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Costa Chapel (Santa Maria Del Popolo)
The Costa or St Catherine Chapel ( it, Cappella Costa or Cappella di Santa Caterina) is located in the south aisle of the Basilica of Santa Maria del Popolo in Rome. This is the fourth side chapel from the counterfaçade and was dedicated to St Catherine of Alexandria. The lunettes were painted by the helpers of Pinturicchio and the marble altar-piece is attributed to Gian Cristoforo Romano. History The chapel was originally owned by Domenico della Rovere but it was acquired by Portuguese Cardinal Jorge da Costa (the italianized name is Giorgio Costa) for 200 gold ducats in 1488. Costa was a well-known and influential person in the court of Pope Alexander VI. The Cardinal employed the same workshop of painters as the Della Rovere dynasty, the school of Pinturicchio. It is not unlikely that the patron consciously sought out the same artist.Passaglia Bauman, cit., pag. 56. The chapel preserved its original form except one window that was walled up for the creation of a new funeral mo ...
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Costa Chapel
The Costa or St Catherine Chapel ( it, Cappella Costa or Cappella di Santa Caterina) is located in the south aisle of the Basilica of Santa Maria del Popolo in Rome. This is the fourth side chapel from the counterfaçade and was dedicated to St Catherine of Alexandria. The lunettes were painted by the helpers of Pinturicchio and the marble altar-piece is attributed to Giovanni Cristoforo Romano, Gian Cristoforo Romano. History The chapel was originally owned by Domenico della Rovere but it was acquired by Portuguese Cardinal Jorge da Costa (cardinal), Jorge da Costa (the italianized name is Giorgio Costa) for 200 gold ducats in 1488. Costa was a well-known and influential person in the court of Pope Alexander VI. The Cardinal employed the same workshop of painters as the Della Rovere dynasty, the school of Pinturicchio. It is not unlikely that the patron consciously sought out the same artist.Passaglia Bauman, cit., pag. 56. The chapel preserved its original form except one window ...
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Santa Maria Del Popolo Capella Costa
Santa Claus, also known as Father Christmas, Saint Nicholas, Saint Nick, Kris Kringle, or simply Santa, is a legendary figure originating in Western Christian culture who is said to bring children gifts during the late evening and overnight hours on Christmas Eve of toys and candy or coal or nothing, depending on whether they are "naughty or nice". In the legend, he accomplishes this with the aid of Christmas elves, who make the toys in his workshop, often said to be at the North Pole, and flying reindeer who pull his sleigh through the air. The modern figure of Santa is based on folklore traditions surrounding Saint Nicholas, the English figure of Father Christmas and the Dutch figure of ''Sinterklaas''. Santa is generally depicted as a portly, jolly, white-bearded man, often with spectacles, wearing a red coat with white fur collar and cuffs, white-fur-cuffed red trousers, red hat with white fur, and black leather belt and boots, carrying a bag full of gifts for child ...
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Giovanni Di Stefano (sculptor)
Giovanni di Stefano (1443 – c. 1506) was an Italian Renaissance sculptor, bronze-caster, and engineer. Baptized on 20 June 1443, he was the son of Stefano di Giovanni ''For the village near Livorno, see Sassetta, Tuscany'' Stefano di Giovanni di Consolo, known as il Sassetta (ca.1392–1450 or 1451) was an Tuscan painter of the Renaissance, and a significant figure of the Sienese School.Judy Metro, ''Italia .... Some of his surviving works include two angels in bronze at Siena Cathedral, which he created in 1489 in collaboration with Francesco di Giorgio (who also worked with Giacomo Cozzarelli on another pair of bronze angels in the same cathedral), the marble altar of St. Caterina's chapel in S. Domenico, Siena (1469), and the effigy of Cardinal Pietro Foscari in the church of Santa Maria del Popolo in Rome (previously thought to have been created by Vecchietta), which he created circa 1485. The latter is now preserved in the Costa Chapel (Santa Maria del Popolo), ...
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Cerasi Chapel
The Cerasi Chapel or Chapel of the Assumption ( it, Cappella Cerasi, Cappella dell'Assunta) is one of the side chapels in the left transept of the Basilica of Santa Maria del Popolo in Rome. It contains significant paintings by Michelangelo Merisi da Caravaggio and Annibale Carracci, two of the most important masters of Italian Baroque art, dating from 1600–1601. History Precursor: Foscari Chapel Before the present-day edifice another funerary chapel on the same spot was dedicated to the Virgin Mary. It was built by Pietro Foscari, the Cardinal of Venice. Johann Burchard notes in his diary that the cardinal died on 11 August 1485. "His body was then transferred to the city, and given over for burial in a chapel of the Church of Santa Maria del Popolo, which he had built for himself", states Burchard. This construction obviously correlated to the general rebuilding of the basilica by Pope Sixtus IV which began in 1472. The Cardinal of Venice was an influential person in the R ...
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Pietro Foscari
Pietro Foscari (died 1485) (called the Cardinal of Venice) was an Italian Roman Catholic cardinal. Biography Pietro Foscari was born in Venice ca. 1417. He was the nephew of Francesco Foscari, Doge of Venice. Early in his career he became Abbot of the monastery of Saints Cosmas and Damian in Zara. In 1448, he became a canon of the cathedral chapter of Padua Cathedral. He became ''primicerius'' of St Mark's Basilica in Venice in 1452. He later became a protonotary apostolic. In the secret consistory of 25 March 1471 Pope Paul II secretly made Foscari a cardinal, but this was not published before the pope's death on July 26 and he was therefore not admitted to the papal conclave of 1471 that elected Pope Sixtus IV. In the consistory of 10 December 1477 Pope Sixtus IV made Foscari a cardinal priest; this was published on 20 December and Foscari given the titular church of San Nicola fra le Immagini. He arrived in Rome on 12 March 1478 and received the red hat on 6 April 1 ...
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Frederick William II Of Prussia
Frederick William II (german: Friedrich Wilhelm II.; 25 September 1744 – 16 November 1797) was King of Prussia from 1786 until his death in 1797. He was in personal union the Prince-elector of Brandenburg and (via the Orange-Nassau inheritance of his grandfather) sovereign prince of the Canton of Neuchâtel. Pleasure-loving and indolent, he is seen as the antithesis to his predecessor, Frederick the Great. (Frederick II). Under his reign, Prussia was weakened internally and externally, and he failed to deal adequately with the challenges to the existing order posed by the French Revolution. His religious policies were directed against the Enlightenment and aimed at restoring a traditional Protestantism. However, he was a patron of the arts and responsible for the construction of some notable buildings, among them the Brandenburg Gate in Berlin. Haydn, Mozart and Beethoven all dedicated works to him. Early life Frederick William was born in Berlin, the son of Prince Augus ...
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Morganatic
Morganatic marriage, sometimes called a left-handed marriage, is a marriage between people of unequal social rank, which in the context of royalty or other inherited title prevents the principal's position or privileges being passed to the spouse, or any children born of the marriage. The concept is most prevalent in German-speaking territories and countries most influenced by the customs of the German-speaking realms. Generally, this is a marriage between a man of high birth (such as from a reigning, deposed or mediatised dynasty) and a woman of lesser status (such as a daughter of a low-ranked noble family or a commoner).Webster's Online Dictionary
. Retrieved 2008-07-10.
Diesbach, Ghislain de. ''S ...
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Gustav Adolf Wilhelm Von Ingenheim
Gustav Adolf Wilhelm Graf von Ingenheim (2 January 1789, Berlin4 September 1855, Wiesbaden) was a prominent German art collector. Biography He was the son of King Friedrich Wilhelm II of Prussia and his morganatic wife, Julie von Voss, who had been given the title "Countess Ingenheim". She died of consumption two months after he was born. Upon turning twenty-one, he became a Royal Chamberlain. Following the German campaign of 1813, he was awarded the Iron Cross. Three years later, he was named a Privy Councilor, in service to his half-brother, King Friedrich Wilhelm III. It was at then that he decided to devote his life to his true passion, art, and began acquiring a collection. In pursuit of that goal, he lived in Italy from 1816 to 1818, and again from 1822, purchasing works for the newly established museums in Berlin, as well as for himself. He also hosted a salon that alternated between Rome and Berlin, while cultivating contacts with well known contemporary artists, such as ...
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Luigi Poletti (architect)
Luigi Poletti (28 October 1792 – 2 August 1869) was an Italian architect, active in a neoclassical style. Biography He was born in Modena. He initially obtained a doctorate in Mathematics and Philosophy in Bologna. He returns to Modena and becomes engineer of the Garfagnana, and professor of Mechanics and Hydraulics at the University. He then received a stipend to study in Rome. There he studied under Raffaele Stern. In 1823, the ancient Basilica of San Paolo fuori le Mura, one of the seven pilgrimage churches of Rome, was destroyed by fire. When plans for a new church were announced, a great hue arose from the neoclassic adherents of the past, such as Carlo Fea, who advocated for the church to be rebuilt as an exact replica of the past. Initially Pasquale Belli was hired, but soon after was replaced by Poletti who promised a closer replica. But he proposed to build a church as if the original builders ''had returned and, in their spirit, availed themselves of all the eru ...
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Antonio Del Pollaiuolo
Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian painter, sculptor, engraver, and goldsmith during the Italian Renaissance. Biography He was born in Florence. His brother, Piero del Pollaiuolo, was also an artist, and the two frequently worked together. Their work shows both classical influences and an interest in human anatomy; reportedly, the brothers carried out dissections to improve their knowledge of the subject. They took their nickname from the trade of their father, who in fact sold poultry (''pollaio'' meaning "hen coop" in Italian). Antonio's first studies of goldsmithing and metalworking were under either his father or Andrea del Castagno: the latter probably taught him also in painting. Other sources relate that he worked in the Florentine workshop of Bartoluccio di Michele, where Lorenzo Ghiberti also received his training. During this ...
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Iacopo Di Andrea Da Firenze
Iacopo is a given name, form of Jacopo, an Italian variation of Giacomo. May also refer to: *Iacopo II Appiani (1400–1441), the lord of Piombino from 1405 until 1441 *Iacopo III Appiani (1422–1474), Prince of Piombino of the Appiani dynasty in the Renaissance *Iacopo IV Appiani (1459–1510), Italian condottiero and lord of Piombino of the Appiani dynasty in the Renaissance *Iacopo V Appiani (1480–1545), the lord of Piombino of the Appiani dynasty from 1511 until his death *Iacopo Balestri (born 1975), Italian footballer *Iacopo Jacomelli, Italian singer of 1940s *Iacopo La Rocca (born 1984), Italian football defender *Iacopo Rusticucci, 13th century Florentine politician *Vitaliano di Iacopo Vitaliani Vitaliano di Iacopo Vitaliani was a Paduan nobleman who lived in the late 13th century around the time of Giotto and Dante. He is best known for being a wicked usurer according to Dante in the Divine Comedy. Place in Dante's ''Inferno'' In Dante ..., Paduan nobleman who lived ...
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Lisbon
Lisbon (; pt, Lisboa ) is the capital and largest city of Portugal, with an estimated population of 544,851 within its administrative limits in an area of 100.05 km2. Grande Lisboa, Lisbon's urban area extends beyond the city's administrative limits with a population of around 2.7 million people, being the List of urban areas of the European Union, 11th-most populous urban area in the European Union.Demographia: World Urban Areas
- demographia.com, 06.2021
About 3 million people live in the Lisbon metropolitan area, making it the third largest metropolitan area in the Iberian Peninsula, after Madrid and Barcelona. It represents approximately 27% of the country's population.
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