Coup De Grâce (Mink DeVille Album)
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Coup De Grâce (Mink DeVille Album)
''Coup de Grâce'' is the fourth album by the rock band Mink DeVille, released in 1981. The album represented a departure for the band, as frontman Willy DeVille dismissed the only other remaining original member of the band, guitarist Louis X. Erlanger, and hired Helen Schneider's backup band ("The Kick") to record the album. Moreover, the album was recorded for Atlantic (Mink DeVille had previously recorded with Capitol). DeVille told '' The New York Times'': :I had band problems, manager problems, record company problems. And yeah, I had drug problems. Finally, I got a new recording contract, with Atlantic, and a new manager. I cleaned up my act. I figured that since playing music with people I was friends with didn't seem to work out, I would hire some mercenaries, some cats who just wanted to play and get paid. And those guys turned out to be more devoted to the music than any band I ever had. They're professional, precise, but they're full of fire, too. Jack Nitzsch ...
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Mink DeVille
Mink DeVille was a rock band founded in 1974, known for its association with early punk rock bands at New York's CBGB nightclub and for being a showcase for the music of Willy DeVille. The band recorded six albums in the years 1977 to 1985, after which it disbanded the next year. Except for frontman Willy DeVille, the original members of the band played only on the first two albums ('' Cabretta'' and '' Return to Magenta''). For the remaining albums and for tours, Willy DeVille assembled musicians to play under the name "Mink Deville". After 1985, when Willy DeVille began recording and touring under his own name, his backup bands were sometimes called "The Mink DeVille Band", an allusion to the earlier Mink Deville name. Rock and Roll Hall of Fame songwriter Doc Pomus said about the band, "Mink DeVille knows the truth of a city street and the courage in a ghetto love song. And the harsh reality in his voice and phrasing is yesterday, today, and tomorrow — timeless in the sam ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Eddie Hinton
Eddie Hinton (15 June 1944 – 28 July 1995) was an American songwriter and session musician, best known for his work with soul music and R&B singers. He played lead guitar for Muscle Shoals Rhythm Section from 1969 to 1971 and after leaving the band, he was replaced by Pete Carr as lead guitarist. Career Hinton was born in Jacksonville, Florida, on June 15, 1944, to Laura Deanie and Horton C. Hinton. Hinton's parents divorced in 1949, and he and his mother moved to Tuscaloosa, Alabama, where his mother later remarried. He formed the Five Minutes, also known as Five Men-Its, who quickly garnered regional recognition. Two of the members of the group, drummer Johnny Sandlin and keyboardist Paul Hornsby, would join Duane and Gregg Allman in the Hour Glass and later go on to success as record producers. Hinton, Sandlin and Hornsby all spent time working as session players in Muscle Shoals. Hornsby and Sandlin worked at Rick Hall's FAME Studios (Florence Alabama Music Enterprises) ...
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The Drifters
The Drifters are several American doo-wop and R&B/Soul music, soul vocal groups. They were originally formed as a backing group for Clyde McPhatter, formerly the lead tenor of Billy Ward and his Dominoes in 1953. The second group of Drifters, formed in 1959 and led by Ben E. King, were originally an up-and-coming group named The Five Crowns. After 1965 members drifted in and out of both groups and many of these formed other groups of Drifters as well. Several groups of Drifters can trace roots back to these original groups, but contain few if any original members. According to ''Rolling Stone'', the Drifters were the least stable of the great vocal groups, as they were low-paid musicians hired by George Treadwell, who owned the Drifters' name from 1955, after McPhatter left. The Treadwell Drifters line has had 60 musicians, including several splinter groups by former Drifters members (not under Treadwell's management). These groups are usually identified with a possessive credit ...
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Soul-pop
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock Music, Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is seen as pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and Hook (music), hooks, short to medium-length songs written in a basic format (often the verse–chorus form, verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also b ...
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The Record (magazine)
''The Record'' was a Canadian music industry magazine that featured record charts, trade news and opinions. History David Farrell launched the publication in mid-1981, continuing its printed version until August 1999 when ''The Record'' continued as a website-based publication. The singles and albums chart featured in the magazine were featured as the Canadian lists in the Hits of the World section in '' Billboard''. The charts were also published in newspapers via The Canadian Press and used in now-defunct chart shows like Countdown Canada, Canadian Countdown, and the Hot 30 Countdown. ''The Record'' featured the following charts: * Retail Singles (1983-1996) * The Hits (1996-1997) - an all-format radio airplay chart * Contemporary Hit Radio * Pop Adult (also Adult Contemporary) * Country * Contemporary Album Radio (also Album-Oriented Rock) * Hot AC - beginning in the late-1990s * Top Albums The airplay charts were based on reports from radio stations across the country fro ...
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West Side Story
''West Side Story'' is a musical conceived by Jerome Robbins with music by Leonard Bernstein, lyrics by Stephen Sondheim, and a book by Arthur Laurents. Inspired by William Shakespeare's play ''Romeo and Juliet'', the story is set in the mid-1950s in the Upper West Side of Manhattan in New York City, then a multiracial, blue-collar neighborhood. The musical explores the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds. The Sharks, who are immigrants from Puerto Rico, and the Jets, who are white, vie for dominance of the neighborhood, and the police try to keep order. The young protagonist, Tony, a former member of the Jets and best friend of the gang's leader, Riff, falls in love with Maria, the sister of Bernardo, the leader of the Sharks. The dark theme, sophisticated music, extended dance scenes, tragic love story, and focus on social problems marked a turning point in musical theatre. The original 1957 Broadway production, ...
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Accordion
Accordions (from 19th-century German ''Akkordeon'', from ''Akkord''—"musical chord, concord of sounds") are a family of box-shaped musical instruments of the bellows-driven free-reed aerophone type (producing sound as air flows past a reed in a frame), colloquially referred to as a squeezebox. A person who plays the accordion is called an accordionist. The concertina , harmoneon and bandoneón are related. The harmonium and American reed organ are in the same family, but are typically larger than an accordion and sit on a surface or the floor. The accordion is played by compressing or expanding the bellows while pressing buttons or keys, causing ''pallets'' to open, which allow air to flow across strips of brass or steel, called '' reeds''. These vibrate to produce sound inside the body. Valves on opposing reeds of each note are used to make the instrument's reeds sound louder without air leaking from each reed block.For the accordion's place among the families of musical ...
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Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ...
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You Better Move On (song)
"You Better Move On" is a 1961 rhythm and blues song by Arthur Alexander. It reached number 24 on the ''Billboard'' Hot 100 in March 1962. Versions by Billy "Crash" Craddock, George Jones and Johnny Paycheck were hits on the Country charts. Arthur Alexander version The lyrics were inspired by Alexander's real life situation, in which his girlfriend and future wife already had a boyfriend. Alexander said of the situation "When I met her out of high school he was still hanging in there. His family was pretty well off. I didn't have no money but I knew she liked me. It was a small town and people would be talking. That's where I got the idea for the song. I didn't talk to him personally. I said it in song." The song was recorded at the fledgling FAME Studios, which at that point was located above the City Drug Store in Florence, Alabama. (The studio would shortly move to its more famous location in nearby Muscle Shoals, Alabama.) The session musicians on the recording included ...
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Arthur Alexander
Arthur Alexander (May 10, 1940 – June 9, 1993) was an American country soul songwriter and singer. Jason Ankeny, music critic for AllMusic, said Alexander was a "country-soul pioneer" and that, though largely unknown, "his music is the stuff of genius, a poignant and deeply intimate body of work on par with the best of his contemporaries." Alexander's songs were covered by such stars as the Beatles, the Rolling Stones, Bob Dylan, Gerry and the Pacemakers, Otis Redding, Tina Turner, Pearl Jam, and Jerry Lee Lewis. Life Alexander was born in Sheffield, Alabama, United States. Working with Spar Music in Florence, Alabama, Alexander recorded his first single, "Sally Sue Brown", under the name of June Alexander (short for Junior), which was released in 1960 on Jud Phillips' Judd Records. (Phillips is the brother of music pioneer Sam Phillips). A year later, Alexander cut " You Better Move On", at the fledgling FAME Studios, which at that point was located above the City Drug St ...
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