Contax G2
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Contax G2
The Contax G camera line consists of two cameras, the G1 and G2, interchangeable-lens cameras sold by Kyocera under the Contax brand in competition with the Leica M7, Cosina Voigtländer Bessa-R, and Konica Hexar RF. The G1 was introduced in 1994 with the G2 joining it in 1996. In 2005, Kyocera retreated from the camera business and announced it would cease all activity related to the manufacture of Contax cameras at the end of the year, effectively spelling the end of the G system. Design The two G-series cameras have titanium-clad bodies and use the Contax G-mount, an electronic autofocus mount. When tested in 1995, the Contax G1 cost with the 45 mm Planar lens; the 28 mm Biogon and 90 mm Sonnar lenses were each , and the list price for the 16 mm Hologon was . The 45 mm Planar was listed separately at . The Contax G2 listed for with the 45 mm Planar lens in 1999. Critics were quick to accuse the G1 of not being a "true" (mechanical) rangefinder, ...
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Contax G1 0525
Contax (stylised as CONTAX in the Kyocera era) began as a German camera model in the Zeiss Ikon line in 1932, and later became a brand name. The early cameras were among the finest in the world, typically featuring high quality Zeiss interchangeable lenses. The final products under the Contax name were a line of 35 mm, medium format, and digital cameras engineered and manufactured by Japanese multinational Kyocera, and featuring modern Zeiss optics. In 2005, Kyocera announced that it would no longer produce Contax cameras. The rights to the brand are currently part of Carl Zeiss AG, but no Contax cameras are currently in production, and the brand is considered dormant. Historical overview While the firm of Ernst Leitz of Wetzlar established the 24 mm × 36 mm negative format on perforated 35 mm movie film as a viable photographic system, Zeiss Ikon of Dresden decided to produce a competitor designed to be superior in every way. The name Contax was cho ...
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Carl Zeiss AG
Carl Zeiss AG (), branded as ZEISS, is a German manufacturer of optical systems and optoelectronics, founded in Jena, Germany in 1846 by optician Carl Zeiss. Together with Ernst Abbe (joined 1866) and Otto Schott (joined 1884) he laid the foundation for today's multi-national company. The current company emerged from a reunification of Carl Zeiss companies in East and West Germany with a consolidation phase in the 1990s. ZEISS is active in four business segments with approximately equal revenue (Industrial Quality and Research, Medical Technology, Consumer Markets and Semiconductor Manufacturing Technology) in almost 50 countries, has 30 production sites and around 25 development sites worldwide. Carl Zeiss AG is the holding of all subsidiaries within Zeiss Group, of which Carl Zeiss Meditec AG is the only one that is traded at the stock market. Carl Zeiss AG is owned by the foundation Carl-Zeiss-Stiftung. The Zeiss Group has its headquarters in southern Germany, in the smal ...
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Angle Of View
The angle of view is the decisive variable for the visual perception of the size or projection of the size of an object. Angle of view and perception of size The perceived size of an object depends on the size of the image projected onto the retina. The size of the image depends on the angle of vision. A near and a far object can appear the same size if their edges produce the same angle of vision. With an optical device such as glasses or binoculars, microscope and telescope the angle of vision can be widened so that the object appears larger, which is favourable for the resolving power of the eye (see visual angle). Angle of view in photography In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view. It is important to distinguish the angle of view from the angle of coverage, which describes the angle range that a lens can image. Typically the image ...
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Focal Length
The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power. In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower opti ...
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Contax G2 With Biogon F2,8 21mm
Contax (stylised as CONTAX in the Kyocera era) began as a German camera model in the Zeiss Ikon line in 1932, and later became a brand name. The early cameras were among the finest in the world, typically featuring high quality Zeiss interchangeable lenses. The final products under the Contax name were a line of 35 mm, medium format, and digital cameras engineered and manufactured by Japanese multinational Kyocera, and featuring modern Zeiss optics. In 2005, Kyocera announced that it would no longer produce Contax cameras. The rights to the brand are currently part of Carl Zeiss AG, but no Contax cameras are currently in production, and the brand is considered dormant. Historical overview While the firm of Ernst Leitz of Wetzlar established the 24 mm × 36 mm negative format on perforated 35 mm movie film as a viable photographic system, Zeiss Ikon of Dresden decided to produce a competitor designed to be superior in every way. The name Contax was chos ...
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Sony E-mount
The E-mount is a lens mount designed by Sony for their NEX ("New E-mount eXperience") and ILCE series of camcorders and mirrorless cameras. The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining compatibility with 35mm sensors. E-mount achieves this by: * Minimising mechanical complexity, removing mechanical aperture and focus drive. * Shortening the flange focal distance to 18 mm compared with earlier offerings from Sony which used 44.5 mm. * Reducing the radius of the flange. The short flange focal distance prohibits the use of an optical viewfinder, as a mirror box mechanism cannot be included in this reduced distance. Therefore all E-mount cameras use an electronic viewfinder. History Initially, E-mount was implemented on the Sony α NEX-3 and NEX-5 consumer-targeted devices with APS-C sized sensors. E-mount integration into Sony camcorder products was provided with the Sony Handycam NEX-VG10. On 2 ...
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Canon FL Lens Mount
Canon FL refers to a lens mount standard for 35mm single-lens reflex cameras from Canon. It was introduced in April 1964 with the Canon FX camera, replacing the previous Canon R lens mount. The FL mount was in turn replaced in 1971 by the Canon FD lens mount. FL lenses can also be used on FD-mount cameras. Many mirrorless interchangeable-lens cameras are able to use Canon FL lenses via an adapter. FL cameras * Canon FX (1964) * Canon FP (1964) * Canon Pellix (1965) * Canon FT QL (1966) * Canon Pellix QL (1966) * Canon TL (1968) FL lenses Zoom Wide-angle (under 50mm) Standard (50–60mm) Source: Canon released 3 'levels' of standard lenses (exc. macro). The f/1.8 lenses were small and lightweight, f/1.4 were mid-range, and the f/1.2 were professional level (top of their line). Telephoto (above 60mm) Notes # The FL 19mm F3.5 (not the 19mm F3.5 R) was a true wide angle (short focus) lens. Its rear projected far into the mirror box on an SLR, and beca ...
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Canon FD Lens Mount
The Canon FD lens mount is a physical standard for connecting a photographic lens to a 35mm single-lens reflex camera body. The standard was developed by Canon of Japan and was introduced in March 1971 with the Canon F-1 camera. It served as the Canon SLR interchangeable lens mounting system until the 1987 introduction of the Canon EOS series cameras, which use the newer EF lens mount. The FD mount lingered through the release of the 1990 Canon T60, the last camera introduced in the FD system, and the end of the Canon New F-1 product cycle in 1992. The FD mount was based upon and replaced Canon's earlier FL mount (which in turn had replaced the R mount); FD-mount cameras can use FL lenses in stop-down metering mode. Though never officially explained by Canon, others have attempted to assign a meaning to the "FD" designation. One such attempt states that the "FD" notation stands for "Focal-plane shutter with Dual linkage for diaphragm control"; in actuality, there were two li ...
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Contax G Series Lens Mount
Contax (stylised as CONTAX in the Kyocera era) began as a German camera model in the Zeiss Ikon line in 1932, and later became a brand name. The early cameras were among the finest in the world, typically featuring high quality Zeiss interchangeable lenses. The final products under the Contax name were a line of 35 mm, medium format, and digital cameras engineered and manufactured by Japanese multinational Kyocera, and featuring modern Zeiss optics. In 2005, Kyocera announced that it would no longer produce Contax cameras. The rights to the brand are currently part of Carl Zeiss AG, but no Contax cameras are currently in production, and the brand is considered dormant. Historical overview While the firm of Ernst Leitz of Wetzlar established the 24 mm × 36 mm negative format on perforated 35 mm movie film as a viable photographic system, Zeiss Ikon of Dresden decided to produce a competitor designed to be superior in every way. The name Contax was chos ...
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Vario-Sonnar
The Zeiss Sonnar is a photographic lens originally designed by Dr. Ludwig Bertele in 1929 and patented by Zeiss Ikon.Deutsche Patent 530843, 1929-08-14 It was notable for its relatively light weight, simple design and fast aperture. The name "Sonnar" is derived from the German word " Sonne", meaning sun. It was originally a tradename owned by in for a Tessar-like lens. Sontheim's coat of arms includes a symbol of the sun. Nettel merged with August Nagel's in 1919. The resulting AG in Stuttgart was one of the companies that merged to form the Zeiss Ikon AG in 1926. When the modern Zeiss lens had been designed by Bertele, Zeiss re-used the old Nettel tradename in order to build on the sun association to emphasize on the lens' large aperture (), which was much greater than many other lenses available at the time. The first Zeiss production Sonnar was a 1:2.0 50 mm lens with six elements in three groups created for the Zeiss Contax I rangefinder camera in 1932. In 1931 ...
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Hologon
The Zeiss Hologon is an ultra wide-angle f=15mm 8 triplet lens, providing a 110° angle of view for 35mm format cameras. The Hologon was originally fitted to a dedicated camera, the Zeiss Ikon Contarex Hologon in the late 1960s; as sales of that camera were poor and the Zeiss Ikon company itself was going bankrupt, an additional 225 lenses were made in Leica M mount and released for sale in 1972 as the only Zeiss-branded lenses for Leica rangefinders until the ZM line was released in 2005. The Hologon name was revived in 1994 for a recomputed f=16mm 8 lens fitted to the Contax G series of rangefinder cameras. Design The Hologon was designed by and others at Zeiss in 1966 and patented in 1972. It is a largely symmetric triplet with a fixed aperture; the original German patent application describes a lens with 120° angle of coverage and a 8 maximum aperture, while the US patent expands this to three related designs with different coverage angles and apertures (120° 8, 110° 5.6, ...
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