Cool To Be You
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Cool To Be You
''Cool to Be You'' is the sixth studio album by the American punk rock band the Descendents, released in 2004 through Fat Wreck Chords. It was their first album of new studio material since 1996's '' Everything Sucks'', which had been released through Epitaph Records. Following ''Everything Sucks'', singer Milo Aukerman had returned to his biochemistry career while the other members—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—had continued with their other band All, releasing two more studio albums and a live album through Epitaph between 1998 and 2001 with singer Chad Price. ''Cool to Be You'' was recorded with Aukerman in 2002, but its release was delayed until 2004. The band switched from Epitaph to Fat Wreck Chords partly due to the enthusiasm of label head Fat Mike, who cited the Descendents as one of his favorite bands. ''Cool to Be You'' became the fourth Descendents release to chart, reaching #143 on the ''Billboard'' 200 and #6 amon ...
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Descendents (band)
The Descendents are an American punk rock band formed in 1977 in Manhattan Beach, California, by guitarist Frank Navetta, bassist Tony Lombardo and drummer Bill Stevenson. In 1979, they enlisted Stevenson's school friend Milo Aukerman as a singer, and reappeared as a punk rock band, becoming a major player in the hardcore punk scene developing in Los Angeles at the time. They have released eight studio albums, three live albums, three compilation albums, and four EPs. Since 1986, the band's lineup has consisted of singer Milo Aukerman, guitarist Stephen Egerton, bassist Karl Alvarez, and drummer Bill Stevenson. History Early years, ''Fat EP'', ''Milo Goes to College'', and first hiatus (1977–1984) In 1977, friends Frank Navetta and David Nolte began writing songs on acoustic guitars with the intention of forming a band. They initially called themselves "The Itch", until Navetta came up with the name "Descendents". By the end of the year they had failed to attract any mo ...
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Stephen Egerton (guitarist)
Stephen Patrick O'Reilly (born September 2, 1964), known professionally as Stephen Egerton, is an American guitarist, producer, mixer, and engineer, who is best known for his work playing in Descendents and All. Biography Early life Egerton was raised in Utah, United States (U.S.) and explained his early relationship to music in a 2009 interview: "I was a music fanatic from the beginning of my life. Including pounding my head on the floor along with my parent's records ... which explains a lot." Egerton's first significant musical influence was the Beatles, but he also grew up listening to his parents' music collection: A lot of 50's and 60's rock and roll as a kid, and a little jazz. My mother had good taste in music, and I grew up with a great variety. When I was 11, a neighbor lent me Frank Zappa's ''Absolutely Free'' which sparked my interest in "unusual" music ... opening the door for punk rock. Music career Egerton played drums and guitar in the punk rock/death rock ba ...
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San Francisco
San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of California cities by population, fourth most populous in California and List of United States cities by population, 17th most populous in the United States, with 815,201 residents as of 2021. It covers a land area of , at the end of the San Francisco Peninsula, making it the second most densely populated large U.S. city after New York City, and the County statistics of the United States, fifth most densely populated U.S. county, behind only four of the five New York City boroughs. Among the 91 U.S. cities proper with over 250,000 residents, San Francisco was ranked first by per capita income (at $160,749) and sixth by aggregate income as of 2021. Colloquial nicknames for San Francisco include ''SF'', ''San Fran'', ''The '', ''Frisco'', and '' ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Live Plus One
''Live Plus One'' is a live album by the American punk rock bands All and the Descendents, released in 2001 through Epitaph Records. A double album, it includes one disc by All recorded in 2001 on their '' Problematic'' tour, and a second disc by the Descendents recorded in 1996 on their '' Everything Sucks'' tour. The two bands are composed of the same musicians—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—but have different lead singers: Chad Price for All and Milo Aukerman for the Descendents. ''Live Plus One'' reached #45 on ''Billboard'''s Top Independent Albums chart, making it the only All release and the second Descendents release ever to chart. Background In 1987 singer Milo Aukerman left the Descendents to pursue a career in biochemistry. The remaining members—bassist Karl Alvarez, guitarist Stephen Egerton, and drummer Bill Stevenson—changed the band's name to All, releasing eight albums between 1988 and 1995 with singers D ...
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Problematic (album)
''Problematic'' is the eighth studio album by American hardcore punk band All. It was recorded at the band's own recording studio, The Blasting Room in Fort Collins, Colorado, and released on Epitaph Records in 2000. Track listing Credits ;ALL * Chad Price – Vocals * Bill Stevenson – Drums *Karl Alvarez – Bass guitar, vocals * Stephen Egerton – Guitar ;Production * Bill Stevenson – Producer, engineer, mixing * Jason Livermore – Producer, engineer, mastering, mixing * Stephen Egerton –Producer, engineer ;Artwork Chris Shary – Cover Art References External links ''Problematic''at YouTube YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by ... (streamed copy where licensed) {{Authority control All (band) albums 2000 albums Epitaph Records albums Albums pr ...
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Mass Nerder
''Mass Nerder'' is the seventh album by the punk rock band All. It was released on Epitaph Records in 1998. Background and recording In mid 1996, All began working on their next, then untitled, studio album. At the same time, Milo Aukerman was considering to permanently reunite the Descendents, and was beginning sessions for the band's next album Everything Sucks. All joined Aukerman on the sessions, where they played demos of the Descendants' songs. Price and Aukerman then split the album in two and took turns picking songs for Everything Sucks or Mass Nerder. The band recorded a total of 18 tracks for the new album, of which only four ("Vida Blue," "Silence," "Until Then" and "Good As My Word") would make it onto Mass Nerder. Nine other tracks ("Everything Sux," "I'm the One," "Sick-O-Me," "Caught," "When I Get Old," "She Loves Me," "Hateful Notebook," "I Won't Let Me" and "Thank You") were covers of songs from Everything Sucks, while the remaining five were left off Mass Ne ...
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Scott Reynolds (singer)
Scott Reynolds is an American punk rock vocalist from Fredonia, New York, known mainly for his work with the band ALL from 1989 to 1993. He has also performed with such bands as The Pavers and Goodbye Harry. Time with ALL Reynolds was pop-punk band ALL's second lead singer, replacing Dave Smalley in 1989. He recorded and toured with the group extensively from 1989 - 1993. His songwriting contributions with All were notable; his '' Dot'' off 1993's ''Percolater'' was the group's first single not written by drummer Bill Stevenson. Reynolds left ALL in 1993 reportedly due to differences in the band regarding touring schedules. All formed in suburban Los Angeles in 1987 when Milo Aukerman, the lead singer of The Descendents, left to pursue a graduate degree in biochemistry, forcing the band into a hiatus. The remaining members, guitarist Stephen Egerton, bassist Karl Alvarez, and drummer Bill Stevenson decided to carry on as a band, adopting the title of the Descendents’ last ...
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Dave Smalley
Dave Smalley is an American musician, best known as the lead singer for the hardcore punk bands DYS, Dag Nasty, and All and as lead singer/guitarist with Down by Law. He is known for his influence on pop punk music and his early contributions to the emo genre. He also founded a side project called The Sharpshooters, whose music is influenced by mod revival bands such as The Jam. Smalley has also produced and appeared on Canadian punk band Penelope's second album, ''Face au silence du monde'', recorded by Don Zientara at Inner Ear Studio in Arlington, Virginia. He received a bachelor's degree from Boston College and a masters in political science from California State University Los Angeles. He resides with his family in Fredericksburg, Virginia, where he works as a features editor of the Weekender section of the town's newspaper, the ''Free Lance-Star''. He previously worked as the youth editor for ''it!'', a teen news supplement to the Free-Lance Star, and won several award ...
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Interscope Records
Interscope Records is an American record label owned by Universal Music Group through its Interscope Geffen A&M imprint. Founded in late 1990 by Jimmy Iovine and Ted Field as a $20 million joint venture with Atlantic Records of Warner Music Group and Interscope Communications, it differed from most record companies by letting A&R staff control decisions and allowing artists and producers full creative control. Its first hit records arrived in under a year, and it achieved profitability in 1993. Chair and CEO until May 2014, Iovine was succeeded by John Janick. In 1992, Interscope acquired the exclusive rights to market and distribute releases from the hardcore hip hop label Death Row, whose artists included Dr. Dre and Snoop Dogg, a decision that ultimately put the label at the center of the mid-1990s gangsta rap controversy. As a result, Time Warner, owning Atlantic, severed ties with Interscope by selling its 50 percent stake back to Field and Iovine for $115  ...
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Cruz Records
Cruz Records was an offshoot record label of SST Records, owned by the Black Flag guitarist Greg Ginn. The label was founded in 1987. Its roster consisted mainly of pop punk and grunge bands, along with Ginn's solo records. The label has remained inactive since the mid-1990s although the pieces of its back catalog that are still in print are still available through SST Records. Artists * ALL * Chemical People * Greg Ginn * Jack Endino * Skin Yard * Big Drill Car * TonyALL * Goodbye Harry * Endino's Earthworm * Rig * Dirt Fishermen See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... External links SST and Cruz RecordsCruz Records at Discogs Defunct record labels of the United States Punk record labels {{US-record-label-stub ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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