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Cristoforo Di Jacopo
Cristoforo may refer to: See also * Cristoforo Colombo (other) * Cristian (other) * San Cristoforo (other) * Violet Kazue de Cristoforo Violet Kazue de Cristoforo (September 3, 1917 – October 3, 2007) was a Japanese American poet, composer and translator of haiku. Her haiku reflected the time that she and her family spent in detention in Japanese internment camps during Wo ... {{given name Masculine given names ...
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Cristoforo Agosta
Cristoforo Agosta or Agosti or Augusta (16-17th century) was an Italian painter of the Mannerism, Mannerist style. Biography Agosta was born in Casalmaggiore. He was a pupil of Giovanni Battista Trotti and active in Cremona. The 18th-century art historian Giovanni Battista Zaist assigned to him the ''Marriage of Santa Caterina'', once in the church of San Domenico in Cremona (now in the Pinacoteca of Cremona). References

Year of birth missing Year of death missing 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Cremona Italian Mannerist painters {{Italy-painter-16thC-stub ...
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Cristoforo Foppa
Cristoforo (known as Caradosso) Foppa (1445 – c. 1527) was an Italian goldsmith, sculptor, and die sinker. According to some sources he was born at Mondonico]/Olgiate Molgora in the Province of Lecco, and according to others in Pavia. It is possible that this artist is not correctly known as Ambrogio, but that his Christian name was Cristoforo. He was in the service of Lodovico Il Moro, Duke of Milan, for some years, and executed for him a medal and several pieces of goldsmith's work. He worked in Hungary in the service of King Matthias Corvinus, probably in August 1489; a later visit to the court was cut short by the King's death in 1490. Later on he is heard of in Rome, working for Popes Julius II and Leo X. His will was executed in 1526 and he is believed to have died in the following year. Giorgio Vasari refers at some length to a medal struck by him in Rome, having upon it a representation of Bramante and his design for St. Peter's Basilica, and he speaks of him as "the ...
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Cristoforo Orimina
Cristoforo Orimina was an Italian illuminator of the 14th century. He was a painter at the court of Robert of Naples and of Joan I of Naples. The Orimini were a patrician family of Naples, belonging to the noble '' seggio'' of Capuana. The family's residence was in what is now the Via dei Cimbri. Cristoforo identified himself on the last leaf of an illuminated manuscript Bible.Samantha Kelly, ''The New Solomon: Robert of Naples (1309-1343) and Fourteenth-Century Kingship'' (Leiden, 2003), p. 32. Stylistic comparison allows numerous other manuscript illuminations to be attributed to Cristoforo's hand or workshop. One of the best known of these works is the Hamilton Bible The ''Hamilton Bible'' (Berlin, Kupferstichkabinett 78 E 3) is a fourteenth-century illuminated manuscript Bible, commissioned by the Angevin court in Naples and illustrated by the workshop of Cristoforo Orimina around 1350. It was part of the ..., now in Berlin. References Sources *C. De Clercq, "Le min ...
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Cristoforo Negri
Cristoforo Negri (1809-1896) was an Italian geographer, economist and diplomat. Biography Cristoforo Negri was born in Padua in 1809. He became a professor of constitutional law at the University of Padua. Following the upheavals of 1848 he fled to Piedmont, where he was appointed to the consular division of the Ministry of Foreign Affairs by Vincenzo Gioberti. He was confirmed in this position by Massimo d'Azeglio. From 1859 he held various government posts in the course of which he visited many cities in the Mediterranean to develop Italian political and economic relationships. In 1867 Negri was one of the founders of the , and was the President of this society for its first four years. Commenting on the 1867 expedition of the corvette ''Magenta'' to the Pacific, Negri pointed out that it was far too heavily loaded with arms and far too short of maps, books and scientific instruments to truly be meant as a voyage of exploration. He was the Italian consul general in Hamburg ...
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Cristoforo Munari
Cristoforo Munari (July 21, 1667 – June 3, 1720) was an Italian painter in the Baroque period specializing in still life paintings. He was also known as ''Cristofano Monari''. His initial training was in Reggio Emilia, his birthplace, and he came under the patronage of Rinaldo d'Este, Duke of Modena. In 1703-1706, he lived in Rome, then moved to Florence, where for about a decade he was attached to the court of the Medici. His still life paintings recall those of Evaristo Baschenis; however, the added disarray of porcelain, glass, and foodstuffs, suggest the hangover from the jovial surfeit of the Medici court. He painted also panoplies and war trophies. In 1715 he moved to Pisa, where he worked almost exclusively in art restoration The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. Conservation activities include prev ...
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Cristoforo Moro
Cristoforo Moro (1390 – November 10, 1471) was the 67th Doge of Venice. He reigned from 1462 to 1471. Family The Moro family settled in Venice in the 5th century when Stephanus Maurus, a great-grandson of Maurus, built a church on the island of Murano. Cristoforo was the eleventh person from the family to be elected doge. His dogaressa was Cristina Sanudo. Life After graduating from university, Moro held various public offices. He was the Venetian ambassador to the Popes Eugene IV and Nicholas V. Saint Bernardino of Siena was said to have prophesied that Moro would one day become doge, and as the fulfillment of a solemn vow Moro had the Church of Saint Giobbe built and dedicated to Bernardino's memory. He bequeathed his fortune to various charitable organizations and foundations, including the Church of Saint Giobbe. Doge Moro's reign was marked by the beginning of a long war between Venice and the Turks. In 1463 Pope Pius II sent Moro a consecrated sword with the intention ...
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Cristoforo Moretti
Cristoforo Moretti (documented in Lombardy and Piedmont 1451 – 1475) was a Lombard painter of the quattrocento who worked in a late International Gothic style very similar to that of Michelino da Besozzo’s last period. Few of the unsigned works later attributed to him are attributed with perfect certainty. Biography Born in Soncino in the Province of Cremona, he is first recorded in 1451, working for the Borromeos in Milan. Between then and 1475 he is found variously in Milan, in Genoa, in Turin, in Casale, where he decorated the chapel of the Paleologi castle, and in Vercelli. (It seems that he was expelled from Milan in 1462, accused of having defamed the wife of Bianca Maria Visconti’s doctor.) He is documented as part of team of artists, including Vincenzo Foppa and Giovanni Battista Montorfano forming an estimate for the paintings of Stefano dei Fedeli in a chapel of the Castle of Milan.Francesco Malaguzzi Valeri, page 84. His best-known work, and the only one su ...
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Cristoforo Mantegazza
Cristoforo Mantegazza (c. 1430 – 1482) was an Italian sculptor who was active from 1464. He was born in Pavia. Among his other works, he collaborated with his brother Antonio on the façade of the Certosa of Pavia (relief with the ''Expulsion from the Garden of Eden''), one of the masterworks of northern Italy's Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas .... For a certain period he also directed the construction of that building. References * {{DEFAULTSORT:Mantegazza, Cristoforo 1430s births 1482 deaths Artists from Pavia 15th-century Italian sculptors Italian male sculptors ...
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Cristoforo Majorana
Cristoforo Majorana (flourished c. 1480–94) was an Italian limner and painter. He was born in Naples, Italy. Majorana trained under Cola Rapicano. He produced work for Ferdinand of Aragon, Giovanni d'Aragona and Andrea Matteo Acquaviva. His work is held in the collections of the Walters Art Museum, National Library of France and the Fitzwilliam Museum. Notable works * St. Augustine, ''Commentary on the Psalms'', 1480 *Aesop, ''Fables'', 1481 *Virgil, ''Aeneid'', ''Eclogues'', and ''Georgics'', 1482-94 *Ptolemy, ''Geography Geography (from Greek: , ''geographia''. Combination of Greek words ‘Geo’ (The Earth) and ‘Graphien’ (to describe), literally "earth description") is a field of science devoted to the study of the lands, features, inhabitants, and ...'' Gallery File:Cristoforo Majorana - Leaf from Eclogues, Georgics and Aeneid - Walters W40055R - Open Obverse.jpg, ''Leaf from Eclogues, Georgics and Aeneid'', ca. 1470 References External links Shor ...
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Cristoforo Madruzzo
200px, '' Portrait of Cristoforo Madruzzo'' by Titian (1552). Museu de Arte de São Paulo, São Paulo">Museu_de_Arte_de_São_Paulo.html" ;"title="Titian (1552). Museu de Arte de São Paulo">Titian (1552). Museu de Arte de São Paulo, São Paulo. Cristoforo Madruzzo () (5 July 1512 – 5 July 1578) was an Italian Roman Catholic cardinal (Catholicism), cardinal and statesman. His brother Eriprando Madruzzo, Eriprando was a mercenary captain who fought in the Italian Wars. Biography Madruzzo was born on 5 July 1512 at Calavino, into a noble family in Trento. He studied at Padua and Bologna, received in 1529 from his older brother a canonicate at Trento and the parish of Tirol near Meran, was in 1536 a Canon of Salzburg, in 1537 of Brixen, and in 1539 became Prince-Bishop of Trento. Being only a subdeacon at the time, he was promoted to the deaconship, priesthood and episcopate in 1542. In January 1543, he was appointed administrator of the Bishopric of Brixen, and shortly afterwa ...
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Cristoforo Landino
Cristoforo Landino (1424 in Pratovecchio, Casentino, Florence – 24 September 1498 in Borgo alla Collina, Casentino) was an Italian humanist and an important figure of the Florentine Renaissance. Biography From a family with ties to the Casentino, Landino was born in Florence in 1424. He studied law and Greek (under George of Trebizond). Against his father's will he turned away from a career in the law and decided to study philosophy instead, a decision he would not have been able to make but for the patronage of Piero di Cosimo de' Medici. Landino's wife Lucrezia was a member of the Alberti family. In 1458 Landino replaced Cristoforo Marsuppini as the chair of rhetoric and poetry at the Florentine Studio. His students, seeking a more renowned teacher, initially opposed Landino's appointment, but he nevertheless remained and became an important part of the cultural and intellectual life of Florence. Landino was a member of the Platonic Academy founded by Marsilio Fi ...
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Cristoforo Ivanovich
Cristoforo Ivanovich (1628–1689) was the first historian of Venetian opera, who also wrote several librettos of his own. Biography Ivanovich was born in Budua (Budva), at the time part of Venetian Albania (now southeastern Montenegro). According to his own testimony, he descended from an old patrician family who settled Budva after leaving Cetinje. In 1655 he moved to Verona, where he was a member of the Accademia Filarmonica and of the Accademia dei Temperati. In 1657, he moved to Venice, the city where he remained throughout his life. There he became secretary of Leonardo Pesaro, Procurator of San Marco, and later, in 1676, was appointed canon of St Mark's Basilica. From 1663, he wrote several librettos for operas which were performed in the theaters of Venice, Vienna and Piacenza. He catalogued all opera performances held in Venice from 1637 until 1681 in his treatise ''Memorie teatrali di Venzia'' (Theatrical Memories of Venice), published in 1680 as part of collection ''Mine ...
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