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Confesión
''Confesión'' is a 1940 Argentine musical drama film directed by Luis Moglia Barth and starring Hugo del Carril, Alberto Vila, and Alita Román. Cast * Hugo del Carril... Ricardo Morales * Alberto Vila...Ernesto * Alita Román ...Elena Reyes * Miguel Gómez Bao ...Director * Ana María Lynch...Anita * Max Citelli ... Adiestrador de gallinas * Pablo Cumo * César Fiaschi...Cernadas * Pedro Fiorito...Zorzal * Celia Geraldy ... Mujer en boite * Iris Martorell... Sra. Bevilacqua * Herminia Mas...Mujer en tren * José Otal...Maldonado * Sara Prósperi... Mujer en juego de cartas * Juan Miguel Velich * Oscar Villa...Paulo * Ernesto Villegas... Néstor * Jorge Villoldo Jorge is a Spanish and Portuguese given name. It is derived from the Greek name Γεώργιος ('' Georgios'') via Latin ''Georgius''; the former is derived from (''georgos''), meaning "farmer" or "earth-worker". The Latin form ''Georgius'' ... ... Carrero * René Cossa References ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Santos Discépolo
Enrique Santos Discépolo (''Discepolín'') (27 March 1901 – 23 December 1951) was an Argentine tango and milonga musician and composer, author of famous tangos like ''Cambalache'' and many others performed by several of the most important singers of his time, amongst them notably Carlos Gardel. He was also a filmmaker, actor and screenwriter. Life Discépolo was born in Buenos Aires on March 27, 1901. He was devoted to the arts from an early age and tried acting and theatre writing, with moderate success, before finally dedicating himself to tango. Although his decision to write popular music was not unrelated from his previous exchanges with theatre and acting, his elder brother Armando resisted this move and therefore in the beginning things were not easy for Enrique. Armando had taken over his education after his parents died when Enrique was very young. He wrote a few songs including the famous ''Que vachaché'' ("What Will You Do?") with little success until 1928, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luis Moglia Barth
Luis Moglia Barth (12 April 1903 - 18 June 1984) was an Argentina, Argentine film director and screenwriter, and one of the influential directors in the Cinema of Argentina of the classic era. He directed some 30 films between 1927 and 1959, often screenwriting for his pictures. He died in Buenos Aires, aged 81. Filmography Director: * ''Puños, chárleston y besos'' (1927) * ''El 90'' (1928) * ''Consejo de tango'' (1932) * ''¡Tango!'' (1933) * ''Dancing (1933 film), Dancing'' (1933) * ''Riachuelo (film), Riachuelo'' (1934) * ''Picaflor'' (1935) * ''Amalia (1936 film), Amalia'' (1936) * ''Santos Vega (1936 film), Santos Vega'' (1936) * ''¡Goal!'' (1936) * ''Melgarejo'' (1937) * ''La casa de Quirós'' (1937) * ''Melodías porteñas'' (1937) * ''El último encuentro'' (1938) * ''Paths of Faith'' (1938) * ''Doce mujeres'' (1939) * ''Una mujer de la calle'' (1939) * ''Huella (1940 film), Huella'' (1940) * ''Con el dedo en el gatillo'' (1940) * ''Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel Gómez Bao
Miguel Gómez Bao (1894 – 17 September 1961) was a Spanish-born Argentine actor of the Golden Age of Argentine cinema. He appeared in films such as '' Amalia'', (1936), '' Safo, historia de una pasión'' (1943) and '' La pequeña señora de Pérez'' (1944). He also did much work for radio and appeared on Radio El Mundo in the late 1930s. Selected filmography * '' Corazón ante la ley'' (1929) * '' La barra de Taponazo'' (1932) * '' Rapsodia gaucha'' (1932) * '' Streets of Buenos Aires'' (1934) * '' Mañana es domingo'' (1934) - Peringo * ''El alma del bandoneón'' (1935) * '' Puente Alsina'' (1935) * '' Puerto nuevo'' (1936) * '' Loco lindo'' (1936) - Transpunte * '' Amalia'' (1936) * '' Tararira (la bohemia de hoy)'' (1936) * '' ¡Goal!'' (1936) * '' El pobre Pérez'' (1937) * '' Muchachos de la ciudad'' (1937) - Tomado * '' La casa de Quirós'' (1937) * ''Maestro Levita'' (1938) - Dr.Ferran * '' El canillita y la dama'' (1939) * ''Kilómetro 111'' (1938) * ''Honeysuc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alita Román
Alita Blanca Barchigia (24 August 1912 – 15 April 1989), better known as Alita Román, was an Argentine film actress of the Golden Age of Argentine Cinema (1940–1960). She appeared in nearly 50 films between 1934 and 1982 and was a sought-after supporting actress, winning the Best Supporting Actress from the Argentine Academy of Cinematography Arts and Sciences for her work in '' Concierto de almas'' and playing in many box-office hits. She also performed in live theater and on television and radio. Biography Román began her career in theater in the early 1930s, debuting with Narciso Ibáñez Menta and later joining the company of Lola Membrives. Her film debut was in a 1934 Sono Film production, '' Riachuelo'', directed by Luis Moglia Barth starring Luis Sandrini and Héctor Calcaño. Her next film '' La Barra Mendocina'' (1935), written and directed by Mario Soffici, was followed by ''El alma del bandoneón'' (1935) with Libertad Lamarque and Alicia Barrié. In 1937, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Del Carril
Pierre Bruno Hugo Fontana, otherwise known as Hugo del Carril (30 November 1912 – 13 August 1989 in Buenos Aires), was an Argentine film actor, film director and tango singer of the classic era. Early life Born in Buenos Aires, del Carril was the son of parents of a rich economic position, his mother Orsolina Bertani was born in Argentina (daughter of the Italian Anarchist Orsini Bertani), but his father Hugo Fontana was an Italian architect, born in Milan. But in spite of the comforts and the comfortable life they led, his parents separated and young Hugo was left in the charge of a family friend. Career Del Carril originally began as a popular personality on Argentine radio, and parlayed that into a film career that began in late 1936. He was an immediate hit, and developed into one of Argentina's major film stars. He made some 50 film appearances as an actor between then and his retirement in 1976 but he turned to directing in 1949 and simultaneously directed, acted and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argentine Films Of 1940
A list of films produced in Argentina in 1940. See also * Lists of Argentine films References * External links Argentine films of 1940at the Internet Movie Database {{DEFAULTSORT:Argentine Films Of 1940 1940 A calendar from 1940 according to the Gregorian calendar, factoring in the dates of Easter and related holidays, cannot be used again until the year 5280. Events Below, the events of World War II have the "WWII" prefix. January * Januar ... Films Argentine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celia Geraldy
Celia Geraldy (Buenos Aires, Argentina, ? – Buenos Aires, 1977) was an Argentine vedette actress in film and theater. She was a '' femme fatale'' at the beginning of Argentina's golden decade of cinema. Filmography * '' Confesión'' (1940) * '' Eclipse de sol'' (1943) * ''Pasión imposible'' (1943) * '' La piel de zapa'' (1943) * '' Los dos rivales'' (1944) * '' La danza de la fortuna'' (1944) * ''La casta Susana'' (1944) * ''Mujeres que bailan'' (1949) * ''Yo no elegí mi vida'' (1949) * '' Arrabalera'' (1950) * '' Los Pérez García'' (1950) * ''Cinco grandes y una chica'' (1950) * ''Abuso de confianza'' (1950) * '' El zorro pierde el pelo'' (1950) * ''Escándalo nocturno'' (1951) * ''Deshonra'' (1952) * ''Vigilantes y ladrones'' (1952) * '' Trompada 45'' (1953) * '' Uéi Paesano'' (1953) * '' Un hombre cualquiera'' (1954) * ''El Calavera'' (1954) * '' Un novio para Laura'' (1955) * '' Sangre y acero'' (1956) * '' El jefe'' (1958) * ''Yo quiero vivir contigo '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Citelli
Max Citelli (born 22 January 1923) was an Argentine film actor, active during the Golden Age of Argentine cinema between 1936 and 1959. Filmography * Mi esqueleto (1959) *El Festín de Satanás (1958) * Fantoche (1957) * Cuando los duendes cazan perdices (1955) * Mi viudo y yo (1954) * La tía de Carlitos (1952) * El Mucamo de la niña (1951) *Me casé con una estrella (1951) * Los isleros (1951) * ¡Qué hermanita! (1951) * La comedia inmortal (1951) * Cuidado con las mujeres (1951) * Mi noche triste (1951) * El crimen de Oribe (1950) .... Lacava * Cuando besa mi marido (1950) * The Seductor (1950) * Esposa último modelo (1950) *Piantadino (1950) * Juan Globo (1949) * El Extraño caso de la mujer asesinada (1949) * ¿Por qué mintió la cigüeña? (1949) * La serpiente de cascabel (1948) .... Damián *Don Bildigerno de Pago Milagro (1948) *White Horse Inn (1948) * Una Atrevida aventurita (1948) * 27 millones (1947) * The Little Parade (1947) *Madame Bovary (1947) .... Sr. Binet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mario Maurano
Mario Maurano (6 August 1905 - 27 December 1974) was an Argentine film score composer and pianist, best remembered for his tangos. He was especially known for his orchestral work supporting starlet Libertad Lamarque, with songs including ''Te quiero'' (1946) and many more. He was a frequent collaborator with director Luis Moglia Barth in the Golden Age of Argentine cinema, and was particularly prolific in the late 1930s and 1940s, composing for films such as ''Twelve Women'' (1939), '' Confesión'' (1940), '' Con el dedo en el gatillo'' (1940), '' Huella'' (1940), and '' Boína blanca'' (1941). He also worked on films such as ''Caminito de Gloria'' (1939) with Luis César Amadori, and ''La Verdadera victoria'' (1944) with Carlos F. Borcosque. Selected filmography * ''Paths of Faith'' (1938) * ''The Life of Carlos Gardel'' (1939) *''Educating Niní'' (1940) * ''Girls Orchestra'' (1941) * '' Saint Candida'' (1945) References External links *Mario Mauranoat Cinenacional.com Cinen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homero Manzi
Homero Nicolás Manzione Prestera, better known as Homero Manzi (November 1, 1907 – May 3, 1951) was an Argentine tango lyricist, author of various famous tangos. He was born on November 1 of 1907 in Añatuya (province of Santiago del Estero), Argentina. Manzi was interested in literature and tango since he was young. After a brief incursion in journalism, he worked as a literature and Spanish professor but for political reasons (in addition to his membership in the Unión Cívica Radical) he was expelled from his professorship and decided to dedicate himself to the arts. In 1935 he participated in the beginnings of FORJA (Fuerza de Orientación Radical de la Joven Argentina – Force of Radical Orientation of the Young in Argentina), group whose position has been classified as “peoples nationalism”. It was centered almost exclusively in the problems in Argentina and Latin America. They manifested to “reconquer the political Sunday from our own land” since it was consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Mac Dougall
Hugo Mac Dougall, born Hugo Mascías (9 December 1901 – 15 May 1976 in Buenos Aires) was an Argentine writer, screenwriter, and journalist. At the 1943 Argentine Film Critics Association Awards, Mac Dougall won the Silver Condor Award for Best Original Screenplay for his work '' Malambo'' (1942). He won it again the following year for his script co-written with Rodolfo González Pacheco and Eliseo Montaine for ''Three Men of the River'' (''Tres hombres del río'')(1943). Biography His maternal grandfather was Hugh Mac Dougall, a Scottish man who emigrated to Argentina. He settled in the province of Entre Ríos, where he owned several ''estancias''. One of his daughters was Margarita Mac Dougall. She married José María Mascías, a Catalan immigrant born in Reus, Tarragona on April 17, 1864 and from this marriage was born Hugo Mascías Mac Dougall. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José Otal
José is a predominantly Spanish and Portuguese form of the given name Joseph. While spelled alike, this name is pronounced differently in each language: Spanish ; Portuguese (or ). In French, the name ''José'', pronounced , is an old vernacular form of Joseph, which is also in current usage as a given name. José is also commonly used as part of masculine name composites, such as José Manuel, José Maria or Antonio José, and also in female name composites like Maria José or Marie-José. The feminine written form is ''Josée'' as in French. In Netherlandic Dutch, however, ''José'' is a feminine given name and is pronounced ; it may occur as part of name composites like Marie-José or as a feminine first name in its own right; it can also be short for the name ''Josina'' and even a Dutch hypocorism of the name ''Johanna''. In England, Jose is originally a Romano-Celtic surname, and people with this family name can usually be found in, or traced to, the English county of C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
