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Continuous Flash Suppression
Continuous flash suppression (CFS) is an adapted version of the original flash suppression method, first reported in 2004. In CFS, the first eye is presented with a static stimulus, such as a schematic face, while the second eye is presented with a series of rapidly changing stimuli. The result is the static stimulus becomes consciously repressed by the stimuli presented in the second eye. A variant of CFS to suppress a dynamic stimulus is also reported CFS not only successfully suppresses images, but it strengthens the depth and duration of suppression compared to previous methods, such as flash suppression and binocular rivalry. CFS has the highest magnitude of suppression and allows researchers to increase the suppression time of an image tenfold. Using this method, subjects may report an image presented in their visual field as being invisible for over three minutes. CFS has the longest suppression time compared to other methods. CFS opens the door to studying preconscious proce ...
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Flash Suppression
Flash suppression is a phenomenon of visual perception in which an image presented to one eye is suppressed by a flash of another image presented to the other eye. To observe flash suppression, a small image is first presented to one eye for about a second while a blank field is presented to the other eye. Then a different, small image is abruptly shown, ''flashed'', to the other, second eye at the location corresponding to the image to the first eye. The image to the first eye disappears, even though it is still presented, and only the new image is perceived. The new image to the second eye ''suppresses'' perception of the image to the first. For example, if a vehicle is shown to the left eye for 1 second, and then a face is abruptly flashed to the right eye, the observer consciously sees first a vehicle and then a face. Note that the face is seen while the picture of the car is still present. If the order of presentation is reversed, the order of percept is reversed. The phenome ...
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Binocular Rivalry
Binocular rivalry is a phenomenon of visual perception in which perception alternates between different images presented to each eye. When one image is presented to one eye and a very different image is presented to the other (also known as dichoptic presentation), instead of the two images being seen superimposed, one image is seen for a few moments, then the other, then the first, and so on, randomly for as long as one cares to look. For example, if a set of vertical lines is presented to one eye, and a set of horizontal lines to the same region of the retina of the other, sometimes the vertical lines are seen with no trace of the horizontal lines, and sometimes the horizontal lines are seen with no trace of the vertical lines. At transitions, brief, unstable composites of the two images may be seen. For example, the vertical lines may appear one at a time to obscure the horizontal lines from the left or from the right, like a traveling wave, switching slowly one image for th ...
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Salience (neuroscience)
Salience (also called saliency) is that property by which some thing stands out. Salient events are an attentional mechanism by which organisms learn and survive; those organisms can focus their limited perceptual and cognitive resources on the pertinent (that is, salient) subset of the sensory data available to them. Saliency typically arises from contrasts between items and their neighborhood. They might be represented, for example, by a red dot surrounded by white dots, or by a flickering message indicator of an answering machine, or a loud noise in an otherwise quiet environment. Saliency detection is often studied in the context of the visual system, but similar mechanisms operate in other sensory systems. Just what is salient can be influenced by training: for example, for human subjects particular letters can become salient by training. There can be a sequence of necessary events, each of which has to be salient, in turn, in order for successful training in the sequence; ...
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Fovea Centralis
The fovea centralis is a small, central pit composed of closely packed cones in the eye. It is located in the center of the macula lutea of the retina. The fovea is responsible for sharp central vision (also called foveal vision), which is necessary in humans for activities for which visual detail is of primary importance, such as reading and driving. The fovea is surrounded by the ''parafovea'' belt and the ''perifovea'' outer region. The parafovea is the intermediate belt, where the ganglion cell layer is composed of more than five layers of cells, as well as the highest density of cones; the perifovea is the outermost region where the ganglion cell layer contains two to four layers of cells, and is where visual acuity is below the optimum. The perifovea contains an even more diminished density of cones, having 12 per 100 micrometres versus 50 per 100 micrometres in the most central fovea. That, in turn, is surrounded by a larger peripheral area, which delivers highly comp ...
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Crowding
Crowding (or visual crowding) is a perceptual phenomenon where the recognition of objects presented away from the fovea is impaired by the presence of other neighbouring objects (sometimes called "flankers"). It has been suggested that crowding occurs due to mandatory integration of the crowded objects by a texture-processing neural mechanism, but there are several competing theories about the underlying mechanisms. It is considered a kind of grouping since it is "a form of integration over space as target features are spuriously combined with flanker features." Crowding has long been thought to be predominantly a characteristic of peripheral vision. Yet, while it is indeed particularly prominent there, it is present in the whole of the visual field, with only its spatial extent varying (governed by Bouma's law; see below). In particular, crowding is of utmost importance in foveal vision, overriding the importance of visual acuity in pattern recognition and reading where crowd ...
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Backward Masking
The concept of backward masking originated in psychoacoustics, referring to temporal masking of quiet sounds that occur moments before a louder sound. In cognitive psychology, visual backward masking involves presenting one visual stimulus (a "mask" or "masking stimulus") immediately after a brief (usually 30 ms) "target" visual stimulus resulting in a failure to consciously perceive the first stimulus.Breitmeyer, B.G. and Ogmen, H. (2007''Visual masking'' Scholarpedia, 2(7):3330. It is widely used in psychophysiological studies on fear and phobias that investigate the preattentive nonconscious reactions to fear-relevant stimuli. It is unknown how a later stimulus is able to block an earlier one. However, one theory for this phenomenon, known as the ''dual channel interaction'' theory, proposes that a fast signal created by the second stimulus is able to catch up to and overcome a slower signal sent from the first impulse. A similar phenomenon can occur when a masking stimulus prec ...
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Adaptation
In biology, adaptation has three related meanings. Firstly, it is the dynamic evolutionary process of natural selection that fits organisms to their environment, enhancing their evolutionary fitness. Secondly, it is a state reached by the population during that process. Thirdly, it is a phenotypic trait or adaptive trait, with a functional role in each individual organism, that is maintained and has evolved through natural selection. Historically, adaptation has been described from the time of the ancient Greek philosophers such as Empedocles and Aristotle. In 18th and 19th century natural theology, adaptation was taken as evidence for the existence of a deity. Charles Darwin proposed instead that it was explained by natural selection. Adaptation is related to biological fitness, which governs the rate of evolution as measured by change in allele frequencies. Often, two or more species co-adapt and co-evolve as they develop adaptations that interlock with those of the o ...
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Piet Mondrian
Pieter Cornelis Mondriaan (), after 1906 known as Piet Mondrian (, also , ; 7 March 1872 – 1 February 1944), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century. He is known for being one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements. Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man." His art, however, always remained rooted in nature. He ...
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Flash Suppression
Flash suppression is a phenomenon of visual perception in which an image presented to one eye is suppressed by a flash of another image presented to the other eye. To observe flash suppression, a small image is first presented to one eye for about a second while a blank field is presented to the other eye. Then a different, small image is abruptly shown, ''flashed'', to the other, second eye at the location corresponding to the image to the first eye. The image to the first eye disappears, even though it is still presented, and only the new image is perceived. The new image to the second eye ''suppresses'' perception of the image to the first. For example, if a vehicle is shown to the left eye for 1 second, and then a face is abruptly flashed to the right eye, the observer consciously sees first a vehicle and then a face. Note that the face is seen while the picture of the car is still present. If the order of presentation is reversed, the order of percept is reversed. The phenome ...
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Vision
Vision, Visions, or The Vision may refer to: Perception Optical perception * Visual perception, the sense of sight * Visual system, the physical mechanism of eyesight * Computer vision, a field dealing with how computers can be made to gain understanding from digital images or videos * Machine vision, technology for imaging-based automatic inspection Perception of the future * Foresight (psychology), in business, the ability to envisage future market trends and plan accordingly * Goal, a desired result ** Vision statement, a declaration of objectives to guide decision-making Other perceptions * Vision (spirituality), a supernatural experience that conveys a revelation * Hallucination, a perception of something that does not exist Arts and media Events * Visions (convention), a science fiction event * Vision Festival, a New York City art festival Film and television * "The Vision", episode of '' Alcoa Presents: One Step Beyond'' * ''The Vision'' (film), 1998 British televisi ...
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