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Cophetua
"The King and the Beggar-maid" is a 16th-century broadside balladThelma G. James (1933), "The English and Scottish Popular Ballads of Francis J. Child", ''The Journal of American Folklore'', Vol. 46 (No. 179), pp. 51–68. that tells the story of an African king, Cophetua, and his love for the beggar Penelophon (Shakespearean ''Zenelophon''). The story has been widely referenced and King Cophetua has become a byword for "a man who Love at first sight, falls in love with a woman instantly and proposes marriage immediately".Andrew Delahunty and Sheila Dignen, eds. (2010)"Cophetua, King" ''The Oxford Dictionary of Reference and Allusion'' (Oxford University Press). Retrieved 22 December 2018. Story Cophetua is an African king known for his lack of sexual attraction to women. One day, looking out of a palace window, he witnesses a young beggar, Penelophon, "clad all in grey". Struck by love at first sight, Cophetua decides that he will either have the beggar as his wife or commit s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love At First Sight
Love at first sight is a personal experience as well as a common trope in literature: a person or character feels an instant, extreme, and ultimately long-lasting romantic attraction for a stranger upon first seeing that stranger. Described by poets and critics since the emergence of ancient Greece, falling in love at first sight has become a common theme in Western fiction. Historical conceptions Greek In the classical world, the phenomenon of "love at first sight" was understood within the context of a more general conception of passionate love, a kind of madness or, as the Greeks put it, ''theia mania'' ("madness from the gods"). This love passion was described through an elaborate metaphoric and mythological psychological effect involving "love's arrows" or "love darts," the source of which was often given as the mythological Eros or Cupid, sometimes by other mythological deities (such as Rumor). At times, the source of the arrows was said to be the image of the beautiful lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love At First Sight
Love at first sight is a personal experience as well as a common trope in literature: a person or character feels an instant, extreme, and ultimately long-lasting romantic attraction for a stranger upon first seeing that stranger. Described by poets and critics since the emergence of ancient Greece, falling in love at first sight has become a common theme in Western fiction. Historical conceptions Greek In the classical world, the phenomenon of "love at first sight" was understood within the context of a more general conception of passionate love, a kind of madness or, as the Greeks put it, ''theia mania'' ("madness from the gods"). This love passion was described through an elaborate metaphoric and mythological psychological effect involving "love's arrows" or "love darts," the source of which was often given as the mythological Eros or Cupid, sometimes by other mythological deities (such as Rumor). At times, the source of the arrows was said to be the image of the beautiful lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Every Man In His Humour
''Every Man in His Humour'' is a 1598 play by the English playwright Ben Jonson. The play belongs to the subgenre of the " humours comedy," in which each major character is dominated by an over-riding humour or obsession. Performance and publication All the available evidence indicates that the play was performed by the Lord Chamberlain's Men in 1598 at the Curtain Theatre in Shoreditch, London. That date is given in the play's reprint in Jonson's 1616 folio collection of his works; the text of the play (IV,iv,15) contains an allusion to John Barrose, a Burgundian fencer who challenged all comers that year and was hanged for murder on 10 July 1598. The play was also acted at Court on 2 February 1605. A theatre legend first recorded in 1709 by Nicholas Rowe has it that Shakespeare advocated production of the play at a point when the company was about to reject it. While this legend is unverifiable, it is almost certain, based on the playlist published in the folio, that S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Blair Leighton
Edmund Blair Leighton (21 September 18521 September 1922) was an English painter of historical genre scenes, specialising in Regency and medieval subjects. His art is associated with the pre-Raphaelite movement of the mid-to-late nineteenth and early twentieth centuries. Biography Leighton was the son of the artist Charles Blair Leighton (1823–1855) and Caroline Leighton (née Boosey). He was educated at University College School, leaving at 15 to work for a tea merchant. Wishing to study art, he went to evening classes in South Kensington and then to Heatherley's School in Newman Street, London. Aged 21, he entered the Royal Academy Schools. Among his first commissions were monochrome illustrations for ''Cassell's Magazine'' and its ''Book of British Ballads''. His first painting to be exhibited at the Royal Academy was ''A Flaw in the Title'' in 1874; it sold for £200. He soon gave up "black and white" illustrations, working for the rest of his career in oil on canvas. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred, Lord Tennyson
Alfred Tennyson, 1st Baron Tennyson (6 August 1809 – 6 October 1892) was an English poet. He was the Poet Laureate during much of Queen Victoria's reign. In 1829, Tennyson was awarded the Chancellor's Gold Medal at Cambridge for one of his first pieces, "Timbuktu". He published his first solo collection of poems, ''Poems, Chiefly Lyrical'', in 1830. "Claribel" and "Mariana", which remain some of Tennyson's most celebrated poems, were included in this volume. Although described by some critics as overly sentimental, his verse soon proved popular and brought Tennyson to the attention of well-known writers of the day, including Samuel Taylor Coleridge. Tennyson's early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood. Tennyson also excelled at short lyrics, such as "Break, Break, Break", "The Charge of the Light Brigade", "Tears, Idle Tears", and "Crossing the Bar". Much of his verse was based on classical mytho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collection Of Old Ballads
''A Collection of Old Ballads'' is an anonymous book published 1723–1725 in three volumes in London by Roberts and Leach. It was the second major collection of British folksongs to be published, following ''Wit and Mirth, or Pills to Purge Melancholy'' (published 1719–1720). Ambrose Philips was once credited as the editor, but this has since been challenged.R. S. Thomson,‘The Development of the Broadside Ballad Trade and its Influence upon the Transmission of English Ballads’, (unpublished doctoral thesis, Cambridge University, 1974 pp.108-111 Volume one contained "Chevy Chase", " Queen Eleanor's Confession", "The Suffolk Miracle", and "Bonny Dundee". The preface to volume two notes that readers had responded to volume one by sending some rare songs to the editor. It has fewer genuine folksongs than the first volume, and instead has some obvious literary concoctions. It has "The Merchant's Son and Beggar Wench of Hull" (a prototype of "New York Girls"), "The Wind Has Blown ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Playford
Henry Playford (1657 – c. 1707) was an English music publisher, the younger son and only known surviving child of John Playford, with whom he entered business. His father died around 1686, but for some time before that he was in poor health. Henry took on his father's shop near Temple Church 1685–1695, then traded in Temple Change 1695–1704 and finally in Middle Temple Gate in 1706. Many of his publications were of a transient nature and were aimed at favourite songs and instrumental pieces for public entertainments, such as the pleasure garden concerts much in vogue. He revised his father's ''The Dancing Master'' and published Thomas d'Urfey's ''Wit and Mirth'' and Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ...'s ''Orpheus Britannicus''. Among his most signi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Air (music)
An air ( it, aria; also ''ayr'', ''ayre'' in French) is a song-like vocal or instrumental composition. The term can also be applied to the interchangeable melodies of folk songs and ballads. It is a variant of the musical song form often referred to (in opera, cantata and oratorio) as aria. English lute ayres Lute airs were first produced in the royal court of England toward the end of the 16th century and enjoyed considerable popularity until the 1620s. Probably based on Italian monody and French ''air de cour'', they were solo songs, occasionally with more (usually three) parts, accompanied on a lute.G. J. Buelow, ''History of Baroque Music: Music in the 17th and First Half of the 18th Centuries'', Indiana University Press, 2004 (p. 306). Their popularity began with the publication of John Dowland's (1563–1626) ''First Booke of Songs or Ayres'' (1597). His most famous airs include " Come again", "Flow, my tears", " I saw my Lady weepe", and " In darkness let me dwell". The gen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reliques Of Ancient English Poetry
The ''Reliques of Ancient English Poetry'' (sometimes known as ''Reliques of Ancient Poetry'' or simply Percy's ''Reliques'') is a collection of ballads and popular songs collected by Bishop Thomas Percy and published in 1765. Sources The basis of the work was the manuscript which became known as the Percy Folio. Percy found the folio in the house of his friend Humphrey Pitt of Shifnal, a small market town of Shropshire. It was on the floor, and Pitt's maid had been using the leaves to light fires. Once rescued, Percy would use just forty-five of the ballads in the folio for his book, despite claiming the bulk of the collection came from this folio. Other sources were the Pepys Library of broadside ballads collected by Samuel Pepys and ''Collection of Old Ballads'' published in 1723, possibly by Ambrose Philips. Bishop Percy was encouraged to publish the work by his friends Samuel Johnson and the poet William Shenstone, who also found and contributed ballads. Percy did no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The English And Scottish Popular Ballads
The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as ''The English and Scottish Popular Ballads''. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s. History Age and source of the ballads The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of " A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century. The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some are claimed to have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous coll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
