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Criss-Cross (album)
''Criss-Cross'' is an album by Thelonious Monk that was released by Columbia; his second for that label. The album consists of previously released Monk compositions that were re-recorded for Columbia by the Thelonious Monk Quartet. History ''Criss-Cross'' was recorded during and shortly after the sessions for Monk's first Columbia LP, '' Monk's Dream''. The quartet of musicians that appear on the album had been playing together for four years at the time of the recording sessions, and was thus one of the longer-lived bands of Monk's career. Allmusic's Lindsay Planer called the album "some of the finest work that Monk ever did in the studio with his '60s trio and quartet." The critical and popular success of the group during this period led to Monk's appearance on the cover of ''Time'' magazine in February 1964. It later became known that as Monk's international profile was reaching its apex in the mid-1960s, his manic depressive episodes were getting more severe and his composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pannonica De Koenigswarter
Baroness Kathleen Annie Pannonica de Koenigswarter (''née'' Rothschild; 10 December 1913 – 30 November 1988) was a British-born jazz patron and writer. A leading patron of bebop, she was a member of the Rothschild family. Personal life Kathleen Annie Pannonica Rothschild was born in December 1913, in London, the youngest daughter of Charles Rothschild and his wife, Hungarian baroness Rózsika Edle von Wertheimstein, daughter of Baron Alfred von Wertheimstein of Bihar County. She was born into a branch of the wealthiest family in the world at the time. Her paternal grandfather was Nathan Rothschild, 1st Baron Rothschild. She grew up in Tring Park Mansion as well as Waddesdon Manor, among other family houses. The name "Pannonica" (shortened to "Nica" as a nickname) derives from Eastern Europe's Pannonian plain. Her friend Thelonious Monk reported that she was named after a species of butterfly her father had discovered, although her great-niece has found that the source of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Ore
John Ore (December 17, 1933 – August 22, 2014) was an American jazz bassist. Ore attended the New School of Music in Philadelphia from 1943 to 1946, studying cello and followed this with studies on bass at Juilliard. In the 1950s he worked with Tiny Grimes, George Wallington, Lester Young, Ben Webster, Coleman Hawkins, Elmo Hope, Bud Powell and Freddie Redd. From 1960 to 1963 he played in Thelonious Monk's quartet, and then with the Les Double Six of Paris in 1964. Later in the 1960s he played again with Powell and also recorded with Teddy Wilson. In the 1970s he worked with Earl Hines. He was with the Sun Ra Arkestra in 1982. Following this he became less active and never recorded an album as a leader. Discography With Elmo Hope * ''Meditations'' (Prestige, 1955) * '' Hope Meets Foster'' (Prestige, 1956) * ''Last Sessions'' (Inner City, 1977) * ''Elmo Hope Trio'' (RCA, 1978) * '' The Final Sessions'' (Evidence, 1996) With Hank Mobley * ''No Room for Squares'' (Blue Note, 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Rouse
Charlie Rouse (April 6, 1924 – November 30, 1988) was an American hard bop tenor saxophonist and flautist. His career is marked by his collaboration with Thelonious Monk, which lasted for more than ten years. Biography Rouse was born in Washington, D.C., United States. At first he worked with the clarinet, before turning to the tenor saxophone. Rouse began his career with the Billy Eckstine Orchestra in 1944, followed by the Dizzy Gillespie Big Band in 1945, the Duke Ellington Orchestra from 1949 to 1950, the Count Basie Octet in 1950, Bull Moose Jackson And His Buffalo Bearcats in 1953, and the Oscar Pettiford Sextet in 1955. He made his recording debut with Tadd Dameron in 1947, and in 1957 made a notable album with Paul Quinichette. He was a member of Thelonious Monk's quartet from 1959 to 1970. In the 1980s he was a founding member of the group Sphere, which began as a tribute to Monk. Charlie Rouse died from lung cancer on November 30, 1988, at University Hospital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dorothy Fields
Dorothy Fields (July 15, 1904 – March 28, 1974) was an American librettist and lyricist. She wrote over 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), " Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be Cuter" (1938) and " Big Spender" (1966). Throughout her career, she collaborated with various influential figures in the American musical theater, including Jerome Kern, Cy Coleman, Irving Berlin, and Jimmy McHugh. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters. Early life Fields was born in Allenhurst, New Jersey, and grew up in New York City. In 1923, Fields graduated from the Benjamin School for Girls in New York City. At school, she was outstanding in the subjects of English, drama, and baske ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy McHugh
James Francis McHugh (July 10, 1894 – May 23, 1969) was an American composer. One of the most prolific songwriters from the 1920s to the 1950s, he is credited with over 500 songs. His songs were recorded by many artists, including Chet Baker, June Christy, Bing Crosby, Deanna Durbin, Ella Fitzgerald, Judy Garland, Adelaide Hall, Billie Holiday, Beverly Kenney, Bill Kenny, Peggy Lee, Carmen Miranda, Nina Simone, Frank Sinatra, and Dinah Washington. Career McHugh began his career in his hometown of Boston, Massachusetts Massachusetts (Massachusett language, Massachusett: ''Muhsachuweesut [Massachusett writing systems, məhswatʃəwiːsət],'' English: , ), officially the Commonwealth of Massachusetts, is the most populous U.S. state, state in the New England ..., United States, where he published about a dozen songs with local publishers. His first success was with the World War I song "Keep the Love-Light Burning in the Window Till the Boys Come Marching Home", and this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm-A-Ning
This is a list of compositions by jazz musician Thelonious Monk. 0-9 52nd Street Theme A contrafact based loosely on rhythm changes in C, and was copyrighted by Monk under the title "Nameless" in April 1944. The tune was also called "Bip Bop" by Monk, and he claims that the tune's latter title was the origin of the genre-defining name bebop. It quickly became popular as an opening and closing tune on the clubs on 52nd Street on Manhattan where Dizzy Gillespie and Charlie Parker played. It was first recorded by Dizzy Gillespie's sextet on February 22, 1946, under the title "52nd Street Theme". Leonard Feather claims he gave the latter title. A Ask Me Now A tonally ambiguous ballad in D first recorded on July 23, 1951, for the '' Genius of Modern Music'' sessions. It also appears on ''5 by Monk by 5'', and ''Solo Monk''. Jon Hendricks wrote lyrics to the tune and called it ”How I Wish”; it was first recorded by Carmen McRae on ''Carmen Sings Monk''. Mark Murphy sings a versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadik Hakim
Sadik Hakim (born Forrest Argonne Thornton; July 15, 1919 – June 20, 1983) was an American jazz pianist and composer. Early life Forrest Argonne Thornton was born on July 15, 1919 in Duluth, Minnesota. The name Argonne came from the World War I battle. He was taught music by his grandfather and played locally before moving to Chicago. Later life and career In Chicago in 1944, Hakim was heard by the tenor saxophonist Ben Webster, who took him to New York to be the pianist in his band. He appeared on some Charlie Parker recordings for Savoy Records in the following year. He toured with another saxophonist, Lester Young from 1946 to 1948, including for recordings. He changed his name to Sadik Hakim, a Muslim formulation, in 1947. "In the 1950s Hakim played in Canada with Louis Metcalf, toured with James Moody (1951–4), and was a member of Buddy Tate's orchestra (1956–60)." Hakim's debut recording as a leader was in 1962, on an album for Charlie Parker Records that was sha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idrees Sulieman
Idrees Sulieman (August 7, 1923 – July 23, 2002) was an American bop and hard bop trumpeter. Biography He was born Leonard Graham in St. Petersburg, Florida, United States, later changing his name to Idrees Sulieman, after converting to Islam. He studied at the Boston Conservatory, and gained early experience playing with the Carolina Cotton Pickers and the wartime Earl Hines Orchestra (1943–1944). On October 15, 1947, he played on Thelonious Monk's first recording for Blue Note Records. Sulieman was closely associated with Mary Lou Williams and for a time and had stints with Cab Calloway, John Coltrane, Count Basie, and Lionel Hampton. Sulieman recorded with Coleman Hawkins (1957) and gigged with Randy Weston (1958–1959), in addition to appearing in many other situations. He toured Europe in 1961 with Oscar Dennard, and stayed, settling in Stockholm at first, and then moved to Copenhagen in 1964. A soloist with the Kenny Clarke/Francy Boland Big Band from the mid-1960s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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