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Cornel Țăranu
Cornel Țăranu (; 20 June 1934 – 18 June 2023) was a Romanian classical composer, musicologist, conductor and cultural manager. A native of Cluj-Napoca in Transylvania, he was always attached to this region, and contributed to cultural cooperation between Romanian and ethnic Hungarian musicians. He studied locally, at the Cluj Academy, assimilating the local avatar of neoclassicism, alongside influences from Romanian folk music—though his debut years also evidenced conformity with Socialist Realism, he was reportedly censured by the communist regime for keeping company with sidelined figures, such as the poet Lucian Blaga. A teacher at his alma mater, he furthered his studies abroad, at the Conservatoire de Paris, becoming an authority on, and posthumous disciple of, George Enescu. Braving controversy, he worked on completing unfinished scores by Enescu, including his Fifth Symphony and a musical poem, ''Strigoii''. In parallel, he founded Cluj's Ars Nova, a chamber ...
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Cluj
; hu, kincses város) , official_name=Cluj-Napoca , native_name= , image_skyline= , subdivision_type1 = Counties of Romania, County , subdivision_name1 = Cluj County , subdivision_type2 = Subdivisions of Romania, Status , subdivision_name2 = County seat , settlement_type = Municipiu, City , leader_title = Mayor , leader_name = Emil Boc , leader_party = National Liberal Party (Romania), PNL , leader_title1 = Deputy Mayor , leader_name1 = Dan Tarcea (PNL) , leader_title2 = Deputy Mayor , leader_name2 = Emese Oláh (Democratic Alliance of Hungarians in Romania, UDMR) , leader_title3 = City Manager , leader_name3 = Gheorghe Șurubaru (PNL) , established_title= Founded , established_date = 1213 (first official record as ''Clus'') , area_total_km2 = 179.5 , area_total_sq_mi = 69.3 , area_metro_km2 = 1537.5 , elevation_m = 340 , population_as_of = 2011 Romanian census, 2011 , population_total = 324,576 , population_foot ...
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Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ...
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Byzantine Music
Byzantine music (Greek: Βυζαντινή μουσική) is the music of the Byzantine Empire. Originally it consisted of songs and hymns composed to Greek texts used for courtly ceremonials, during festivals, or as paraliturgical and liturgical music. The ecclesiastical forms of Byzantine music are the best known forms today, because different Orthodox traditions still identify with the heritage of Byzantine music, when their cantors sing monodic chant out of the traditional chant books such as the Sticherarion, which in fact consisted of five books, and the Irmologion. Byzantine music did not disappear after the fall of Constantinople. Its traditions continued under the Patriarch of Constantinople, who after the Ottoman conquest in 1453 was granted administrative responsibilities over all Eastern Orthodox Christians in the Ottoman Empire. During the decline of the Ottoman Empire in the 19th century, burgeoning splinter nations in the Balkans declared autonomy or autocephaly fr ...
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Greek Traditional Music
Greek traditional music (Greek: παραδοσιακή μουσική, "traditional music"; also δημοτικά τραγούδια, "folk songs") includes a variety of Greek styles played by ethnic Greeks in Greece, Cyprus, Australia, the United States and other parts of Europe. Apart from the common music found generally in Greece, each region of Greece contains a distinct type of folk music that originated from the region due to their history, traditions and cultural influences. Overview Greek folk music originally, predominantly contained one genre, known as Greek ''Demotiko (or Demotic/Paradosiako).'' This refers to the traditional Greek popular songs and music of mainland Greece and islands, which date back to the Byzantine times. It was the sole popular musical genre of the Greek people until the spread of ''Rebetiko'' and '' Laiko'' (other genres of folk music) in the early 20th century, spread by the Greek refugees from Asia Minor. This style of music evolved from t ...
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Romani Folklore
Romani folklore encompasses the folktales, myths, oral traditions, and legends of the Romani people. The Romani were nomadic when they departed India during the Middle Ages. They migrated widely, particularly to Europe, while other groups stayed and became sedentary. Some legends (often from non-Romani peoples) say that certain Romani have passive psychic powers such as empathy, precognition, retrocognition, or psychometry. Other legends include the ability to levitate, travel through astral projection by way of meditation, invoke curses or blessings, conjure or channel spirits, and skill with illusion-casting. Romani folktales * Bald Pate * Fedor and the Fairy, from '' A Book of Charms and Changelings'' * Jack and His Golden Snuff-Box * Mossycoat * The Creation of the Violin * The Captive's Tale and Circumcision * The Foam Maiden, from '' A Book of Sorcerers and Spells'' * The King of England and his Three Sons * The Little Bull-Calf * The Red King and the Witch * The Yel ...
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Romanian Literature
Romanian literature () is literature written by Romanian authors, although the term may also be used to refer to all literature written in the Romanian language. History The development of the Romanian literature took place in parallel with that of a rich Romanian folklore - lyric, epic, dramatic and didactic - which continued in modern times. The Romanian oral literature includes doine (lyric songs), ''balade'' (ballads), hore (dance songs), colinde (carols), ''basme'' ( fairy tales), ''snoave'' ( anecdotes), ''vorbe'' (proverbs), and ''ghicitoare'' (riddles). Beginnings The earliest surviving document in Romanian is Neacșu's Letter written in 1521, to the ''jude'' ("judge and mayor") of Brașov, Hans Benkner. Romanian culture was heavily influenced by the Eastern Orthodox Church, the official stance of the Romanian Church being that Orthodoxy was brought to the Romanian land by the Apostle Andrew. According to some modern Romanian scholars, the idea of early Christianisat ...
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Expressionist Music
The term expressionism "was probably first applied to music in 1918, especially to Schoenberg", because like the painter Wassily Kandinsky (1866–1944) he avoided "traditional forms of beauty" to convey powerful feelings in his music. Theodor Adorno interprets the expressionist movement in music as seeking to "eliminate all of traditional music's conventional elements, everything formulaically rigid". This he sees as analogous "to the literary ideal of the 'scream' ". As well Adorno sees expressionist music as seeking "the truthfulness of subjective feeling without illusions, disguises or euphemisms". Adorno also describes it as concerned with the unconscious, and states that "the depiction of fear lies at the centre" of expressionist music, with dissonance predominating, so that the "harmonious, affirmative element of art is banished". Expressionist music would "thus reject the depictive, sensual qualities that had come to be associated with impressionist music. It would endeavor ...
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Postmodern Music
Postmodern music is music in the art music tradition produced in the postmodern era. It also describes any music that follows aesthetical and philosophical trends of postmodernism. As an aesthetic movement it was formed partly in reaction to modernism but is not primarily defined as oppositional to modernist music. Postmodernists question the tight definitions and categories of academic disciplines, which they regard simply as the remnants of modernity. The postmodernist musical attitude Postmodernism in music is not a distinct musical style, but rather refers to music of the postmodern era. Postmodernist music, on the other hand, shares characteristics with postmodernist art—that is, art that comes after and reacts against modernism (see Modernism in Music). Rebecca Day, Lecturer in Music Analysis, writes "within music criticism, postmodernism is seen to represent a conscious move away from the perceptibly damaging hegemony of binaries such as aestheticism/formalism, subjec ...
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Film Score
A film score is original music written specifically to accompany a film. The score comprises a number of orchestral, instrumental, or choral pieces called cues, which are timed to begin and end at specific points during the film in order to enhance the dramatic narrative and the emotional impact of the scene in question. Scores are written by one or more composers under the guidance of or in collaboration with the film's director or producer and are then most often performed by an ensemble of musicians – usually including an orchestra (most likely a symphony orchestra) or band, instrumental soloists, and choir or vocalists – known as playback singers – and recorded by a sound engineer. The term is less frequently applied to music written for other media such as live theatre, television and radio programs, and video game, and said music is typically referred to as either the soundtrack or incidental music. Film scores encompass an enormous variety of styles ...
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Contemporary Classical Music
Contemporary classical music is classical music composed close to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism. History Background At the beginning of the twentieth century, composers of classical music were experimenting with an increasingly dissonant pitch language, which sometimes yielded atonal pieces. Following World War I, as a backlash against what they saw as the increasingly exaggerated gestures and formlessness of late Romanticism, certain composers adopted a neoclassic style, which sought to recapture the balanced forms and clearly perceptible thematic processes of earlier styles (see also New Objectivity and Social Realism). After World War II, modernist composers sought to achieve greater levels ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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