Coppelia, The Animated Doll
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Coppelia, The Animated Doll
''Coppelia, the Animated Doll'' (french: Coppelia ou la Poupée animée) was a 1900 French short silent film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 307–308 in its catalogues. The film is modeled on the 1870 ballet '' Coppélia'', which itself is loosely based on E. T. A. Hoffmann's story "The Sandman". The ballet —probably acting alongside the version of the same story in Jacques Offenbach's '' The Tales of Hoffmann''— inspired Méliès on numerous occasions, including a stage illusion at his Théâtre Robert-Houdin as well as various others of his films, such as '' An Up-to-Date Conjuror'' (1899) and '' Extraordinary Illusions'' (1903). ''Coppelia, the Animated Doll'' is currently presumed lost Lost may refer to getting lost, or to: Geography *Lost, Aberdeenshire, a hamlet in Scotland * Lake Okeechobee Scenic Trail, or LOST, a hiking and cycling trail in Florida, US History *Abbreviation of lost work, any work which is known ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Théâtre Robert-Houdin
The Théâtre Robert-Houdin, initially advertised as the Théâtre des Soirées Fantastiques de Robert-Houdin, was a Paris theatre dedicated primarily to the performance of stage illusions. Founded by the famous magician Jean-Eugène Robert-Houdin in 1845 at No. 164 Galerie Valois as part of the Palais-Royal, it moved in 1852 to a permanent home at No. 8, Boulevard des Italiens. The theatre's later directors, before its demolition in 1924, included Robert-Houdin's protégé Hamilton and the illusionist and film innovator Georges Méliès. When he first founded the theatre, Robert-Houdin was known primarily for his guest appearances as a magician and his clever mechanical inventions. Eager to solidify his work as a stage performer, he leased assembly rooms in the Palais-Royal and had them converted into a small but elegant proscenium theatre auditorium. In setting his stage, Robert-Houdin deliberately set himself apart from conventional stage-magic traditions; he eschewed the usual ...
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French Silent Short Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Films Directed By Georges Méliès
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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French Black-and-white Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
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Lost Film
A lost film is a feature or short film that no longer exists in any studio archive, private collection, public archive or the U.S. Library of Congress. Conditions During most of the 20th century, U.S. copyright law required at least one copy of every American film to be deposited at the Library of Congress at the time of copyright registration, but the Librarian of Congress was not required to retain those copies: "Under the provisions of the act of March 4, 1909, authority is granted for the return to the claimant of copyright of such copyright deposits as are not required by the Library." A report created by Library of Congress film historian and archivist David Pierce claims: * 75% of original silent-era films have perished. * 14% of the 10,919 silent films released by major studios exist in their original 35 mm or other formats. * 11% survive only in full-length foreign versions or film formats of lesser image quality. Of the American sound films made from 1927 to 1 ...
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Extraordinary Illusions (1903 Film)
''Illusions funambulesques'', sold in the United States as ''Extraordinary Illusions'' and in Britain as ''The 20th Century Illustrationist'', is a 1903 French silent trick film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 512–513 in its catalogues. Méliès plays the magician in the film, which uses substitution splices and dissolves to create its tricks. Méliès returned to the motif of dressing up and transforming a mannequin in a 1905 film, ''The Enchanted Sedan Chair''. ''Illusions funambulesques'' should not be confused with an earlier Méliès film, ''Dislocation Extraordinary ''Dislocation Extraordinary'' (french: Dislocation mystérieuse), also known as ''Extraordinary Illusions'', is a 1901 French silent trick film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 335–336 in its ...'' (1901). This earlier film has also been known in English as ''Extraordinary Illusions'' since at least 19 ...
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An Up-to-Date Conjuror
''L'Illusionniste fin de siècle'' is an 1899 French silent trick film directed by Georges Méliès. It was released in the United States as ''An Up-to-Date Conjurer'', and in Britain as ''An Up-to-Date Conjuror.'' It is also known as ''L'Impressionniste fin de siècle'' and ''The Conjurer''. Plot A conjuror and a ballet dancer perform a quick series of magic acts, including disappearances, reappearances, and transformations. Production Méliès plays the conjuror. The special effects in the film were created using sophisticated substitution splices, with the shots carefully cut and matched together to allow the mid-motion transformations to seem smooth. Méliès made two versions of ''An Up-to-Date Conjuror'', with a different dancer and different scenery, as well as slight variations in the action. It is possible that other Méliès films could have likewise been filmed more than once. The scenery in the more commonly available version of the film was reused for Méliès's ...
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The Tales Of Hoffmann
''The Tales of Hoffmann'' (French: ) is an by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere. Composition history and sources Offenbach saw a play, , written by Barbier and Michel Carré and produced at the Odéon Theatre in Paris in 1851. After returning from America in 1876, Offenbach learned that Barbier had adapted the play, which had now set to music at the Opéra. Salomon handed the project to Offenbach. Work proceeded slowly, interrupted by the composition of profitable lighter works. Offenbach had a premonition, like Antonia, the heroine of Act 2, that he would die prior to its completion. Offenbach continued working on the opera throughout 1880, attending some rehearsals. On 5 October 1880, he died with the manuscript in his hand, just four months before the opening. ...
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Coppélia
''Coppélia'' (sometimes subtitled: ''La Fille aux Yeux d'Émail'' (The Girl with the Enamel Eyes)) is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes, with libretto by Charles-Louis-Étienne Nuitter. Nuitter's libretto and mise-en-scène was based upon E. T. A. Hoffmann's short story ''Der Sandmann'' (''The Sandman''). In Greek, ''κοπέλα'' (or ''κοπελιά'' in some dialects) means ''young woman''. ''Coppélia'' premiered on 25 May 1870 at the Théâtre Impérial de l'Opéra, with the 16-year-old Giuseppina Bozzacchi in the principal role of Swanhilda and ballerina Eugénie Fiocre playing the part of Frantz ''en travesti''. The costumes were designed by Paul Lormier and Alfred Albert, the scenery by Charles-Antoine Cambon (Act I, scene 1; Act II, scene 1), and Édouard Desplechin and Jean-Baptiste Lavastre (Act I, scene 2). The ballet's first flush of success was interrupted by the Franco-Prussian War and t ...
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Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ...
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The Sandman (short Story)
"The Sandman" ( German: ''Der Sandmann'') is a short story by . It was the first in an 1817 book of stories titled ''Die Nachtstücke'' (''The Night Pieces''). Plot summary The story is told by a narrator who claims to have known Lothar. It begins by quoting three letters: # A letter from Nathanael to Lothar, the brother of his fiancée, Clara. Nathanael recalls his childhood terror of the legendary Sandman, who was said to steal the eyes of children who would not go to bed and feed them to his own children who lived in the moon. Nathanael came to associate the Sandman with a mysterious nightly visitor to his father. He recounts that one night, he hid in his father's room to see the Sandman. It is Coppelius, an obnoxious lawyer come to carry out alchemical experiments. Coppelius begins taking "shining masses" out of the fire and hammering them into face-like shapes without eyes. When Nathanael screams and is discovered, Coppelius flings him to the hearth. He is about to throw fi ...
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