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Confidant From The Batlló House
The Confidant from Casa Batlló, also known as the Double Sofa or Banc de dues places (Two-seater bench), is a furniture piece designed by Antoni Gaudí. Originally designed for the dining room of Casa Batlló on Barcelona's Passeig de Gràcia, the chair is currently exhibited in the Modern Art collection of the Museu Nacional d'Art de Catalunya and at Casa Museu Gaudí (Gaudí House Museum) in Barcelona. Replicas are displayed at the Gaudí-designed Casa Batlló and Casa Milà (La Pedrera). Description Despite being described as a bench, the confidant is in fact composed of several pieces and does not resemble the classic linear bench with a single solid seat. Instead, two individual seats are divided by a shared central armrest, and each seat is slightly angled away from the armrest. Because of the angled seats, the confidant has three legs in the front, with the center front leg shared by both seats, but only two legs in the back. Constructed in ash wood in the Casas i Bardé ...
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Antoni Gaudí
Antoni Gaudí i Cornet (; ; 25 June 1852 – 10 June 1926) was a Catalan architect from Spain known as the greatest exponent of Catalan Modernism. Gaudí's works have a highly individualized, ''sui generis'' style. Most are located in Barcelona, including his main work, the church of the Sagrada Família. Gaudí's work was influenced by his passions in life: architecture, nature, and religion. He considered every detail of his creations and integrated into his architecture such crafts as ceramics, stained glass, wrought ironwork forging and carpentry. He also introduced new techniques in the treatment of materials, such as ''trencadís'' which used waste ceramic pieces. Under the influence of neo-Gothic art and Oriental techniques, Gaudí became part of the ''Modernista'' movement which was reaching its peak in the late 19th and early 20th centuries. His work transcended mainstream ''Modernisme'', culminating in an organic style inspired by natural forms. Gaudí rarely dre ...
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Forging
Forging is a manufacturing process involving the shaping of metal using localized compressive forces. The blows are delivered with a hammer (often a power hammer) or a die. Forging is often classified according to the temperature at which it is performed: cold forging (a type of cold working), warm forging, or hot forging (a type of hot working). For the latter two, the metal is heated, usually in a forge. Forged parts can range in weight from less than a kilogram to hundreds of metric tons.Degarmo, p. 389 Forging has been done by smiths for millennia; the traditional products were kitchenware, hardware, hand tools, edged weapons, cymbals, and jewellery. Since the Industrial Revolution, forged parts are widely used in mechanisms and machines wherever a component requires high strength; such forgings usually require further processing (such as machining) to achieve a finished part. Today, forging is a major worldwide industry. History Forging is one of the oldest known me ...
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Neo-Gothic
Gothic Revival (also referred to as Victorian Gothic, neo-Gothic, or Gothick) is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. The Gothic Revival movement's roots are intertwined with philosophical movements associated with Catholicism and a re-awakening of high church or Anglo-Catholic belief concerned by the growth of religious nonconformism. Ultimately, the "Anglo-Catholicism" tra ...
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Sagrada Familia
Sagrada is a Spanish word meaning "sacred". It may refer to: *Sagrada, Missouri, a community in the United States * La Sagrada Família, a church in Barcelona, Spain *Rhamnus purshiana ''Frangula purshiana'' (cascara, cascara buckthorn, cascara sagrada, bearberry, and in the Chinook Jargon, chittem stick and chitticum stick; syn. ''Rhamnus purshiana'') is a species of plant in the family Rhamnaceae. It is native to western N ...
, a medical plant commonly called ''cascara sagrada'' ("sacred bark") {{dab ...
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Liberty Style
Liberty style ( it, Stile Liberty) was the Italian variant of Art Nouveau, which flourished between about 1890 and 1914. It was also sometimes known as ''stile floreale'', ''arte nuova'', or ''stile moderno''. It took its name from Arthur Lasenby Liberty and the store he founded in 1874 in London, Liberty (department store), Liberty Department Store, which specialized in importing ornaments, textiles and art objects from Japan and the Far East. Major Italian designers using the style included Carlo Bugatti, Raimondo D'Aronco, Eugenio Quarti, and Galileo Chini. The major event of the style was the Prima Esposizione Internazionale d'Arte Decorativa Moderna, 1902 Turin International Exposition, which featured by works of both Italian designers and other Art Nouveau designers from around Europe. Liberty style was especially popular in large cities outside of Rome which were eager to establish a distinct cultural identity, particularly Milan, Palermo and Turin, the city where the first ...
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Secession (art)
In art history, secession refers to a historic break between a group of avant-garde artists and conservative European standard-bearers of academic and official art in the late 19th and early 20th century. The name was first suggested by Georg Hirth (1841–1916), the editor and publisher of the influential German art magazine '' Jugend'' (''Youth)'', which also went on to lend its name to the ''Jugendstil''. His word choice emphasized the tumultuous rejection of legacy art while it was being reimagined. Of the various secessions, the Vienna Secession (1897) remains the most influential. Led by Gustav Klimt, who favored the ornate Art Nouveau style over the prevailing styles of the time, it was inspired by the Munich Secession (1892), and the nearly contemporaneous Berlin Secession (1898), all of which begot the term ''Sezessionstil'', or "Secession style." Hans-Ulrich Simon later revisited that idea in ''Sezessionismus: Kunstgewerbe in literarischer und bildender Kunst'', the th ...
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Jugendstil
''Jugendstil'' ("Youth Style") was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal '' Jugend'', founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration. Its major centers of activity were Munich and Weimar and the Darmstadt Artists' Colony founded in Darmstadt in 1901. Important figures of the movement included the Swiss graphic artist Hermann Obrist, Otto Eckmann, and the Belgian architect and decorator Henry van de Velde. In its earlier years, the style was influenced by Modern Style (British Art Nouveau style). It was also influenced by Japanese prints. Later, under the Secessio ...
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Modernisme
''Modernisme'' (, Catalan for "modernism"), also known as Catalan modernism and Catalan art nouveau, is the historiographic denomination given to an art and literature movement associated with the search of a new entitlement of Catalan culture, one of the most predominant cultures within Spain. Nowadays, it is considered a movement based on the cultural revindication of a ''Catalan identity''. Its main form of expression was ''Modernista'' architecture, but it also encompassed many other arts, such as painting and sculpture, and especially the design and the decorative arts (cabinetmaking, carpentry, forged iron, ceramic tiles, ceramics, glass-making, silver and goldsmith work, etc.), which were particularly important, especially in their role as support to architecture. Modernisme was also a literary movement (poetry, fiction, drama). Although Modernisme was part of a general trend that emerged in Europe around the turn of the 20th century, in Catalonia the trend acquired it ...
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Salvador Dalí
Salvador Domingo Felipe Jacinto Dalí i Domènech, Marquess of Dalí of Púbol (; ; ; 11 May 190423 January 1989) was a Spanish Surrealism, surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance art, Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, ''The Persistence of Memory'', was completed in August 1931, and is one of the most famous Surrealist paintings. Dalí lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he announced his ...
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ...
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Casa Calvet
Casa Calvet () is a building, designed by Antoni Gaudí for a textile manufacturer which served as both a commercial property (in the basement and on the ground floor) and a residence. It is located at Carrer de Casp 48, Eixample district of Barcelona. It was built between 1898 and 1900. Gaudí scholars agree that this building is the most conventional of his works, partly because it had to be squeezed in between older structures and partly because it was sited in one of the most elegant sections of Barcelona. Its symmetry, balance and orderly rhythm are unusual for Gaudí's works. However, the curves and double gable at the top, the projecting oriel at the entrance — almost baroque in its drama, and isolated witty details are ''modernista'' elements. Bulging balconies alternate with smaller, shallower balconies. Mushrooms above the oriel at the center allude to the owner's favorite hobby. Columns flanking the entrance are in the form of stacked bobbins — an allusion to t ...
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Palau Güell
The Palau Güell (, en, Güell Palace) is a mansion designed by the architect Antoni Gaudí for the industrial tycoon Eusebi Güell, and was built between 1886 and 1888. It is situated on the Carrer Nou de la Rambla, in the El Raval neighborhood of Barcelona in Catalonia, Spain. It is part of the UNESCO World Heritage Site "Works of Antoni Gaudí". The home is centered around the main room for entertaining high society guests. Guests entered the home in horse-drawn carriages through the front iron gates, which featured a parabolic arch and intricate patterns of forged ironwork resembling seaweed and in some parts a horsewhip. Animals could be taken down a ramp and kept in the livery stable in the basement where the servants resided, while the guests went up the stairs to the receiving room. The ornate walls and ceilings of the receiving room disguised small viewing windows high on the walls where the owners of the home could view their guests from the upper floor and get a "s ...
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