was employed as a session bassist at Motown. During the recording session for The Temptations' " Cloud Nine," Reeves was apprehensive about his bass playing and switched to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dallas Taylor (drummer)
Dallas Woodrow Taylor Jr. (April 7, 1948 – January 18, 2015) was an American session drummer who played drums on several rock albums throughout the 1960s and 1970s. Life and career Taylor was born in Denver but grew up in San Antonio, Texas. He achieved some success with psychedelic rock band Clear Light in the late 1960s, but is best remembered as the drummer on Crosby, Stills and Nash's debut album, and their follow-up with Neil Young, ''Déjà Vu'' (1970), and was given a front-sleeve credit along with Motown bassist Greg Reeves. As well as appearing on Stephen Stills's eponymous first solo album in 1970, his 1971 follow up ''Stephen Stills 2'', and the supporting tour with the Memphis Horns, Taylor was the drummer for Stills's group Manassas in 1972 and 1973. He also appeared on Stills's 1975 solo album ''Stills''. In 1974 he played with Van Morrison at the 1974 Montreux Jazz Festival in a quartet along with keyboardist Pete Wingfield and bassist Jerome Rimson, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marrakesh Express
"Marrakesh Express" is a song written by Graham Nash and performed by the band Crosby, Stills and Nash (CSN). It was first released in May 1969 on the self-titled album, ''Crosby, Stills and Nash'', and released on a 45-RPM single in July of the same year, with another CSN song, "Helplessly Hoping", as its backing side. The single reached No. 28 on the ''Billboard'' Hot 100 on August 23, 1969. It reached the same position on the Easy Listening chart. The song was best received in the UK and Canada, reaching in both nations. Composition "Marrakesh Express" was written and composed by Graham Nash during his final years as a member of the English rock band The Hollies, of which he was a member from its formation in 1962 till 1968. The band rejected the song as not commercial enough, but it found a home with Nash's new band Crosby, Stills and Nash.Zimmer, Dave. Crosby, Stills & Nash: The Authorized Biography. Da Capo Press, 2000. Nash recalled his inspiration for the song occurrin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judy Blue Eyes
"Suite: Judy Blue Eyes" is a song written by Stephen Stills and performed by Crosby, Stills & Nash (CSN). It appeared on the group's self-titled debut album in 1969 and was released as a single, reaching number 21 on the ''Billboard'' Hot 100 pop singles chart. In Canada, "Suite: Judy Blue Eyes" peaked at number 11. The song imitates the form of a classical music suite as an ordered set of musical pieces. Background The title "Suite: Judy Blue Eyes" (a play on words for "Sweet Judy Blue Eyes") refers to Stephen Stills' former girlfriend, singer/songwriter Judy Collins, and the lyrics to most of the suite's sections consist of his thoughts about her and their imminent breakup. During a July 15, 2007 interview for the National Public Radio program ''All Things Considered'', Stills revealed that Collins was present in the studio when the demo tapes were recorded and had advised him, "Don't stay in here n the studioall night now." Stills also commented that the breakup with Collin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top 40
In the music industry, the Top 40 is the current, 40 most-popular songs in a particular genre. It is the best-selling or most frequently broadcast popular music. Record charts have traditionally consisted of a total of 40 songs. "Top 40" or " contemporary hit radio" is also a radio format. Frequent variants of the Top 40 are the Top 10, Top 20, Top 30, Top 50, Top 75, Top 100 and Top 200. History According to producer Richard Fatherley, Todd Storz was the inventor of the format, at his radio station KOWH in Omaha, Nebraska. Storz invented the format in the early 1950s, using the number of times a record was played on jukeboxes to compose a weekly list for broadcast. The format was commercially successful, and Storz and his father Robert, under the name of the Storz Broadcasting Company, subsequently acquired other stations to use the new Top 40 format. In 1989, Todd Storz was inducted into the Nebraska Broadcasters Association Hall of Fame. The term "Top 40", describing a radio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crosby, Stills & Nash (album)
''Crosby, Stills & Nash'' is the debut studio album by the folk rock supergroup Crosby, Stills & Nash (CSN), released in 1969 by Atlantic Records. It is the only release by the band prior to adding Neil Young to their line-up. The album spawned two Top 40 singles, "Marrakesh Express" and " Suite: Judy Blue Eyes", which peaked respectively at No. 28 the week of August 23, 1969, and at No. 21 the week of December 6, 1969, on the US ''Billboard'' Hot 100. The album itself peaked at No. 6 on the US ''Billboard'' Top Pop Albums chart. It has been certified four times platinum by the RIAA for sales of 4,000,000. History The album was a very strong debut for the band, instantly lifting them to stardom. Along with the Byrds' ''Sweetheart of the Rodeo'' and the Band's ''Music from Big Pink'' of the previous year, it helped initiate a sea change in popular music away from the ruling late-1960s aesthetic of bands playing blues-based rock music on loud guitars. ''Crosby, Stills & Nash'' pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hollies
The Hollies are a British pop rock band, formed in 1962. One of the leading British groups of the 1960s and into the mid-1970s, they are known for their distinctive three-part vocal harmony style. Allan Clarke (singer), Allan Clarke and Graham Nash founded the band as a Merseybeat-type group in Manchester, although some of the band members came from towns further north in East Lancashire. Nash left the group in 1968 to form Crosby, Stills & Nash, though he has reunited with the Hollies on occasion. They enjoyed considerable popularity in the UK and Europe during the mid-1960s with a string of hit singles that included "Just One Look (song), Just One Look" (1964), "Here I Go Again (The Hollies song), Here I Go Again" (1964), "I'm Alive (The Hollies song), I'm Alive" (1965; their first of two UK number-ones), "Look Through Any Window" (1965) and "I Can't Let Go" (1966), although they did not achieve US chart success until "Bus Stop (song), Bus Stop" was released in 1966. The grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Byrds
The Byrds () were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential. Initially, the Byrds pioneered the musical genre of folk rock as a popular format in 1965, by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music on their first and second albums, and the hit singles " Mr. Tambourine Man" and "Turn! Turn! Turn!". As the 1960s progressed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterculture Of The 1960s
The counterculture of the 1960s was an anti-establishment cultural phenomenon that developed throughout much of the Western world in the 1960s and has been ongoing to the present day. The aggregate movement gained momentum as the civil rights movement in the United States continued to grow, and with the intensification of the Vietnam War, it would later become revolutionary to some. As the 1960s progressed, widespread social tensions also developed concerning other issues, and tended to flow along generational lines regarding human sexuality, women's rights, traditional modes of authority, rights of non-white people, end of racial segregation, experimentation with psychoactive drugs, and differing interpretations of the American Dream. Many key movements related to these issues were born or advanced within the counterculture of the 1960s. As the era unfolded, what emerged were new cultural forms and a dynamic subculture that celebrated experimentation, modern incarnations of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of The United States
The music of the United States reflects the country's multi-ethnic population through a diverse array of styles. It is a mixture of music influenced by the music of Europe, Indigenous peoples, West Africa, Latin America, Middle East, North Africa, amongst many other places. The country's most internationally renowned genres are traditional pop, jazz, blues, country, bluegrass, rock, rock and roll, R&B, pop, hip hop, soul, funk, gospel, disco, house, techno, ragtime, doo-wop, folk music, americana, boogaloo, tejano, reggaeton, surf, and salsa. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near global audience. Native Americans were the earliest inhabitants of the land that is today known as the United States and played its first music. Beginning in the 17th century, settlers from the United Kingdom, Ireland, Spain, Germany, and France began arriving in large numbers, bringing wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
